“Would you like to come to the rabbit today? ? ~Dear My Sister~” is a special new movie released at the Japanese cinema on November 11th last year. The BD of this book was released on May 30th. The limited edition BD is accompanied by Supervisor Hashimoto Yuki and Animation Producer Kentaro. And the interview with the music producer, Teng Pingzhi, can also understand the positioning and behind the scenes. .
Two years of waiting for the new work.
First, the service department Kentaro said that because it was the first time to be the producer of the “Rabbit” series, it was very stressful. The second season of TV animation is already in 2015, let the fans wait for two years, and after the public PV in September 2017, it is quite uneasy, but on the first day of the release, I saw the enthusiastic reaction of the fans for the time being. . Hashimoto Yuki thinks that the animation that has been in the form of TV playback has been put on the big screen. It is very doubtful for the audience to be satisfied, but it is very good to see the audience satisfied. It is. .
Music, the role of the character song continues after the end of the second season, music producer Fujimoto Takao said that it is difficult to feel the change from the fan response, but the “Rabbit” series of character songs plus animated theme songs There are already dozens of albums, so this theme song hopes to convey the feeling that the audience “The Rabbit Comes Back”. The theme song started in 2016, so I made a lot of Mix adjustments in the middle. Hashimoto’s supervision is not a full-scale supervision, and it is the finished product. The genre is also very “point rabbit”. I believe that fans will think like this, and there is no sense of violation. The seiyuu who played the game by Fujiwara said the same thing. Listening to the accompaniment without human voice can feel the music of this work. .
Essential positioning is a common special OVA.
When it comes to the ideal type of “Bunny Rabbit” that the animation maker wants to do, the producer of the clothing department said that the good place for “Point Rabbit” is “Nothing happens.” Because it is a work that describes “every day”, everyone goes out together and changes the class when they go to school. These little things are big things for female high school students. They pay special attention to these points in the production. This is discussed at the beginning of the production. . In addition, as a preparation for the cinema, how to develop the plot, and how long the new work is fixed, is 30 minutes or 40 minutes, or 60 minutes, was still very hesitant. .
Finally, Hashimoto felt that it was most appropriate as an episode of OVA, and it would seem strange to force the chapters in the original to be combined. The idea of doing a “completely original plot” was also raised. Finally, Koi, the original work, puts forward the opinion – “How is the story of the love of returning to the hometown?”, so this script is also based on this. However, it is not enough to simply write a story of absent-mindedness, so I will return the fireworks after the original love. Because the originals are their own chapters, how to tie these scattered chapters together is something that both the animator and the original party are considering. .
After determining the content of the story, Hashimoto found it very difficult to stuff so much content in 60 minutes, because each character has its own personality. It is definitely not enough to fully display the personality of each character for 60 minutes. Use. During the production process, I suggested to Koi whether I could make some drafts to sort out the content. As a result, Koi handed in the comics, and the content was close to the split for animation. The producers of the clothing department appreciated Koi’s professionalism. The comics section basically confirmed the impression of the whole work. There are very few original authors who can make such great efforts in animation production. .
The specific picture of the superimposed picture of the bridge and the deputy supervisor, かおり is responsible for the second quarter of the tenth section of the mirror, and the style of Hashimoto supervision is similar, while Koi’s comics are based on the basis, so Can rest assured.
The service department mentioned that although it was in the cinema, it was originally produced as OVA. The length of the OVA and the TV set should be similar, so the new OP and the new ED were originally intended to be ordinary one minute and a half length, and later changed to After 60 minutes, I made two changes. First, the OPED song was changed. The original bright OP was placed at the end position. At the same time, the rattan music producer asked the OP whether to play the full version directly, instead of the normal length of 1 minute and a half. This request was also rejected by the supervisor. A few times, because I can’t find a place to delete, I put the full version of the theme song into it. The result is that STAFF controls the length to exactly 60 minutes and makes a little sacrifice. The service department added that for commercial reasons, the 60-minute indicator must not be exceeded, so it took a lot of effort in the compilation process. . Among them, the scenes of Aoyama Kazuo and the fathers of Lishi and Zhinai are almost gone, but because all the characters are gathered together, they are fans’ movies, so they tried not to delete them. .
Music is one of the core parts of the “Rabbit” series.
