The Royal Navy’s Albion amphibious dock landing ship arrived in Tokyo’s sunny harbour on August 3 and opened to the public for the next two days. Due to the amphibious assault ship named Albion, the British Embassy in Japan said on the Twitter: “Although the ship did not carry up to 0083, we still I look forward to having many visitors.”
(.https://twitter.com/UKinJapan/status/1024489974761054209).
Ghibli Studio Producer Suzuki Minami revealed in his novel “South の国のカンヤダ” the press conference that Ghibli is in the process of producing Miyazaki’s new long-form animation “You want to What kind of life? “It has been started for two years, but it is still not possible to confirm the release time, about 3 to 4 years. .
Suzuki also mentioned in the meeting that some real-life filmmakers have invited him to the scene. If the novel is sold, the producer will be adapted into a real-life movie. When asked if it would be animated, it would be “impossible” by Suzuki. He even asked the company’s employees to “don’t let Hayao Miyazaki know the existence of this book” because he was afraid that he would be said by the old man “You don’t work to touch any fish!”. .
(.https://www.oricon.co.jp/news/2116929/full/).
The “My Hero Academy” theatrical version began to be released last week. The sound supervision three Yawen divided into a few days on Twitter to introduce the process of this film sound production. .
Nagasaki Kenji supervised the appointment of the theatrical version of the three, and asked him to arrange a temporary recording. The so-called temporary recording refers to recording the lines first according to the split mirror, just like adding a sound design to confirm the rhythm of the film. .
Since it is a temporary recording, it will not use the actual luxury seiyuu lineup, but invite young seiyuu to perform. The three agencies invited the agents of the three firms to help the casting, and the brokers recommended the young seiyuu of their firm for each role. After receiving the list, he listened to the sound samples of each character, finalized the candidates, and made temporary recordings. He hopes that this process will allow brokers to pay attention to the acting of their newcomers, and young seiyuu and brokers can also generate trust. .
On the day, Nagasaki Supervisor headed, and every producer will come to observe the temporary recording. It took 12 hours to complete from morning till night. .
Next, Nagasaki selects a piece of music suitable for the theatrical scene from the existing soundtrack of the TV version. Please supervise it. After getting permission, the composer Lin Biao will be invited to appear. After seeing the complete materials, Lin attended the new music conference and decided to use the old songs and the new songs for the theatrical version. .
Next, the three audio workers will enter a short standby state. Nagasaki’s supervision and editing began to adjust the video after the temporary dubbing to improve the rhythm of the film. It is the turn of the actual seiyuu to appear after the official screen for the theater release based on the clipped post. .
Due to the excessive seiyuu appearance, the dubbing recording of the theatrical version is divided into about 6 completions. At this time, the temporary recording came in handy. The seiyuu are more likely to confirm acting because they can hear temporary recordings of characters other than themselves during recording. .
When all the recordings of seiyuu are over, it is the turn of the guest artist’s recording. .
Three of the artists who touted a guest theater version, nothing, we skipped. These people also recorded the sound, and only the recording of the dragon set was left. The three also invited young seiyuu who assisted in the temporary recording. Temporary recordings may not be written in the credits because the theater is released. So the three of them took their gratitude to them and invited them to participate in the dragon recordings that will definitely be staged. At this point, all the lines are recorded. .
The work mentioned above is all in sync with the TV animation. The staff headed by Nagasaki Supervisor must face the same schedule as hell. But the release date will not wait for someone.
The composer Lin Biao made a new song, but Nagasaki’s supervision requirements are very strict, and Lin should be amended as required. This process was repeated many times before the final mix. Lin is undoubtedly very busy as a popular composer, but he has modified the music over and over again until the supervision accepts it. Please come to the theater to witness the results of his efforts. The three also expressed their gratitude to Lin. .
I got to the final mix. In general, the mix is done with the release. However, the “My Hero Academy” theatrical version will be released in the United States first, so the schedule is very tight, and all the staff have been fighting for their lives. .
The audio department first adjusts the balance of the lines, and adds special effects such as echoes that allow the audience to feel the breadth of the space. Wait until the music of Lin comes, and then adjust the timing and balance of the music. Finally add the effect sound. .
The final mix was made just a few days before the US premiere, and there were still unfinished pictures everywhere. The film is divided into several parts to start mixing, Nagasaki supervision, producers and teacher Lin will give advice in the studio. The mix lasted for two days and continued until late at night, which finally ushered in the days of completion. .
(.https://twitter.com/Sunma47)