ダ・ヴィンチニュース published. “The ultimate will be you” special feature. , a detailed interview with the protagonist seiyuu, the original and this supervised Kato Cheng, follow-up may have scripts and other specific interviews, this article introduces this interview for supervision, talk about the issues related to supervision and performance. .

I hope that the power of the animation production site can go together.

First asked Kato supervision, did you observe the reaction of the audience after the broadcast, Kato said that this time did not pay attention to it, but spent time on the ground-based production, of course, not to observe the audience’s reaction Not enthusiasm for the work. The first time I was supervised, “Miss Sakurako’s feet buried under the body”, I watched the live broadcast every week and tracked the audience’s thoughts. This time I changed the direction. .

Kato thinks that his performance style is – pay attention to the space performance and composition type, does not pursue easy understanding on the screen, or after the image is made, the space that can be imagined to the audience is the best, for example, to behave The crying scene of the heroine, then compared to the crying face of the character directly, Kato is more inclined to put the camera behind the character, let the audience imagine the expression of the character. This work, “It will become you”, can also play his part of the preference. For example, only the hands or feet of the protagonist and the lamp, and some reactions or movements appear in the picture, let the audience try to figure out their expressions. .

. There are many local shots in the

Film. .

Kato is a performer from the production and has been exposed to all aspects of the scene, so I considered many questions such as “If I was supervised, what would I do?” Therefore, in the animation, the team is inclined to build, rather than a genius to support the entire team, animation should be more to test the team’s total force, let everyone’s strength to go together, this has been Kato’s efforts. .

So at the scene as a supervisor, Kato never let himself appear to be in a state of fatigue. Even if the previous day was overnight, he also maintained a positive mental state. Kato felt that the supervision of the work at the scene was actually close to the production, each seiyuu After the recording, they will greet and sing the voices with seiyuu, and praise the places where the seiyuu perform well. If you simply say “everyone is hard”, it feels too wasteful. Because of this, Kato Supervisor received a high rating in the interview with seiyuu. .

The original Zuo Guzhen also participated in the animation production in depth, and the weekly recordings were attended. At the same time, Kato also went back to Zhonggu to discuss some issues. For example, the lamp hates the original, and does not want to show the original. To others, this is a bit difficult for Kato to understand. If you make a film according to his own explanation, it will definitely cause errors with the original. This is also the most worrying thing for Kato before making it. So I have consulted a lot on the script and the original Zhonggu. .

The third is Kato’s own responsible mirror, because there is a scene in which the lamp is exposed, the nature of the lamp can be said to be the main axis of the character, then how is the character in this scene? In his own speech and reaction, Kato spent a lot of effort on this point. Although the lamp said that he did not want to accept others, the essence was that he was afraid of being alone and hoped that someone would understand her and accompany her. However, I don’t understand the feelings of like others. I hope to understand the feelings of a person. As the story develops, I gradually show my liking for the behavior, but I don’t have the consciousness, I’m not present at the time. The high school student is very close, and belongs to a passive state in which a person can’t make anything. After she touched various characters in the play, she slowly took the initiative. When is the change, how to change is Kato thinking. Of. .

Although “Like a person” is a theme of this book, “End will be you” is a lily-themed animation. The public is generally not exposed to lily works, so how to make more people like it to Need to think. Of course, the original fans are absolutely respectful. On this basis, as much as possible to attract more audiences, Kato had the idea of “this is not a very direct pure love work” when he first read the original work, but this is also the end Becoming a universality that you can be accepted by the public. .

The second time to do the feelings and goals of supervision

In the first time that Kato was supervised, “The body was buried under the feet of Miss Sakura,” OP Kato was only responsible for the time and was not responsible for the performance. The performance was performed by TROYCA’s veteran performer. Kato thinks that the OPD picture has something special to pursue, and also hopes to be responsible for the OP at the same time as Changjing Longxue. It seems that the animation responsible for the OP is supervised, and there are many cases of good works. .

This time in the production of the OP theme song, Kato made the impression of the screen to the producer before the song was produced, and put forward the request of “hoping to make such a world-view song”. .

Also in the supervision of TROYCA, the earliest cooperation with him was in “ALDNOAH.ZERO”. Before that, Kato was responsible for the performance of “The Song of Inari Love”, which was highly praised by the supervisors and producers. At that time, the producer Chang Yemin was the president of TROYCA, and he introduced him to know the cockroaches. Kato also felt that the images pursued by the two were close, so he worked under him and was responsible for assisting supervision. Position. Before Kato as the audience felt that the supervision of “The Realm of the Air” and “The Boys in the Waves” was very powerful, so I was very nervous at the beginning, and I learned a lot during the cooperation. I can say that I met Kato in the work experience. Although it is not a relationship between Master and apprentice, Kato is still as respectful as Master. The learning process cannot be regarded as “teaching” and can only be said to “stolen.” .

あおきえい Once said, “When you make a work, you want to eliminate the writer’s character, but you will definitely want to leave something after you become a picture.” As an animation supervisor, you will unconsciously leave your own personality, although the audience may be aware. No, but for example, the movement of the foot in the picture alone, Kato sees other animations sometimes can feel “the performance here is not the same”, such details accumulate for the final work can produce a lot of influences. .

In the first episode, many people noticed the performance of black tea. Of course, this is intentional, but it is not the point that the audience wants the audience to care about. Although the shape of the water becomes a subtle heart shape when water is added, But these shot that completely overlooks the teacup, Kato thinks that only he will do it. If there is such a picture, Kato feels that this kind of shot is naturally produced in his own thinking process. Although a viewer shows black tea, the process of water filling the cup slowly is also satisfied with the metaphor. The attitude began to change, and this interpretation became natural. .

In addition, when Kato draws the mirror, along with the character configuration, he often adds more acting and action. After that, he tries to catch up with the effect in the splitter, so the accident will produce a very thick card (more action, Make a lot of paintings). .

“Miss Sakura’s feet are buried under the corpse” because it is a unit drama, the connection between the case and the case is not very close, this time I want to connect the whole TV series together, the production pace is “Sakurako Miss” The burial of the body at the foot of the foot” goes further. Without shaking, clear intentions, and then controlling implementation, this is the greatest sense of accomplishment. Confident creators should be aware of what kind of picture they need to show, and then work hard to make the actual picture. This is also Kato’s own goal.