Referring to the music of “Bunny” series, Fujii felt that he had to start from the first season OP “Daydream cafe”. At that time, this song was considered to be the most unplayed. Everyone did not agree, but under the insistence of Fujii Convince the surrounding STAFF, that is, at that time, the music style of the “Bunny” series was decided. The composition of Okubo Kaoru became part of the work, plus the lyrics of the murderous “こころぴょんぴょん” “Daydream cafe” and “The Rabbit” are themselves integrated, and the composition behind is basically in this direction. .
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The first episode of OP “Daydream cafe” is very impressive for all fans of “Rabbit”. .
Since then, “Bunny Rabbit” has produced many character songs. Some of them have influenced the original work because of the setting of music. For example, in the character song, several characters are combined to make a unit, and the original is in the original. There may be a story related to this unit. It can be said that the original works, music, and animation are all related to each other. .
When it comes to the film that is particularly noticed as a film, Hashimoto’s supervisor thinks that it is the beginning first. This is the scene of the running of thousands of nights and the yarn road, not the love and wisdom of the protagonist, because this is a movie. So specially chose this way. In addition, because my heart is back to my hometown, the story of my hometown and the story that happened at Rabbit House are interspersed. The time flow is difficult to express. My loved one stayed at home for four days, but in fact the audience may only feel it. For two days, the balance of time is difficult to control. .
Three favorite scenes.
The clothing producer’s favorite is Li Shi as the instructor to command Zhi Mahui three cleaning scenes. Li Shi seems to be the position of his sister in the eyes of three people, but in fact four people are on the same level. .
藤平 is the favorite of the music producers or the scene of the final fireworks and then the theme song, because he has a lot of requests and the impression is also profound, but also reminds him of the last episode of the first season. Scene. .
Hashimoto’s favorite is the scene where he loves to return from his hometown. Because Hashimoto has the experience of leaving Tokyo from his hometown of Kyoto, he wants to take the feeling of leaving his hometown with a positive attitude. He loves to leave home. What do she thinks about herself? What will the beloved family do to leave their beloved? I think that only in this way can we make a sense of family atmosphere. .
Because in the last episode of the second season, the relationship between Chi Nai and his beloved is further clarified, and Chi Nai growth also recognizes her beloved as a sister, so in her new work, she needs to further develop the relationship between the two to reflect the growth of Chi Nai, including Zhi Nai invited everyone to participate in the fireworks’ exhibition and finally reached out to the scene of saying “welcome back” to the beloved. In fact, there is ambiguity between STAFF in the last scene, but the supervisor feels that it is not the end of the relationship between the two people, but further to this level, there is some hesitation for supervision. Because the return of the beloved is the most happy thing for her. If the list of producers is played at the end, the daily scenes are interspersed, and D-part (after the screening of the production list) is returned to the ordinary every day. The need to “welcome back” scenes has been greatly reduced.
Hashimoto believes that in this image, the choice of lines and the choice of soundtracks will have a great impact on the conveyance of feelings. When Hashimoto connected the final scene to the D-part, he felt that “this may make People want to see it again.” The “Bunny Rabbit” series has a touch of warmth, but it is basically a feeling of “being happy with everyone!” The theme song is also the theme of “happy”. Zhi is the most growing character in the role, but can’t grow too much, and the balance here is hard to control. Fujiwara feels that this kind of hope growth is not excessive growth. This accumulation is also the “daily” itself. For middle school students themselves, it may be more like an adult, but in the eyes of adults is only a minor change. .
The multifaceted nature of the character.
When it comes to Koi’s original role, it seems that there are many faces. Hashimoto said that many of them are slowly revealed in the original work. For example, Li Shi was the first to be a meticulous image of a soldier, but now it is a sister role full of girls’ hearts. It is not that the nature of the character itself has changed, but that the character itself has grown up on the ground, and there is a character that cannot be moved on the roots. However, there is plasticity on the surface of the character, and it is precisely because of this that a series of character songs can be composed. Various units, this is also an advantage in this development. As a music producer, Fujiwara is able to make a series of character songs. .
Finally, Hashimoto and Fujii sighed that the popularity of this book is lasting. This is completely different from the works they have participated in. Every time they participate in the live event, they will be shocked by the enthusiasm of the fans.