Technology for technology is not technology

Souyu Suwa’s Shunichi said: There is a saying that “no fire can not afford smoke”, but there are also cases where the fish tank constitutes a convex lens and the sun is shining. This shows that no fire can still smoke. It is not the fire that ignites, but the line of sight that is distorted by the lens. He hopes to eliminate prejudice. .

(.https://twitter.com/MY_MURMUR/status/1017302356919083008).


Yesterday, SUNRISE Festival 2018 held the “Idol Activity! “The series of music symposiums, supervised Kimura Ryuichi, three composers and music producers of MONACA Kuroda learned to tell the story behind this series of music production. .

For the early “Idol Activity! “Shuidao Jingji, who served as a consultant, was absent due to the meeting that day. After the event, Mizushima also recalled on Twitter about the past. .

Water Island said that he was doing the “Land of the Exile” while he was taking part in the “Idol Activity!” “Because the maker of SUNRISE is too pleading.” If the pot P is the guide “Idol activity! The core figures and heroes. .

若锅 P is also the first generation producer of “Gintama”. At that time, he carried a suit vest with him so that he could apologize at any time in the event of any situation. .

The idea that Mizushima participates in the occasional life is because it is a children’s animation, so it is necessary to pursue “real goods.” He wants to let small audiences come into contact with various genre-style music through this work, not because they are young and perfunctory. He believes that children will not consider what genre, will frankly accept the music they have heard, just like himself in the past. More than just music, “Idol activities! “It is equally serious to treat the plot.” .

(.https://twitter.com/oichanmusi).


The cartoonist Shusaki San said that when he used to paint a serialized version of the magazine “Weekly Magazine”, a good editor once said to him: “I know that you are well painted by Teacher Shuki. Now I have to throw all of them away.” These words made Shusaki deeply shocked, and he also awakened from this, abandoned the seemingly cool composition, and focused on designing the picture from the perspective of the character. Shusaki said that the technology for technology is not technology. .

When talking to the official Twitter of the comic space, Shusaki mentioned the difference between several major juvenile comic magazines in cultivating newcomers: although the specific responsibilities are different, on the whole, JUMP is never counted. Among the talents of the number, the top choice is for me, and “Magazine” tends to cultivate obedient newcomers. Magazines such as “CoroCoro” also have the experience and skills to perfect the work. It’s just that magazines are becoming more and more popular, and he can’t tell if these magazines will suddenly change their style in the future. .

As for “Weekly Youth SUNDAY”, Shusaki believes that this magazine has a bad habit of frequently changing the editorial, which makes it difficult for cartoonists and editors to establish good relationships, which also led to the failure of SUNDAY in the past. . Shusaki himself likes the past “SUNDAY”. He doesn’t know if SUNDAY is changing now, but if editors and cartoonists can’t form a community of destiny to some extent, they can’t trust each other. .

Another reader mentioned a problem: Nowadays, children only like video anchors, and no one is reading comics. Shusaki also heard that the average age of the readers of the weekly juvenile JUMP is 25 years old, which has exceeded the “difficult problem”. He believes that in this era, if the comics still want the future, perhaps it is impossible to hope for the domestic demand in Japan. He wants to do his best and open up new markets. .

(.https://twitter.com/saintkisaki/status/1014354090250272768).


The times are depressed, and writers need the support of each of our readers.

The cartoonist said that the reader’s feelings and demands for her, she will repeatedly chew, digest and absorb, into the nutrients of the work. But only one point, the number of serials and the number of volumes in a single book, their writers can not do the Lord, I hope the reader can understand. Every writer is trying to weave a good story within a certain range that has been stipulated to a certain extent. .

もと said that she had been a cartoonist for 33 years, but only experienced a waist squat for a long time. This is the result of efforts to support her readers and editors. In Japanese, expressing gratitude and respect for someone, there is a saying that “the feet are not afraid to face him when sleeping.” However, Yimeng was surrounded by the virtues in all directions. He had no direction to use his feet, so he had to sit in a chair and let his feet face the center of the earth and work hard. .

もと At the same time, he said that there may be a variety of insiders in the waist and not in a single book. Even if the works are sold well, they may be shackled. So, if the work you support ends in the middle, please continue to support the writer’s new work. If the new work is sold well, it may bring about a variety of positive indirect effects, and eventually the past interrupted works will be re-published. .

(.https://twitter.com/moto_n/status/1016564770973990912).


More than just comics, literature is also facing a difficult situation. .

The novelist Chao Songjian said that recently, even if he submitted a creative outline, he would not pass the planning meeting. One question is that in the past two years, the publishing industry has not given a writer a book. It seems that it is based on his sales in the past year to half a year, rather than planning whether he is interesting or not. The writer’s book is just like going to a bank and life insurance company to apply for a home loan. .

Chaosong ridiculed that, sooner, the writer wants to get his plan passed, and may have to bring a medical report, marriage certificate, real estate certificate, deposit certificate, etc., to the publisher and the intermediary for approval. .

朝松 Imagine the future: At 5 o’clock in the morning, the writers of the crowds crowded in front of the Iidabashi Station where the publishing house gathered. I saw the truck with the name of the publishing house coming over. The agent stood on the body and shouted: “Time novels, humanity, 310 pages!” “Light novel, cute, 420 pages!” The writers rushed to respond “I wrote! I won the bump award!” The agent listened and ordered the writer: “Well, you, get on the bus.” The truck drove the agent and the writer. Not sad! .

About 12 years ago, Chaosong once told his own imagination with Asahara, the editor-in-chief of Asahi. Mr. Ishii replied: “If it is really in that era, I will not publish it.” However, by the time Mr. Ishii retires and Sonorama collapses, such an era really has to become a reality. Chaos smiles: He originally thought that the worst predictions would only come true in the counter universe of his own writing. .

(.https://twitter.com/uncle_dagon/status/1016511790262259713)