Work is painful and I am very happy to write articles

Drummer and composer Shinmoto Yamamoto shared the easy-to-understand instructions on the score:

Drum of cattle × plus flowers.

Super diao’s guitar.

The strongest phrase.

Drums and flowers like fierce ghosts.

(https://twitter.com/maokiyamamoto/status/1213813475790610433).

Doujin illustrator キ ノ コ ウ タ ロ ウ -R has always believed that people who paint well are those who “draw like breathing” and feel painful trial and error for the average person, So if you want to improve your painting skills, you must first have the psychological quality to enjoy trial and error. However, when he told this argument to someone who wanted to improve his painting skills but was very painful, he was blacked by the other party. He made up his mind not to share his proposition with others this year

(https://twitter.com/Kinoko_Utarou_R/status/1214059356364267520).

Animation critic Fujita Ryota said that the same is true of people who make a living by writing articles. In his cognition, writers are very painful at work, but like to write articles. The writers are all a group of people who “don’t know why the average person writes a sentence” It’s embarrassing to write so long “after an email that is not long

(https://twitter.com/fujitsuryota/status/1214349645599522817).

Editor た ら れ ば shared a practical writing technique:

  • After writing, read it again before sending. You are not a genius.
  • In short, be sure to repeat it from beginning to end.
  • Allow enough time for re-reading.
  • Do n’t hesitate to change.
  • Even if it will cause delays, it must be re-read (the time you re-read can save the time someone has to modify)
  • Let go after rereading, this is the same as taking a child.

た ら れ ば said that many people would not reread the articles they wrote, which surprised him: do n’t you look in the mirror before you go out ? In the articles written by these people, many mistakes and misstatements that can be significantly reduced by re-reading will be retained. He suggested that everyone should read it again. Also look in the mirror when you go out

(https://twitter.com/tarareba722/status/1213063773486845957).

The critic and novelist Kenjima Mae said that his writing method is this: If someone asks him to write a 2000-word manuscript, he will write 3000 words first, then delete it to around 2000 words, and then combine with paper layout (41 words × 50 lines) adjustment. Therefore, if he writes this way, he will inevitably reread it

However, Maeshima does not mechanically delete words like “seems”, “such”, “I think”. Sometimes, the sense of ambiguity, the inability to assert, the sense of non-interference, and the breath of the article brought by these sentences will be essential. Conversely, without these statements, the article will all be assertive, and it will be very stiff, and sometimes it will make people feel oppressive and aggressive

Maeshima believes that the process of “deletion” is very important. He set a rule for himself, even if he is contributing to the online media with no word limit, he must delete about 1/4. In this way, even the long part at first glance, he can judge whether it is “long because of no scrutiny”, or “long is necessary for this article” … probably

(https://twitter.com/MAEZIMAS/status/1213325913238073345)

Contributor Maeda said that when he sorted out the voice actors interviews, he would be distressed and wondered to what extent he should retain the voice of voice actors. Recently, because of broadcasts, online programs, offline events, etc., many seiyuu fans can hear the seiyuu’s non-playing role and the usual tone of speech. So, should the interview draft also be close to this impression? Or should it be clear that written articles are written articles?

Of course, it is absolutely impossible to write down what the seiyuu said intact

(https://twitter.com/maeQ/status/1214194649587339264).

Maeda ’s troubles caused a lot of contributors to resonate: want to retain the interviewee ’s own personality and the atmosphere of the interview dialogue, and want to write a beautiful and easy-to-read article, how to balance the two aspects, Is a subject they are always groping

Contributor Pingyan Zhenfu also said that when he kept the voice of the seiyuu and wrote the interview manuscript, the manuscript returned to his hand, but was changed into a neat written language by the red letter, which made him feel Very sorry

(https://twitter.com/hiraiwa/status/1214197966384140289)