I had a teacher of sauce sirloin before the broadcast. 热情赞美 TV animation “The magic of the world and the slave magic of the summoning girl”, after the broadcast, really live up to expectations, and won the gratifying ratings on all major platforms, fully confirming the profound mass base of this work. .
However, although the work is full of unparalleled and meat, the animation supervisor Murano Yuta does not want to make it a work that only has sensory stimulation. To this end, he did not hesitate to violate the taboos of the “Long Aotian” works. In the serial interview of the animate Times, Murano supervised his intentions in animation. .
Before receiving the commission of “The Magic of the World and the Sorcerer’s Slave Magic”, Murano Supervisor never read a light novel. He is frank, he was somewhat prejudiced against light novels, and he believes that it has recently been filled with works that are too clever. .
However, “The Magic of the World and the Sorcerer’s Slave Magic” is completely different from the stereotype of Murano’s supervision. After reading this novel, he felt that this is a very straightforward work. The original author is not arrogant in order to win the eye, but to throw things that he feels good from the heart to the audience. Murano’s supervisor thought that if he wanted to do this animation, he hoped to highlight this. .
To make the animation of “The Magic of the World and the Slavery of the Sorcerer”, the picture will of course be wonderful; but the supervision of Murano is more important, it is that Diablo is very interesting as a protagonist. This work is the so-called “Dragon Aotian” system, Diablo is impeccable in the flesh, but the spirit has a fragile side. The protagonist has room to grow, which makes Murano’s supervision feel that it is valuable to create this story. .
Some works, the audience will think that “the girls really like this person”; but Diablo is not the case, he has the reason to attract girls, set the persuasion for the harem. Murano’s supervisor also pays great attention to detailing this when making animations. .
When setting up the animation production team, Murano’s supervisor proposed that he would like to invite Kim Shizue to serve as an animator. There are many gold works, the style is soft and full of temperature; coupled with the production company Asiatic Church is also good at depicting the soft character, Murano Supervisor expects that this partner can draw even in the late-night beauty of the river. Also outstanding and lovable characters. . After the
Animation, it is necessary to move it. It is important to be able to set the person to omit it without losing the charm of the original illustration. In this regard, gold also refers to the omission of the official comic version of the author Futian Zhiye. .
The actual painting that actually makes these figures move to supervise Nishioka Yuki, the pen is very slender and can draw the depth of the character expression. He and Murano’s supervisors have talked for a long time, and what aspects to pay attention to when describing each role. .
Nishioka once said that the characteristics of Ram and Shell are the core of these characters, he does not want to paint pure decoration. .
For example, Rem has a beast and a tail. If you leave the painting to the original painting, sometimes it will become a hairpin that will not move. Therefore, Nishioka wants to commission a painting. “When Lei is angry, please put your ears up.” “When you are depressed, please let your ears fall down.” Wait, and draw your ears and tails into organs that express your feelings. .
And Xuela’s tits are the same, not just the light painting is big, but to draw because of the big so move is not the same, to reflect the character’s personality. In this way, this role has a sense of existence. .
In terms of background art, Murano’s supervision and art supervision Okamoto Sakamoto discussed what the world outside of “Diablo’s eyes” should look like. Diablo’s true body, Bento, is really a home game house. Such a person suddenly crosses into a different world. What color does his real flower look like in his eyes? .
Unlike the room, there are all kinds of light and reflection when going outside, so the grass in the animation is not pure green, but a little yellow, pink and the like. Colour. Murano’s supervision wants to draw the charm of the world that Sakamoto has never seen before, because of the charm of the natural scene. .
Although the wind can’t be seen by the naked eye, as long as the flowing clouds are drawn, the audience can feel the wind blowing on the face of Diablo. Murakami’s supervision is also very dedicated to the picture and sound effects of the grass swaying in the wind.
Speaking of the setting of this different world, don’t talk about the audience, the village supervision is also a fog at the beginning. He asked the original teacher: “Is this world the world in the game, or is it just another world similar to the game?” Teacher Yan gave a long explanation and finally let the village supervisor suddenly realize. However, because it is too complicated, he decided that it is better not to touch this topic in the animation. .
In terms of music, when commissioning the composer Kato Yusuke, Murano supervised him to write “Music-like music.” He believes that “playing” the devil’s Diablo’s game house, Bento’s mind, should be such music; and he hopes to bring the audience the same experience as playing games. .
In addition, what Diablo wants to say is the protagonist who favors the dark side, so Murano’s supervision also proposes to let the music of the protagonist have a dark feeling, but the enemy is more like a hero. He believes that music is quite successful in this regard. .
The latest episodes 7 to 8 are the climax of the first half of the animation. In the seventh episode, the work touched the taboo of the “Long Aotian” light novel, so that the spirit of the protagonist fell into the bottom. The animation is a step further than the original description. .
At the beginning of the 7th episode, I described the real childhood of Sakamoto. Looking back at this psychological shadow, Diablo exposed the ugly side of the heroine at the end of the first half of the seventh episode. This is a big taboo in the “Dragon Aotian” series, and the teacher is very worried about this paragraph. .
However, Murano’s supervisor believes that if Diablo is not allowed to cross this psychological shadow and make changes to the animation ending, then the story will be short of two. He believes that compared with the protagonist who has no weaknesses, the protagonist who can overcome his weaknesses can win the audience support. He showed the teacher a good look at the mirror, and the teacher praised: “There are very few people in different worlds who are writing this kind of place.” This also gives Murano supervision confidence. .
“Long Aotian” is a basic part of the work, which is to save the heroine and show her handsome self. But in “The Magic of the World and the Sorcerer’s Slave Magic,” it’s not just Diablo. Ram and Xuela are solitary at the beginning of the story, without a partner. Murano’s supervision wants them to be embarrassed as the animation progresses, get partners, and arrive at the answer in the final set. Therefore, he wants to show who will support them when these characters are most depressed. For this purpose, even if the taboo is violated, this story cannot be deleted. .
However, in this episode of contraindications, the first half also described Diablo as a potion for the tits. Murano’s supervisor said that he was prepared for a full rest time in a heavy episode. When he first learned that such a large-scale content was to be broadcast at 22 o’clock so early, he had a cold sweat. .
In addition, at the end of this episode, Diablo’s slavery magic and Kira’s flute magic overlap each other. This is actually the originality of the animation. In the original, Diablo ordered, and Xuela gave an answer because of the power of the slave collar. However, in the animation, Murano’s supervision wants to add weight to this scene, so that Sheila is not because the magic reveals the true heart, but the ties that are built along with the partners and liberated Xuela from the magic that she has imposed. He also made this scene the focus when drawing the mirror. From the perspective of sweeping the heavy atmosphere in front and releasing the emotions of the audience, this scene is also the biggest attraction in this episode. .
But in front of such a handsome scene, Xuela’s clothes were melted by Slim. Murano’s supervision argued that this was not his own interest. As he painted the mirror, he felt that Xuela was really pitiful. However, when the heroine faced difficulties, the protagonist appeared on the scene, which was the most flamboyant story, so he had to ask Xuela to work hard. .
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『異世界魔王と召喚少女の奴隷魔術』村野佑太監督が語る7話で触れられた「俺TUEE系」ラノベのタブーとは