As the pinnacle of the comic pyramid with the theme of Japanese monsters, “Giganto Ghost” has always been loved by men, women and children. The first phase of the animation was launched 50 years ago, and this year’s April also ushered in the series. . The sixth issue not only preserves the original horror of “Garo Taro”, but also moves the character design, setting, story, stage, etc. to the modern, and makes it a new look. Both adults and children can accept and invest in the world of “Garo Taro”. .
“Squeeze, slightly, giggling” When it comes to “Ghost Taro”, it is essential that this song is sung for many years. The series of historical animation series, headed by the first and second singer Xiong Cangyixiong, the third period of Jijisan, the fourth period of the Worry Group, the fifth period of Quan Gumao, The50kaitenz, this issue of the sixth Then it is the turn of the contemporary song prince Glacier Kiyoshi, and the arrangement is played by Tanaka, the master of the animated music industry. As a famous song that has been sung several times in the past, what is Tanaka’s idea of this arrangement? During the animation broadcast, Entertainment Station also interviewed Tanaka Fair and talked about the hidden mystery of this theme song “ゲゲゲの鬼太郎”. .
>> The portal of the theme song of the first 5 issues: . 《东映儿童片年代记——《咯咯咯的鬼太郎》来袭，妖怪风潮卷起》
Tanaka Fair In the past, although I have participated in the “Dragon Ball”, “Galaxy Railway 999”, “Mobile Gundam G Gundam” and other representative animation works in Japan, I have not received the “Gig Taro” The work, this time can arrange for this song “ゲゲゲの鬼太郎”, Tanaka feels very honored, natural Tanaka is also a true “Ghost Taro fans”, has been watching from the first animation. .
Tanaka also likes other works by Ms. Shuimu Mao, starting with “Monsters” and especially likes the unique style of Mizuki. After all, Mr. Shuimu has experienced war and returned from the ghost gate. The content of his thinking is more comprehensive and profound. He doesn’t care if the reader can accept it, draw what he wants, free and easy. In that era, even the handcuffs and worms must take into account the era of readers. Only Shuimu teacher is independent. .
いずみたく (The real name: Imaizawa Takao) The song that the teacher wrote for this theme song also did not consider that era at all. At that time, the animations like “Astro Boy”, “Iron Man 28” and “Superman 8” were all equipped with handsome hero songs, and “Ghost Taro” was unique. .
Nowadays people are not good. Tanaka believes that it is too conscious of whether the public can accept it and loses its own characteristics, as well as music. Tanaka also often considers to play a personality in his own work, but can not agree with the customer’s request. In this case, we need to discuss it. Who is writing this work, and what should be done if it is written like a similar work. .
At this point, Shuimu’s work is completely different. Even after 50 years, “Giggle Ghost” has not been imitated. Because of how to imitate, it will eventually become “Gantaro”. .
For this reason, for the new edition of the famous song, Tanaka Fair has not much trouble. The original song written by Teacher Yan is the absolute correct answer. At the time of the arrangement, Tanaka also listened to the versions used in the past animations. Whether it is the version of Jijisan or the version of the Worry, they all clearly want to overcome the correct answer. So they are going in different directions. Although everyone is writing a new arrangement, they never thought about going beyond the version of Teacher Yi. .
The producer of this time said to Tanaka, “I basically gave it to the teacher, but can you use the style of the king?” Tian Zhongyi, ah, I hope that I can follow the style of Wang Dao. However, according to the kingly style, it is very likely that the original version of the teacher will be copied, so Tanaka is thinking about where to cover the “Tanzhong Fair Print”. .
It’s good to start Tanaka thinking about using the jazz style, but it’s hit with the version of Worry and Kyrgyzstan. So this time I thought it would be better to “enhance” on the original version of the いずみたく, and become the king of the Tanaka fair. Therefore, without changing the chords, the compilation of the instrument also imitates the original song, the piano and sound effects used, and it is also the practice of the time. If you are still alive, you will probably agree with this approach. Tanaka began to write songs with a tribute to his teacher.
