At the 31st Tokyo International Film Festival held in Tokyo from October 25th to November 3rd, it will feature a special feature called “Anime Supervising the World of Tang Shaozheng”. In addition to the previous filming of the award-winning theatrical version of the movie “The Song of the Debut of the Dawn” at the Overseas Film Festival, “The Spring Festival is short, the girl is moving forward!” In addition to the supervised “Sakura Maruko” and “Crayon Shinchan”, which was supervised and used as an animator in the past. This personal film festival will allow the majority of film festival visitors to have the opportunity to witness the works of originality and charm that are directed by Yumatsu Supervisor. These carefully selected works are based on this world-famous and world-famous animation supervision. What kind of feelings in? What is the charm of animation supervision? It’s better to listen to what I think and what I think. .

For the screening of “Animation Supervision Yushou Zhengming’s World”, Yushou Supervisor is deeply honored. After all, such exhibition opportunities are too rare. In addition, the theatrical editions that have been officially released are not necessary to be said. In addition, there are many short works that ordinary viewers rarely have on the big screen. And this time, even the “smart” of the TV animated series, performed by the animator Tang Yu, was selected, and the supervision was really gratifying. According to the supervisor, the special content is that he specially selected the film exhibition carefully, and he almost exclusively collected the works he recognized. Therefore, the supervisor sincerely hopes that more viewers, especially those who do not know much about their early works, can see it. By appreciating the work, people can view the whole process of Tommy Zhengming from an animator to a film supervisor. It is not difficult to imagine that the audience will be surprised and delighted by the various “funny” in the film during the animator period. Moreover, many people probably learned from this film festival that Tang Chao’s supervision actually painted those popular masterpieces! .

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“Cherry Maruko” (1992).

This time, I selected two episodes of “Cherry Maruko My Favorite Song” titled “Linear Race in 1969” and “Shopping Boogie” (“Buy ブギー”). Since the related DVDs have not been sold before, and the large-screen viewing of the film festival is unique, the opportunities are missed. Yuchao Supervisor did not hide the love of the above two essays, and expressed his hope to use the exhibition platform to spread the idea, and even further realize the dream of DVD. The Superintendent hereby sincerely appeals to all of you to accept the works with the adult’s mind and metrics. .

As for the supervised soup, what is the difference between being an animator and a previous animator? According to the supervisor’s description, there are significant differences. Yuasa thinks that he used to be a serious and reliable animator. He is very eager to follow the general direction of supervision, but he does not deny that in practice, his mind is also flashing in various ways. . It is true that the gathering of the directors of many paintings is indeed the advantage of animation. However, when Tang Shao himself took the position of supervision, he realized the true thinking of other supervisors. .

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“Crayon Shinchan”.

For example, if he is now participating in the production of the “Space ☆ Dandy” series as a performance actor, Tang Chao will try to figure out the intention of the general supervisor Watanabe Ichiro. Another example is that before being invited to participate in the “Exploration Time” production, the supervisor intends to conform to the consistent style of “Exploration Time”. Unexpectedly, the other party explicitly asked him to make a special color difference from the original flavor of the work despite the temper. Come out. As a result, the supervision is also respectful and it is better to let it go. But in the end, it is all about “subjective judgment” of supervising individuals. Therefore, based on the transposition considerations, when it is his turn to take the baton, Tang Chao supervision also tries to respect the individual freedom of the animators. .

But all the skilled animators have more or less the ability to conceive a certain degree of performance. This situation, with excellent actors usually have a set of insights about the performance is a truth. Sometimes, the impromptu performance of the artist may not be completely based on Taiwan, but such a small fight, as long as I am happy, the surrounding people are all in one, and it is harmless. Really too outrageous, can be corrected. .

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“DEVILMAN crybaby”

To say this, Tang Chao supervision is based on facts. When he was painting the “Crayon Xiaoxin” series, he was told by the Superintendent of the township that he was allowed to make a happy break. So, Tang Yu was not polite. . After that, the township supervisor added a sentence, “I will continue to increase the code on your basis anyway, nothing.” Tang Shi Hou after the recollection, this statement is extremely. As a creative person, you should first open your mind and absorb the other parents who I have, to expand the richness of the work, and then add a little “self-contained” to your own use. In this way, the underlying animators will be rejoicing because of their creative ideas, and may even have the joy of creating something together. It’s common to be an act of animation, and it’s a common thing to live with more money and less worry. Supervising is more fun when you are happy to work. If it is a series of works, the supervisor will often let the animators who have the overall planning ability to challenge the performance task, and even enable some of the materials to be set up. The gentleman has the beauty of an adult, and the shallow supervision of the training of the training talents is to let the person in charge be able to justifiably declare to the outside world, “That is what I did.” .

When talking about the performance of the film, Tang Chao supervision will, in principle, say “I can do it!” to people. When picking up the work “DEVILMAN crybaby”, knowing that the bones of “Devil Man” are not good, he is still full of mouths saying that he can do it. After supervising and enjoying the “boasting of Haikou”, the supervisor gradually pondered the fun of “filling the pit countermeasures”. Involved in the original adaptation, the original powder is most often expected, the second creator can successfully reproduce the impression that he had gained when he first read the work, but often overlooked, there are a thousand Hamlet in the eyes of a thousand people. As the saying goes, the chef “Tsao Chef” also admits that he has not been able to let all the diners return to their homes. What he can do is to keep his reading of “Devil Man” as completely as possible during “cooking”. The essence of the shock, and the taste of human emotions. Of course, in order to make the “Tang-style interpretation” self-explanatory, the supervisor will control and call the debut role to ensure the logic of the story. .

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“Declaring the Song of the Dawn” (2017).

As for the original works such as “The Song of Declaring Dawn”, the basic operation steps are to work together on the premise of determining the theme and plot outline. “The Song of Dew” originated from a plan that was supervised by Tang Yu early, so that it can be molded with a little change. Having said that, there are many twists and turns in the production process. The supervisor draws lessons from it and decides that the form of the next “pit” can be simplified. According to him, the next work is still carried out in a way that firmly controls the main purpose of the work, and then gathers the wisdom of the people. Up to now, the progress has been smooth and smooth, but the time has not yet arrived, and confidentiality is still needed. .

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“The Mind Game” (2004).

When reviewing the supervising debut “The Mind Game”, Yuchao Supervisor clearly remembers that the work is mixed. What hurts him the most is that his personal favorite movie review website has sprayed his own work. While letting Yumou doubt his life, it also prompted him to rethink the true meaning of film art and what the audience asked in the film. Thinking about the difference between oneself and the audience’s perspective has become an opportunity to breed “the shallow soup.” Yuasa supervised the “pain point” that people pay attention to when watching the film, and tried hard to approach the psychological threshold of most people. In his view, doing so may enable him to find an appropriate “container” that matches his or her own intentions. The premise of supervision is that, while planning with care, we should try our best to make things happen and make color. To this end, it is indispensable to coordinate and unify the variables of all parties, so that everyone can think about it. The supervisor said that he had the same feelings as Ai Lu in “The Song of Dew of Declaring Dawn”, and he hoped to get along with everyone. Therefore, Yuasa Supervisor warmly welcomes you to come to the film festival to watch your special episode, to know more about the existence of “Tangshuan Zhengming”. .

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• アニメーション監督・湯浅政明単独インタビュー