The critics and novelist Yukio Hiroshi said that if the primary school student Xiao Ming learned that “the last day of the summer vacation was crying and making up for a holiday homework”, it’s in his thirties, don’t say every year, even every month, every I have to go through a week in mobile phones and web games, and I will probably cry out in despair

(https://twitter.com/MAEZIMAS/status/1161633089530916866).

Discussion on whether Bread Superman contributes to the violent tendencies of young children and continues to ferment. Illustrator sushi has long heard that the killing skills of children’s programs will not cause problems if they are shock waves. He also believes that even if children imitate this kind of nirvana play, people around can be assured. Sushi thinks that the program of “Kamen Rider” has become less and more like the fighting skills of boxing and meat fighting. It is difficult for children to imitate nirvana, and it may be a way to avoid adverse effects

In other words, the sushi was often seen a long time ago when the “turtle ~~~~ pie ~~~~ gas ~~~~gong~~~~” was defeated by the “Beidou Baishu Boxing”. And he himself remembers that the “Spestham Light” released when he was a child is completely useless

(https://twitter.com/t_kotobuki/status/1161843137637056514).

Book editor Nakamura said that if you are in a state where you have something to write, but you can’t write an article, please put down your pen and record what you want to say with a tape recorder or something. ,listen and see. In doing so, you can stimulate different parts of the brain and let the brain get organized so that you can find tips for writing

(https://twitter.com/naka727/status/1161206317890932737).

Animated performer Hashimoto Yuki said that he personally thinks that it is suitable for the animation industry:

• No matter what happens, you will do what you want to do
• People who want to do something for others
• A person who doesn’t think about things for tomorrow

Although there may be other conditions, Hashimoto feels that as long as it meets one of them, it will be able to mix in the animation industry for many years

(https://twitter.com/lainnet01/status/1161656748035334144).

Light novelist Uno Parker recalls the basics: When describing a powerful role, “only one can’t deal with anything, who is important” is very important; in turn, when describing weak characters, “the only one is absolutely What is the point of not retreating is also very important

The same is true when describing geniuses. While describing the peculiar thinking and sensibility of their extraordinary mortals, we must ensure that “the part that is common to mortals”. For example, if you like cats, you can’t help but eating ramen in the middle of the night. You can do anything. An “alien” that has nothing in common with the reader is hard to show charm. This is equivalent to the “eye” that is the finishing touch

Modern stories are valued by characters. Even if other parts are insufficient, as long as the characters are attractive, you can expect to be able to fight. And the charm of the character is a weapon that can be applied to most types of works, and there is no reason not to polish it. Don’t be slow to describe the characters

Charismatic characters have a consistency in people’s lives, but at the same time they have wonderful changes. At the same time, the personality is described as distinct, but it does not easily reveal the whole picture. There is always a secret hidden somewhere. Depending on the situation and the objects they face, they will show different aspects, but all of them are connected on the ground

It sounds like you are talking about Zen, but the most basic one is still the contrast. A little hateful, vulgar character hidden in the heart of Gao Jie’s character reveals a sense of aesthetic consciousness and the courage of a coward. As long as these contrasts are spilled into the work, it will be like a small pepper, which will bring a strong sense of excitement

To put it bluntly, this is like “a terrible character, let him go to the grave.” At the moment of sweeping the tomb, the reader will understand that he is not a “just scary” character and has lost anything. Readers can imagine that he is not just an “enemy” but a “person” background. It is such a thing to let the character have flesh and blood

It’s not that you have to “give room for sympathy”. If necessary, he can also be used to kick the tombstone while sweeping the grave. This can also reflect his human taste in the form of “the dead person still stays in his heart.” Isn’t there a scene in Jojo’s Bizarre Adventure: JoJo asks Dior to “swear like his father,” and Dior listened and was furious. That’s it

Of course, the most advantageous of this kind of “personality method” is the number of books that have been read. No matter what the media is, you have to read a lot of masterpieces. The masterpiece describes “humanity.”

Their writers, compared to the skills of embroidering their legs, are more than the backbone of “what has been read before”, “what has been experienced” and “what kind of thinking”. The technique of moving hard sets is useless. First of all, you must strengthen your backbone. This will directly relate to the style of your work

Some people think that “anyway, writers actually hide useful methodologies and don’t tell others”, but Uno’s opinions are different. The so-called creation theory, no matter how superior, is just a frame, a guide. The key is what you have to put inside. This “thing” installed is the biggest black box. Basically, it cannot be reproduced except for the writer himself

(https://twitter.com/UnoBokuto)