The cartoonist Owlko learned the news of the new work of the Twelve Kingdoms, saying: When she hesitated in her creation, “Will this word be used in girl comics too difficult?”, it will remember “ No, you think about the “Twelve Kingdoms” is a girl published to the white book library of the light novel book!” “The girl’s understanding can reach that level!” “That level… high!”
(https://twitter.com/gintoriko/status/1072795184365072385).
The cartoonist Wan Cheng Dazhi inadvertently said a word in front of the assistants, the assistants began to have a heated discussion around this topic, but he himself did not know about it, he couldn’t keep up with the topic, so he had to sneak I returned to my room
He said: “I heard that, like a man can also be a beautiful girl on the glare!”
(https://twitter.com/jgdjgdjgd/status/1072804087467466753).
A net friend Podoro talks about the death and misfortunes surrounding the fictional character on the web, citing the words of American novelist George R.R. Martin
Martin said that he hopes that when his debut characters are in danger, readers will be really nervous to turn pages. In this way, the reader must read it carefully from the beginning. The horror that sits on a roller coaster, and the real horror – the horror of a robber with a knife against his neck is a different thing. He wants the reader to feel the latter. So when the crisis comes, it will really die
Martin’s goal as a writer is to let the reader forget that he is sitting on the sofa with a fries in one hand and flipping through the book, completely immersed in the book page, “experiencing” the story. Therefore, what he wants the reader to feel is not a roller coaster, but a real horror
Podoro concluded that we can often see the deviation between the people who pursue the thrill of roller coasters in the story and those who pursue realism
(https://twitter.com/podoron/status/1072468865651826688).
The encounter between a person and a work is also a fate. People who only want the thrill of a roller coaster may die when they encounter the death of their favorite character. They feel that they have “stepped on the thunder.” The person who wants to be realistic, seeing the work trying to render the character’s crisis, but the thunder and rain is small, may also feel boring. This is actually not a question of who is right and who is wrong, but only the pursuit of the author and the readers and the audience. Only the right works, when it comes to the right audience, is happiness
Senior cartoonist Yamamoto said that he can understand Martin’s mood and he has used a style similar to Martin. However, after playing a famous foreign game, he made up his mind according to his own experience: “I don’t want to bring the same pain to the reader in the entertainment.”
This determination has not changed until now. If you want to experience the same things as reality, you don’t need to spend money on entertainment, and living in reality is enough
There is a well-known editor who has taken care of Yamamoto and once said: “What people want is a life in which they get paid back in entertainment.” Life that has not been rewarded is enough in reality
(https://twitter.com/atsuji_yamamoto).
Of course, although the concept is different, the level is objective. Whether it is to make the protagonist ruin or a trick, the key is whether it can impress readers and viewers, and will not let them feel that this is “commonism” or “malicious feeding.”
The cartoonist Shusaki said that many people will rejoice in the happy ending of the story, but some people will be angry and feel “what is the perfect ending in reality.” But what the reader wants to see is the miracle that does not exist in reality. If you can make the reader feel that this miracle is true and credible, it will be considered a success. If the reader feels unrealistic, then the fault is not a happy ending, but a performance ability
(https://twitter.com/saintkisaki/status/1072768621217075201)
Writer Hiroyuki Hirota said that the interview was the hardest job in writing. The interviewee will not sort out the logic and then talk, but you will sort out the words he has said by theme or concept, and cut the traces without any trace, so that the reader feels “this person is really interesting.” This requires a variety of skills and secrets
However, in recent years, interviewees and powers have become more and more strict with the manuscript. The editors made by the interviewers were changed to perfection, and the manuscript was red-hot and was hit back. It is not new. The places and other parts that have been changed will have different styles of writing, and the choice of punctuation marks and Chinese characters may not be uniform
The interviewee is not a professional contributor. No matter what kind of big writer he is, it is impossible to write a “good reading interview” without training. However, because the interviewee thought that “this is what I said, so of course I can change how I like it,” the technology developed by the interviewer will be trampled
When Hirota feels that he can’t stand it, he will give up the copyright of the manuscript and negotiate with the other party to turn the interview into his own work. People think that the interview “just listen to what others said and then write out” this prejudice, insulting the interviewer’s technology and labor. Writing an interview is the most highly developed and least understood writing job
(https://twitter.com/hirota_kei/status/1072861379739045890).
Another contributorのざわよしのりAlso said that in order to interview this kind of work, I want to temporarily raise the interview object and think about where to say where there is no way to talk about it for 60 minutes. Content, sub-themes are sorted out, and chapters are organized by topic, and it is very necessary to use technology. However, some publishers or editorial departments say that “looking is to copy the dictated things into words.”
(https://twitter.com/mad_yn/status/1072869757777375232)