Some netizens asked whether the editor-in-chief of Ogano Kentaro, the comic editor of the comic “Magnetic Cannon of a Certain Science”, also had an original plot. Ogino replied: Unlike the previous two issues, the original of the third issue is very rich

(https://twitter.com/gouranga_/status/1208717790871343104).

The cartoonist Guiji Yamamoto said that some people would think that the entertainment works or political ideas they support “such awesome things, but some people do n’t feel good because these people are ignorant, lack understanding, so poor” or “I want to educate them to make them like it. “ In Yamamoto’s view, these talents were too ignorant and arrogant, and they did not consider it at all: others may have sufficient knowledge and judgment, and have understood what they support, but still cannot resonate

(https://twitter.com/atsuji_yamamoto/status/1207087445046464512).

The cartoonist Yosuke said, “Who can hold a greater amount of information in comics and novels” may cause controversy. But many people who have done both have said: “In fact, the novel is more informative.” Comic dialogue bubbles can bear less information than expected, so the cartoonist must understand that there will be a certain degree of misreading or insufficient information while deleting the number of words, otherwise it will be too wordy

The difference in the amount of information leads to a harm, that is, when the script or novel is adapted into a comic, it may not be possible to stuff the original line of speech into the comic bubble. Therefore, the caricature needs to “simplify” the original technology

(https://twitter.com/yohsuken/status/1208919593927884800).

The cartoonist Sugimoto Aya said that she had gone through a demon-like breakup meeting, and had about 40 editors read her breakup draft and voted to get the first place in the work, but the breakup was still Failed to pass. She understands that because the book sales are sluggish, the publisher has made such a decision after repeated intensive inspection; but the publisher is so cautious that the magazines it makes are not sold in convenience stores. In this case, the writer might as well publish himself while the work is still angry

(https://twitter.com/SugimotoAmiInfo/status/1206978896899391488).

The cartoonist Gong Yueguang criticized the way 40 editors voted. He believes that in this selection, more “few works” are selected than “interesting works”. It’s better to let someone with a comic vision

(https://twitter.com/h_yuzuki/status/1207586784047034371).

The cartoonist Matsuda Mirai said that even if the editorial department and the cartoonist think so much, most of the work will be cut off. This is the seriousness of the world of comics. He also accepted this point before choosing the job of cartoonist, there is no complaint about this. But …

Nowadays, physical magazines are getting worse. In this way, when the magazine chooses which works to serialize, it will demand “stable” or “precedent” for the works. Although the serialization launched in accordance with the previous example is safe, it is difficult to sell special sales. This vicious circle makes the momentum of the magazine more and more weak

The so-called submission system and the method of indiscriminately realizing the creation of online works may be some kind of counterattack on the spread of this judgment, and it also proves from the negative that the editorial department has not judged anything interesting

Some people may say, then you can just go and draw the net. But although this approach has wider opportunities, it is easy to treat writers as consumables behind it. Under this power relationship, the writer will bear more risks

But Matsuda didn’t think it was bad editing, and the editors at the scene were very hard. It’s the problem of the business policy of selling comics that has changed, but it can’t keep up with the changes in the market. In the end, they did not make any changes to the structure of selling physical books

(https://twitter.com/macchimc72/status/1207591847406657536).

The cartoonist Bi Ye ぴ ん く thinks that if all cartoonists start to draw cartoons for business, there will be no “work” born. She hopes that the publishing house and editorial department can have professional businessmen, either coax the cartoonist to paint “sellable works” or turn the “work” into a “commodity” that can be sold well

(https://twitter.com/pinkjyoudai/status/1207489970400833537)