“The end will be you” At the beginning of the announcement of the animated STAFF, supervising a piece of literary and artistic message written by Kato is very memorable. When I saw this intriguing words, I couldn’t help but think, “Oh, this film must be very It’s not normal. After several months of animation, it’s not surprising. The first words of Kato’s own performance as a spectacle show a lot of surprises on the performance level. With the elegant soundtrack of Oshima, it’s unique. A sense of air. Although it is quite different from the original elegant atmosphere, the animation also attaches great importance to the preservation of the atmosphere on the basis of the liquidity of film and television, and it is subtly to use the original things to carry out the atmosphere and emotional performance. .
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Anonymous official website opened the message of Kato supervision, the author did not have confidence in the writing, not translated here.
The opening of the animation has directly indicated that it is quite different from the original in the performance policy. The pupil’s desire for “special light” on the map of the mind, the sneak peek of the underwater dilemma seems to correspond to the message written by Kato. The original is rarely used to express this kind of surreal performance, and more use the static advantage of comics to solidify the atmosphere of the scene and then express the role. In contrast, the number of cards opened by the animation not only uses surreal performance techniques, It also tightly strengthens the switching relationship between the lens and the lens, and it is very visualized. It can be said that the opening ceremony set the tone for the entire performance. .
The use of the first person perspective (POV) is very frequently used here. This should be the performance method used by Kato, and the first episode of the first episode of “The Body of Miss Sakurako is buried under the supervision of Kato.” There are many similar shots in the section of the nine Sakurako homes, because the official debut of Miss Sakura is the most important part of the first episode, so the completion is much higher than “It will become you” (both scenes are still The appearance of important female characters). The function is nothing more than to enhance the immersion of the audience. It is more convenient and natural to express the main line of sight. It is not easy to think about it. The background material must be moved according to the perspective. However, Kato and TROYCA believe that it is now a light road. This episode is more reasonable because it is completely complete from the perspective of the story, so the use of POV is more reasonable. .
The use of the foliage here is one of the places mentioned in the opening of this article to perform with the original things. In the original work, the branches and leaves are mainly decorated with decorative atmosphere. The animation uses the expression of the presence and the sly expression to emphasize the whole process of peeking more clearly, from invisible to sudden, and the surreal light Change the field to complete the scene of the first time to see the lamp. The original work does not emphasize that this process continues to maintain a more oppressive atmosphere, because the focus of the original work is “confession” and the focus of animation is the lamp, although it is the same plot line, but because of the different emphasis of the performance A completely different effect. .
The small action of the foot, showing the transition of the role mentality and state transition. As with the voyeurism process mentioned above, many of the small gestures in this episode depict the character’s performance, and this dynamic performance is also the advantage of the video performance. .
The scenes in the forest are also very focused on the atmosphere. From the beginning of the lamp, it consists of only three types of lenses: the perspective, the close-up, and the empty lens. The mental activity is expressed through the close-up of the eyes, and is integrated into the green soft-light forest environment during daily conversations. In the middle of the scene, it means that the road is over. The performance techniques of not taking people when making conversations are very common. At this time, the atmosphere of dialogue is more important than the content of dialogue. This paragraph is similar. The location of the two close-up information points is one in the middle and the end is also the treatment of the emotional curve. .
The scene of the three-person lunch in the classroom is already an exaggerated description in the original work, but the animation naturally does not stop at this level, but further combines the image of the water that opened back, and flows the water in the unconscious. The tables and chairs flow away, from reality to the surreal nature of mapping psychology, the distance of composition, the contrast of light and shadow, and the image of elements, together to build a more extreme world of hearts based on the original ideas. In addition, before the use of the window performance is also clever, the window frame will be separated from the other two, while also using the cloud shadow of the window as a transitional clue to the memories. Looking at the character through the glass itself has a very strong sense of alienation, and the mood at this time is also very consistent.
The close-up card of the tea is made very fine, and the tea bag is carefully drawn with the movement of the water and the spread of the tea in the water. On the one hand, it is to shoot long conversations to avoid always playing back and forth between monotonous characters, and on the other hand to pave the way for continued use of teacups. The pause here for a long time at the end of pouring tea also created a reasonable reason to create a compression point for the emotional flow and then cut into the key scenes that indicate the cause and the touch. .
