“anitama Japanese Film Market Weekly” is normally released on Friday, ignoring the daily release rate of Japanese media. A little detailed description can be found at the end of the text

Last weekend from January 5th to 6th, the Japanese film market ranked the top ten films in the number of seats:

Last weekend from January 5th to 6th, the top ten films in the Japanese film market and their respective box office income status:

In the order of the premiere date, the main movie in the release shows the current record of the box office revenue transition:

Note: The general first move is from Friday to Sunday for 3 days, “Invincible Destruction King 2: Big Internet” is the first move from Friday to Monday, “Ping Cheng Kamen Rider 20 is a commemorative Kamen Rider” The first generation of the eternal life of the Heisei era is from Saturday to Monday

After the end of the year from the end of the year to the first month of the month, the peak season of the movie market is over. Next, in March, the symbol of “The Movie Doraemon”, which is the symbol of the spring holiday season, is another two-month winter season. In the off-season, it is generally the world of movie animation films. It is more convenient for such movies to occupy space in terms of market size and number of seats. For Anitama, the audience should be closer to the peak season. This year’s front line is “Love Live! Sunshine!! The School Idol Movie Over the Rainbow” for three consecutive weeks. “Fate / stay night [Heaven’s Feel] II. lost butterfly” “Movie Sword Dance” has been released in succession. Code Lucass’s Lelouch of the Resurrection. It is a film of more than 100 museums. For the same kind of film, this scale is enough to cover the Japanese national market

The first place in the weekend was still Disney’s new film “Invincible Destruction King 2: Big Internet”. On the weekend, the number of visitors was 2,260,602 on the weekend, and the box office income was 205,433,800 yen. After the release, it broke through 1.5 billion yen in the 10th day. Since the release, the cumulative number of visitors has reached 2.17 million 3,026 person-times on the 17th, and the accumulated box office income is 2.688 billion yen. This week, it is destined to break through the final box office revenue of 3 billion yen, and the final box office revenue expectation will remain 4.5 billion yen

20th Century Fox released the US musical film “Bohemian Rhapsody” released in the 9th week, still won 2, the weekend 2nd day, the number of visitors was 228,439, only a slight gap with the first. The box office revenue was 205,433,800 yen. If the amount of weekend box office income is used as the benchmark, it will even return to the first place. Weekend results continued to exceed 90% of the previous week, until the weekend of the 9th week, the first time lower than the amount of the first weekend

After the release, it broke through 7 billion yen in the 52nd day. Since the release, the cumulative number of visitors in the 59 days has been 6.11 million 6020, and the accumulated box office revenue is 8.4457 trillion 4880 yen. The accumulated box office revenue will exceed the 10 billion yen mark. There is no suspense, and the final box office revenue expectation value can already see 12 billion yen

Dongying’s “Dragon Ball Super Bolly” was released in the 4th week of the 4th week, and the weekend was half-decreased from the previous week. After the release, the company broke through 2.5 billion yen in the 17th day. Since the release, the cumulative number of visitors has reached 2.6 million 4,967 on the 24th, and the accumulated box office revenue is 334,489,600 yen. The final box office revenue is expected to be between 3.8 billion yen and 4 billion yen

Shochiku’s main year of the first month of the first month of the month, the documentary adaptation of the film “The Story of the Three Loves in the Midnight, the True Story of Banana Love” debuted at the 4th place, and rose to 4th place in the second week of the release, inherited the final box office income of Shochi last year. The route of the film “The true story of the bride’s miracle that spans eight years” of about 2.73 billion yen. The national 330 screens was released, with a box office receipt of approximately 150 million yen on the 2nd day of the first weekend, and a cumulative box office income of approximately 150 million yen during the first move. Since the release, it has exceeded 500 million yen on the 10th, with a cumulative number of visitors of approximately 45,000, and a cumulative box office income of 530.991 million 3410 yen

The Harry Potter prequel series “Fantastic Animals: The Crime of Grindelwald” released by Warner Bros. was released on the 7th week of the 7th week. It reached 5.6 billion yen on the 38th day after the release, and broke through 6 billion yen on the 45th day after the release.The cumulative number of visitors was 4.43 million 3,022 person-times, and the accumulated box office revenue was 6.1107 billion yen. The final box office revenue is expected to be around 6.7 billion yen or 6.8 billion yen, and it is no longer able to reach the 7 billion yen mark

The release of the “Ping Cheng Kamen Rider 20 as a commemoration of the Kamen Rider Eternal Eternity” released in the third week of the 6th. After the release, it broke through 850 million yen on the 9th day. Since the release, it broke through 1 million people on the 16th. It is the second time in the series of 15 in the last 5 years

The cumulative number of visitors was 1.01 million and 2376, and the total box office income was 1,22,869,800 yen. Because this premiere date is different from previous years, the peak season dividend has been fully enjoyed in the second half of the show. Finally, there is a chance to make a three-day break this weekend on the Japanese holiday next Monday. The final box office revenue expectation is adjusted upwards to around 1.45 billion yen

The Heisei Kamen Rider series movie has been released over the years.

