“lupin THE IIIRD Lie of the Second Son” is the third work by the playwright Takahashi Yuki and the supervising Koike Ken after the “Tomb of the Dimensional Dasuke” and “Ishikawa Five Youweimen of the Bloody Smoke”. Before the release, Takahashi Yu also accepted an interview with Rooftop and HYPER HOBBY to talk about the charm and creative ideas of this work
“LUPIN THE IIIRD” is a series of plans initiated by Koike Supervisor and executive producer Ishii Ike in order to return to the original comics and TV series, so the goal is to shoot a hard-core, adult-oriented Lubang works. In the past, Koike Ken was the role of the TV animation “LUPIN the Third – a woman named the second child”. This time, he continued to direct the “LUPIN THE IIIRD” series as a supervisor. The difference is that the small pool at that time did not. Participating in the creation of the plot, this time is the first peak of Xiao Chijian’s works. Takahashi participated in the production of this theatrical version in 2016, just after Takahashi III PART IV was written by Takahashi
At the time of writing “The Tomb of the Dimensional Dasuke”, Takahashi did not understand the style of Koike’s supervision, nor did he see another representative of Xiaochi’s supervision, REDLINE. The first time I saw the completion of the image, Takahashi was stunned and issued a sigh of “Little Pool Supervision is simply a genius.” After this experience, when writing “Ishikawa Five Youwei Gate” and “The Lie of the Peak”, Takahashi is also looking forward to the mood, because the performance of Koike’s supervision will always exceed His imagination. Takahashi never intervened in the mirror. He did not care about the changes in the lines. After all, Koike’s supervision must have his reasons
The first Luban series written by Takahashi is the Tomb of Daisuke. It is because of this success that he participated in the “PART IV” of Lubang III in the form of a series of compositions. The “Ishikawa Five Youwei Gate of Blood Smoke” and “The Lies of the Peaks”. “LUPIN THE IIIRD” was originally conceived in the first quarter of TV animation, and finally formed the form of the front and back. In addition to Ishii, Koike and Takahashi, representative of Telecom Animation Film, “Lubang III” series producer Jingyuan You and Suzuki Changtai, who is planning to develop, will also attend the script meeting
Originally based on the concept of Ishii’s conception, the role design of the small pool, from modeling to attacking methods, favorite foods, etc., Takahashi will sort out these materials and conceive the reasons for these characters to fight with the Dimension and Wuyouweimen. In the background section, let’s create the whole story. An enemy without personality will make the charm of the whole story indifferent. It is a factor that puts him strong or adds people to fear. Takahashi has to rack his brains for this thing every time. This time, it was also based on the outline of Ishii. It started with the villain of the villain. It did not trim the long hair, sharp eyes, slender body, slender nails, and looked like a zombie. It was supervised by Koike. After finishing the touch, Takahashi created his story background
The title of this time is added after Takahashi finished writing the script. Lying is a common occurrence for the children, and there are countless lies in the story, either obvious or elusive. The new attempt to join this time is about whether there is maternality in the second son. Whether it is the young Jen or the enemies of this time, Bingham, it is the opponent of the “two lure” weapons and the words that can’t work. In the face of such a role, how to face the difference, this is the theme of this work. One, this is also the part of the past where the second son did not perform
Jean is still a child, so the color induces no use for him, and the child is the weakness of the child. Thus, the motherhood that the two sons did not expect was revealed. What exactly is this in the play, please wait and see. The battle scene between the two sons and Bingham is also the performance of the past. In the past, there was always doubt that the second son was not suitable for acting. This time Takahashi decided to let the children have a good time. Please be sure to expect Xiaochi to supervise the exquisite action scene
Regarding the shaping of these two roles, Takahashi said that there is no obvious prototype reference, and he is purely aware of the role that makes the two sons not good at dealing with. Because it is a strong enemy, it must be shown that this is an enemy that the two sons can hardly beat. Under the condition that both color and speech are “sealed”, how will she turn her life into danger, which is also the subject of Takahashi this time
For Takahashi, the status of the light peak is the female spy and the female thief is full of infinite reverie. On the beauty, she is a perfect woman. Her charm can’t be written, high. Bridge said that she hopes to write the incomprehensible side of the woman, not only to write her strong side, but also her weak side will make her more human. When he is writing, he will not directly write the “mood” of the character, hoping to express it in a more awkward way. After all, the role of the second son cannot be “taken as one’s own”. The audience must have their own opinions. It is up to the person watching to judge and understand what kind of woman is the second child
In Takahashi’s view, the story of “Lubang III” is not limited to a range, full of unlimited potential, of course, this is also a relatively difficult part to write. With a history of more than half a century, it has been enduring for a long time. In addition to the madness, Kochi Supervised LUPIN THE IIIRD can make people feel the real sense of sound, movement and picture. The scenes of gun battle and chasing cars are particularly shocking. This is inseparable from the persistence of Koike’s role in acting
In fact, Takahashi also has another theme in the series “LUPIN THE IIIRD”. “The Tomb of the Dimensional Dasuke” is “Wind”, so it wins at the moment when the wind stops; “Ishikawa Five Youwei Gate of Blood Smoke” is “water”, so it is killed in the rain with the gang; “The lie of the peak is not two sons” “The sand”, in addition to the dusty wilderness, Bingham’s dry heart is also the performance of “sand”. In addition to feng shui sand, the way of their own weapons and fighting is also a place that Takahashi values. If they compare them to beasts, Takahashi thinks that the dimension is a raptor, the five right guards are loyal dogs, and the second son is a cat. Because the cat is a desert animal, it is the theme of “sand”
In addition, the place where Takahashi cares is the scene of smoking. It is not because this is an adult-oriented Lubang, so it is deliberate to describe the scene of smoking, purely because the role of Lubang is inseparable from smoke and alcohol. They are thieves, men and women who are born because of desire. In a sense, these “poisons” are their symbols. If they do not indulge, they cannot reflect their “professionals.”
Finally, Takahashi said that it is also the peak of Xiaochijian’s pen, but in “LUPIN THE IIIRD Lie,” she will have something completely different from “LUPIN the Third – a woman named the second child” which performed. Regarding whether the “lie” of the peak is not true or false, the audience is also asked to move to the cinema to judge
[References].
- Rooftop: “LUPIN THE IIIRD peak not less thanの嘘” %@@の%く初めての”峰峰二子”.
- HYPER HOBBY:ルパンThe latest work of “The Best of the Year”の嘘』のScriptを手Hangける高桥悠也インタビュー!