I don’t know if the audience who likes to study the show has found out that the performance of the animation and the real department is very bad. It’s very difficult to combine the two together. Although the works of youth love are far from the realistic route, there are already quite a few works. However, it has not been combined with the animation of the Manga Time Kirara series of the literary society. Because the reality of female students’ life and the soft and soft powder of the girl’s life in the animation is a huge gap, in other words, the reality of the female student’s cute and the animation of the girl’s cute is different, this also It will inevitably require some animation-specific performances and expressions to be used in the animation, and there are too many unrealizable places to take real shots. .
And “Swing Camping △” is the “organic” combination of real and cute in the performance, and became the word of mouth of the previous season. As the work of the “Manga Time Kirara” series of the fragrant society, the first key is to “show the cuteness of the girl” is also the element of Meng, and the other is the real theme of this theme – the real portrayal of camping, both real and cute. Outstanding. This article is to analyze where the “swaying camping △” is really where, where is it. .
The real part.
Like the works of ordinary realism, “Swaying Camping △” has very few techniques in the lens movement. Most of the lenses are very objective. The position is not high and the camera is shot. The producer should do it. A lot of collecting wind, shooting a lot of photos used as a reference for composition, showing the sense of camping tourism third person objective lens itself is the best choice. Female No. 2 Zhimao likes single-person camping. Any scene of her single camping can often feel the atmosphere different from other character scenes. For example, the background art has become finer, the objective lens is increased, and the picture is more Broad and so on. .
This is also very easy to understand. Without the interaction between beautiful girls, other elements will inevitably require the audience to be interested. The production team here chooses to approach the real natural scenery to attract the audience. For each set of 12 episodes of TV scenes with wild scenes, it is definitely not a small pressure, and the production staff should spend more than imagination in the pre-production. .
In addition, this is also the narration of the singer, who is mainly responsible for some explanations of the film, because all the characters will be deliberately unnatural, such as the first episode to explain the pine cone, Da Ming Mingfu The low sound line naturally has a “documentary” flavor, and the serious explanation makes the film also add a real feeling. .
Finally, the performance of the camping details in this film is also very small, such as the process of setting up a tent, it is very easy to reflect how much work the production staff did, in addition to various camping tools and skills to dress up Depiction, the depiction of various campsite attractions, can see the traces of truth everywhere. It is completely different from some of the literary animations of the fragrant society. There is a problem in the environment and the things that are done and the lashing role. It can even be said that the film is no problem in camping, as a hardcore camping animation. .
The picture above is a detail in the film. On Twitter, Hiroshi revealed that this part of the third beer box is drawn by painting. This kind of line-intensive props is very troublesome to draw. Naturally, there are many ways to avoid this prop, for example, changing the beer box into a small chair, but this did not do so, not only did not change the beer box, but also gave the beer box a close-up. However, this detail fully demonstrates the production staff’s dedication to the real, obviously a lens that has nothing to do with the camping itself, but still spent a lot of effort to restore. .
Where is Meng?
The animation in this animation is actually close to metaphysics, because no one dares to say that it has been clarified, but since the series of animation adaptations of the Fangshe “Manga Time Kirara”, at least some references can be made. Compared. In addition to the role setting of the original soft and soft powder, the individual feels that the most important part of the animation can be played only two points: the performance of seiyuu and the cute painting. .
When it comes to “Swinging Camping △”, you can’t help but mentioning the type of mountain climbing as the theme of “Moving the Mountain”, but unlike the “Towards the Mountain”, there is a strong painting team and painting resources that can be used as a painting hard. The swaying camping △” painting resources are not rich, the number of paintings in each episode is not too much, and even some collections have obvious fluctuations in the quality of painting, so choose to take advantage of other places.
On the one hand, it is the use of facial expressions. In this respect, it can be said that there is no concern about whether or not it is realistic. For example, in expressing the girl’s demeanor, the expression is carried out with some lovely elliptical paintings, similar to the use of Yan Yi in this work. Very high, both cute and effective. This is a test of the skill and aesthetics of the master painting supervisor. .
In addition, the more representative one is the performance of instant messaging on the mobile phone. Here, using the Q version of the character avatar plus voice, it is not wise to use the character dialogue as a subtitle directly on the screen. Because it is bound to be accompanied by the loss of the necessity of the amount of information on the screen, but here is the interesting design through the delicate design. For example, the chat background uses beautiful art pictures, the Q version of the avatar will change according to the context, and it has rich online chat. The style of the text. .
On the other hand, it emphasizes the satisfaction and happiness of camping. This is also the common method of the adaptation of Manga Time Kirara series. The girl’s efforts to achieve it are also themes that often appear in the animation. For example, in the aspect of eating, the scene of the first episode of Fuzi eating is impressive. In fact, it is more difficult to highlight the atmosphere. This is the realization of the character’s plasticity through the animation itself, camping, hot springs, cooking. There is also a performance mode like the following picture. After the indoor community has finished discussing in the room, the three people side by side put a strange and unnatural posture and narration dubbing to switch the scene from indoor discussion to outdoor practice. It is very cute and fun. Transitional action. .
“Organic combination”.
In summary, in fact, the two are closely combined and split. In the part about girls, no matter how the performances and paintings are done, they are not too realistic, but the production of the production staff can be seen in the camping and the objective environment. The combination of the two has a completely different texture from the other Manga Time Kirara series of animated animations. The strength of the production is definitely conveyed to the audience. .
This supervised Jingji Yizhao mentioned in his interview that his personal performance style is biased towards realism. Jingji is a performance produced by Production I.G, which is also in line with the style of Production I.G. The whole film performance style is still very stable. In addition to supervising the number of episodes, the quality of the entire 12-episode performance is relatively stable. It is difficult to say that there are particularly prominent episodes. .
The whole film sees a lot of moving parts in the end. For example, the last episode of the final protagonist, Fuzi, is skilled in single-person camping, and corresponds to the opening of the first episode, which reflects the growth of Fuzi. If there is no real camping technology display, the degree of moving will definitely drop. At the same time, for example, the climax of the first episode – the Mt. Fuji under the moon and the climax of the fifth episode – the night scenes of the protagonists are also inseparable from the real scenery. I have seen many viewers praise the music. However, I believe that music BGM will always be a sub-item rather than a decisive item. There is no experience and truth-seeking spirit of the production staff. Without real experience, I am afraid I cannot make such a picture.