Warner Bros. released the US love film “The Birth of a Star” in the third week of the 7th place, after the release of 10 days, broke through 600 million yen. Since the release of the 17th, the cumulative number of visitors has reached 730,905, and the total box office revenue has reached 928,800,800 yen. The final box office revenue is expected to maintain 1.5 billion yen

Songwood’s “Love Live! Sunshine!! The School Idol Movie Over the Rainbow” debuted at 8th, and the national 128 screens was released. On the weekend of the 2nd, the box office receipts amounted to 98.96 million yen, and the cumulative box office receipts during the first move of 3 days were 274.368 million yen. This is a typical severe super-advanced trend, similar to the previous one. On the 2nd weekend, the total is less than 60% of the first day of the premiere day. The second day of the release is about one-third of the premiere day, and the third day of the release is about half of the second day

But I don’t know if I can introduce a special tactic that is enough to turn the trend into a long-term type. The previous work is a typical example of a successful transition to the long-term long march. When the “Anitama Japanese Film Market Weekly” was launched two years ago, the type of transition trend was explained in detail in the premiere week of “Theatrical Sword Art Online”. If the film cannot be reversed by the external force commercial law, the final box office revenue under the current track is expected to be between 500 million yen and 600 million yen

The “Monster Watch” series of movies released by Dongbao is the fifth film “Movie Monster Watch is always a friend”. It also breaks through 10 and is released in the 4th week. After the release, the accumulated box office revenue was about 780 million yen on the 17th day. Since the release, the cumulative number of visitors has been 930,374,4 times on the 24th, and the accumulated box office revenue was 1,04,372,500 yen. The final box office revenue is expected to remain 1.3 billion. Yuan

Dong Baodong and the release of the latest lighting entertainment “Green Monster Grinch” released in the fourth week of the 10th place, after the release of the 17th day, the cumulative box office revenue of about 860 million yen, since the release of the 24th cumulative The box office receipts were 1,16,635,500,900 yen, and the final box office revenue expectation was maintained at 1.5 billion yen

Other circles continue to be filmed. After the release of the live-action movie version of “Pseudo-Love” released by Dongbao, the cumulative box office revenue was about 290 million yen on the 10th day. Since the release, the cumulative number of visitors has reached 342,240 since 17 days, and the cumulative box office income is 406,161,700 days. Yuan. Since the release of the novel published by Dongbao, the horror film “Come” has been on the 31st, with a cumulative number of visitors of 619,875, and a total box office income of 820,235,800 yen. The novel published by Dongbao has adapted the movie “Although it just lost the mobile phone”. Since its release, the cumulative number of visitors in the 66 days has reached 1.46 million 7281 person-times, and the accumulated box office revenue is 1,92,803,600 yen

Weekly progress.

Note: The bold is the updated movie, the accumulated value stops updating the accumulated value representing the time, not the final value after the release. Usually, the movie that premiered in December each year is aimed at the first month of the month, so it belongs to the next year. For example, the work premiered in December 2016 is 2017

At the current stage, in 2019, the Japanese movie with more than 100,000 visitors was launched.

In the current stage of 2018, the cumulative number of Japanese viewers with more than 1 million visitors:

At the current stage, the total number of Japanese viewers who watched more than 1 million visitors in 2019:

Monthly progress.

Note: The figure in the right column is the final value. The actual value of the cumulative value is shown in the previous table. The final result after the final release is the latest and the latest may be the same as the beginning of March of the next year. The box office receipts of the film are not the operating income of the issuing company. Such figures are reported in the company’s financial statements; nor are the income from the company’s issuance of films. Such figures are no longer publicized since the year 2000

Japan’s three major film companies released their work in the last three years of box office receipts:

The works of the major 12 major film distributors in Japan have earned box office revenue in the last three years:

Description.
First: The complete and accurate overall situation of the Japanese film market, unified by the Xingxing Communications Agency, and paid for publication. The source of information of Xingxing Communication Co., Ltd. Is Japan’s local film distribution companies, including Japanese local film distributors, as well as overseas subsidiaries such as Hollywood’s major film distributors in Japan. There are 12 major film distribution companies in Japan. The source of information for each film distribution company is cinemas across the country, and there are six majors chain theaters in Japan. Xinghang Communication Co., Ltd. Is responsible for the overall situation. The film distribution company is only responsible for the work that it has issued. The cinema is only responsible for the results of the part that is released in the home
2: The statistics and publication of the Japanese film market by the Xingxing Communications Agency will not be updated every day for a one-week cycle. The list of the list is two days per week on weekends, not daily, or seven days a week. The benchmark for the list is the number of viewers of each film, not the amount of box office income. The list of the weekdays, the amount of box office income as the benchmark, and the list of other various benchmarks, although they exist, are not the target of the official list published every week. That is, the list of Japanese film markets published every week is essentially the ranking of the weekend visitors
Third: The filming rate of the Japanese film market is not calculated according to the ratio of the number of screenings of each film in the total number of screenings of the entire market, and the ratio of the number of seats is used to calculate the ranking share. The total number of seats for each movie means the maximum number of tickets sold, directly related to the actual number of viewers
4: When it is in normal operation, Xingxing Communication Agency starts collecting every week, and the shortest report can be published free of charge that night. It is the earliest on Tuesday. Depending on the publisher of the film, some will have exact values until Wednesday, and occasionally even Thursday. The main works of Dongbao and Shochiku have been changed to the premiere of Friday since mid-April 2018, and the weekend value of the new film will be delayed by one day. Anitama’s weekly film market in Japan, not seeking speed but refinement, ignores the speed of specific information disclosure and the legal holidays in Japan every week, and chooses to release it on Friday
Fifth: In the case of a three-year long holiday in Japan, the possibility of suspension of renewal during the period of the end of the year is very high. In mid-August, the possibility of suspension of renewal during the summer break of the Bon festival is low. The possibility of suspension of the update is not ruled out during the Golden Week period in late April and early May. In the abnormal operation, Hing Hing News Agency may have a situation in which the complete and accurate information has not been updated throughout the week. In this case, the Anitama Japanese Film Market Weekly is waiting until the end of the working day of the week, based on the published part of the situation. Released early Saturday morning