Half-eye composition is also a common performance technique of Kato. Unstable composition is used for unstable scenes. The natural contrast here is the mood fluctuations when listening to the lights. After the two cards flashed memories, they described the trembling and small movements of the hands. Correspondingly, the next day, when you arrive here again, there is also a hand-cranked performance of the hand. With these two performances, the flow that has been interrupted in the middle is returned. The original is to use the mobile phone and the scene of watching the mobile phone at night to do the corresponding association, the same is the association, but because the associated items are not the same, the associated emotions have become somewhat different. The original association is obviously focused on how to deal with the response to the confession itself, while the relevance of the animation is biased towards communicating with the lamp. The processing here is exactly the same as the previous confession scenario. .
描 The description of the hand movements continues, and keeps annoying reminders before making real ideas. Subsequent delivery of tea is also a paragraph of the original, but the difference is that the animation selects the reflection of the water surface for interpretation. The composition is similar to the previous shot of the tea to express the sluggishness of the skull. The lens of the front tea is a turning point. The lens used here, similar to the lens, probably has some meaning before and after. Then the lamp sits down and the two sit down to form a very symmetrical composition. The characters, shadows, windows, and plants outside the window are all symmetrical, the environment is reassuring, the atmosphere is relaxed, and peace of mind begins. Also do the basic work for the subsequent composition changes. .
Skip the explanation of the 侑, the picture changes to dusk. The original is because it is black and white comics, so I don’t know if the original is such a large time span, but the contrast of the color of the animation is undoubtedly a bit surreal. I think it is unlikely that it will be so long. But compared to rationality (realism), animation has always put functionality (romantic) in a higher position, because it needs such a color to make the atmosphere, so it is necessary to use this color. A few minutes later, a card with the dramatic change in the development of the single card, the large changes in the illumination of the single card directly point to this performance policy. .
Continuation of the previous symmetrical composition, but the position of the camera is reversed, and gradually pulls away. When the time comes, it will be pulled at a high speed to make a matching transition. Matching the transition itself is a very common technique. There is nothing to say about it, but there are several places that make it appear more technical. First, the composition of the seat and the window is naturally used in the front. The window has been used twice as a carrier for recalling memories. Naturally combining these two points has obviously undergone a very elaborate design, not to say “ Here is a match transition. Just do something and do it. The second is the transition between action and composition change. In the process of matching the transition, the 侑 in the memory walks from left to right at the same time, the composition and the role are in the state of motion; after the transition is completed, the composition is stabilized, and the action of the character is also It then stops and has a new character to fill the vacant position of the composition, thus naturally completing the process of moving from one static symmetric composition to another static symmetric composition. .
The passage of the memory is basically the same as the original, except that the final foot performance is different. The original painting only depicts the changes in the shadow of the feet in the psychological world (the top comics are cut out on different pages), and the animation adds the change of the psychological to the reality on the basis of the original, so that it is almost unchanged. On the basis of the original performance ideas, the image has become more fluid. It is said that the elements that do not exist in the original color difference are different in contrast to the original. .
Half-face composition is also an unstable composition. Especially when the window frame as a segmentation mark is still present in the picture, the emotion is more suppressed, and then the two cards close together to erupt the emotions of the two people. It is worth mentioning that the two people’s emotional bursts are different. The narrator of the lines is a direct suppression of the explosion point, so the large-scale shadows and the unstable face of the eyes are not fully exposed; the lamp is hidden. Receiving the explosion point, only the single-eye close-up shows the change of the eyes, and the eye-shaking change and the degree of suggestion occupying the center of the picture are quite high.
With the action of the cymbal and the reach of the lamp, the division of the composition was once broken, but the emotion was quickly calmed down under the comfort of the lamp, and the composition returned to the balanced symmetry. The composition here is also very particular. The position of the sash under the distribution of the sash shadow forms a small square confined space, but the lamp side does not show a clear sense of confinement, which reflects the two people’s mood at this time. Difference. The objects on the table are placed in the shadows, and the composition density is not low but very clean. .
The incident lags behind a new incident, and it is still a half-eye composition, but the sense of restlessness at this time almost all translates into an unpredictable feeling of fear of the unknown state of the lamp, and also does not forget the small movement of the foot. Characterize. The teacup also played its final performance at this time. The unstable incomplete composition and the ripples echoed the metaphor of the collision between the two bodies and the turbulence of the atmosphere. It also represented a turning point as the previous two uses. .
The last head and tail echo composition ends in ED. Even from the screenshots in this article, it can be seen that the whole eye-related performances have actually spent a lot of pens and ink, which is probably one of Kato’s performances. C-Part is not particularly worth mentioning in daily conversations, so it’s over. .
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“Don’t understand”? If you don’t understand, you’re right.