According to Araki’s supervision, I broke the news. When he first watched the first film of “The Battle of Kabanelli Haimen in the Iron City”, he felt uncomfortable inside. The reason for the unhappiness is naturally not because of the content of the film itself, but because the supervisor thinks about it before, the above instructions indicate that he wants to make a curtain call to everyone after the release, and seeing that the speech on the stage is imminent, he has not even made a draft of the manuscript… The situation suddenly poured into my heart. The so-called rushing heart attack, so that the plot supervision of the movie in front of it is completely unintentional. Besides, at the screening stage, there is really no way to make changes to the content. It is good or bad and can only be tested

But after the end of the screening, Araki’s supervision played a very good role. In the face of all the production and related personnel, the supervisor sincerely thanked all of you for your support and gave you the opportunity to harvest an “ideal animation” in your life

Although the supervisor himself is quite content with the quality of the work, but I don’t think it is unpredictable after the market is put on the market. Fortunately, observing the reaction of everyone in the test field, the overall is not bad, but also give him a reassurance

According to Araki’s supervision, this theatrical version of “The Battle of Haimen” aims to give back to the fans of the “Kicheng City”, so the service audience demand is taken as the primary consideration. Moreover, the production team headed by the supervisor is not awkward, but actively and eagerly wants to present the audience with a lot of entertainment elements, and hopes to let everyone experience the unique “joy” and “fun” of animation. In fact, Araki Supervision has always wanted to show people the spiritual insights that are “complex and rich in the world”. The “Decisive Battle of Haimen” reached the target of “ideal animation” that he wanted to pursue

This time, “The Battle of Haimen”, “No Name” is undoubtedly the protagonist of the main role. In the eyes of the supervisor, the nameless was originally to prop up the mainstay of the whole “Jicheng City”. In the theatrical version, after agreeing with the main creative group, all the staff members spared no effort in “making the nameless more cute”

The ultimate goal of Araki Supervisor to shape the woman is “strong and cute, cute and strong”, and both must be both outstanding. He does not believe that the world can find out how many of these settings are not bought. Audience. In addition, this time into the “love mode” unnamed body, added a few points of moving shyness and femininity, and several viewers can truly be indifferent

Having said that, the movie just opened, the relationship between the hero and the hero is already going straight to the theme, and the difference between this and the TV series that is like the water can only be described as “jumping”. The supervisor explained that the reason why there was no gradual spread between the two was mainly limited space. Therefore, I hope that the audience will be more eager for the nascent stage of the two people’s love

It’s an insatiable play and interpretation, it’s a gold-plated signboard for the “Iron City”, so at the beginning of the movie, Araki Supervisor racked his brains to write a long series of action shots to express the nameless powerful combat power and cuteness. And oysters love the nameless love. Of course, the familiar elements in the TV series are indispensable. After finishing this group of shots, the most impressive impression was that the unknown child was really “organized.” After all, all the above-mentioned action plays and character dialogues are all packaging for the characters, so that the audience can understand the strength and disposition of the female host more intuitively

Just as the nameless encounter is in danger, the heroic and sturdy oysters will appear in time to help. The reason why the use of a slightly stereotypical hero to save the US bridge is still out of the helplessness of “the male is not handsome, the female does not love.” It can be said that in order to cope with the improvement of the “status” of the oysters, the various sculpt styles depicting the image of the male savvy stalwart in the film are gradually spreading. On the other hand, the appearance of flustered anger in the event of oysters is also a major feature of the characters, so the script also has a slight ink on these parts

Here, the supervisor is summed up. The nameless is the kind of girl who “protects her own trust and is willing to do her best to realize each other’s dreams.” The anonymous version of the movie’s unnamed emotions, and her former treatment of “brother “The way of (Mima) is very similar, just deal with it and add some love components

Talking about the specific writing of emotional drama, Araki, who is also a screenwriter, said that before the writing, he specifically looked for the two protagonists of the thousand promises, and Ms. Nakasuke made an investigation. For example, if you don’t tell the story of the two people, ask Qian Qianmu, what will happen if you start to care about you? Is it arrogant and deliberately cold, or will it show meticulous care? Therefore, the two seiyuu will answer the role’s reaction intuitively, and the supervision will use this as a basis to conceive the script. After that, the Supervisor thought of the scene of the nameless “Sacred Stone”, and also asked Qianmoumu to help pick and distribute photos for reference

In fact, in the TV series, the supervisor deeply understands the operation method of “good use of actors”. When writing scripts, the personality of seiyuu is often actively integrated into the characters. For example, at the recording site, he will quietly observe the “cute” side that was unintentionally revealed when he was asked to re-record, and the “honest, honest” attitude of Qian Benmu. When the supervisor enriched the dripping phenomenon that he picked up from the actors into the TV series, he naturally came up with a complete image of namelessness and oysters. Therefore, when planning the “Decisive Battle of Haimen”, the supervisor firmly believes that the correct answer is in the hands of the player, so they will consult them at the key nodes

This time, the “train” of “Iron Rail City” still sings heavily. From the beginning of the drama planning, Araki Supervisor wanted to use the lens language to show the railway as a stage installation. However, in the TV series, due to various restrictions, it was not perfect. Therefore, this time, the supervisor tried to make it possible. “Iron City” shows its talents in the theatrical version. Moreover, it is also possible to create a mirror opportunity for the 侑 and 巣刈. If you want to come to the picture of the arrogance, it should also be the people’s favorite, and the supervision will be happy

Come again is calamus, come to habitat. According to the on-the-spot feedback obtained from the previous offline activities, I found that many fans are good at the “cute, comedy 菖” of the calamus. Released to the TV version of the seventh words, the Qixi season came to face the shy moment of the red heartbeat of the calamus, the scene of the audience cheering, leaving a lingering impression on the supervision. Since then, he has figured out that he still has to play in his new work. The only regret is that the theater version gave the two protagonists most of the time. It didn’t make too many roles for the roles of calamus and comers, but it still took care of the role that every debut character should have

In a word, “The Battle of Haimen” is called “The Iron City”. The various ambitions that Araki Supervisor will not be able to perform in the TV version are pinned on this latest theatrical version, presenting the true charm of the “Iron City” to the world in the best form that the supervisor believes. The various wishes that the supervisor wants to achieve are reflected in the details of the fragments of the film, so he sincerely hopes that the audience can enjoy the work

References:

• “Animage” June 2019