The so-called “Tanzhong Fair Print” is the uniqueness of Tanaka’s existence. No matter what style of music is written, it can be heard that it is a fair song in Tanaka. For example, when I heard a certain song on TV, I realized that “Is this song written in Tanaka fairly?” Congratulations, this is the feeling that Tanaka’s fair teacher wants. .
Recently, the mobile game “Princess Connection” developed by Cygames! Re: Dive’s title song “Lost Prince”, as long as you hear the prelude, you can know who wrote the song, Tanaka said that is the case. Of course, Tanaka said that this is his personal approach. There are also many composers who don’t want people to hear that this is a song they wrote. Tanaka believes that it is too boring to make an atmosphere for background music, but it is not too interesting. It is more interesting to complement each other and to combine the combination of music and picture to produce a chemical reaction. .
Portal: .
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“Princess connection! Re: Dive” OP: “Lost Prince”.
Song: ペコリーヌ (M・A・O), コッコロ (Ito Miyuki), キャル(立花理香).
Lyrics: しほり, composition: Tanaka Fair.
Here, Tanaka gives an example. If the actor Takakura Ken is standing on the coast, if the background sounds like the sea and the bird screams, the picture will last for 5 minutes. But if it’s an animated character, it won’t last for 10 seconds. Therefore, the animation has to be accompanied by music. .
Tanaka also feels that his music is more suitable for animation, because Tanaka’s ideas are too self-imposed, so it is difficult to use it in real shots. The songs written in Tanaka are very personal, so it is also very convincing to say that it is “your song.” Tanaka also believes that if you combine your style with the world view of “Garo Taro”, you will definitely have a wonderful chemical reaction. The teacher’s version is certainly the best version, but from the picture, it was because of the black and white animation, but it seems difficult to feel the color of the music. Therefore, in this arrangement, Tanaka considered adding the color corresponding to each monster in the accompaniment. For example, the white color of an anti-wood wool, the mother-in-law of Sasha is yellow, and if it can add a little red light, it is quite good. .
The sound of the instrument has a rich sense of color, so this accompaniment recording is not using software, but a full live performance. Because it is a monster-themed work, Tanaka hopes to feel the breath of people in the song. The monster that Tanaka understands is there but it is invisible, so it is necessary to create an atmosphere of “existence” in the song. Most of the current composers are using the arranger software, losing the color of the song itself. Tanaka also laughed and said that he felt that the advantages of software versus musical instruments were only correct and cheap. .
And when it comes to the correctness of the rhythm, the rhythm of the rhythm itself is different, so there is no sense of rhythm, and today the children are growing up in such a musical environment, and even feel resentful about the rhythm of the scene. On the other hand, Tanaka is also more interested in highlighting his personality in the song because of the increase in the number of people relying on digital. This is a kind of luck. .
In this arrangement, Tanaka was only playing jazz in the second paragraph, and even the piano and bass were jazz players. Although the music compiled by the software is crisp and neat, it is not correct for the monster works. Ms. Miyamoto, who is in charge of the piano performance, also pointed out to Tanaka that she hopes to play a little later. At the time, Tanaka was still skeptical. “Is there a slight deviation between the song and the accompaniment?” However, this feeling is indeed true. More suitable. .
Tanaka also added a stringed instrument that he used to use and the original song was not used in this arrangement. Tanaka said that after all, I don’t have to care about the money, so I don’t need to come up with a symphony. The momentum. So why do you want to add so many strings? That’s because there are stocks in Tianzhong’s heart that are rushing, so you can add some inaudible “air” in places you can’t hear. Tanaka thinks that although he can’t hear, he can bring the atmosphere. Leading it out, this is the most wonderful thing. If you can see the spectrum, you may understand. .
There is also, as far as possible, the simple and easy-to-understand songs are written in a simple and straightforward way, so that the outlines of too simple songs are too obvious, and the “暧昧” is not reflected.
At the same time, Tanaka also clearly realized the sound of the glaciers and the sound of a small, bright voice. If you don’t know the lyrics, songs, and intervals, you can’t write a song that matches the “Gantaro” world view. On the one hand, we must have the horrible atmosphere of “Gantaro”. On the one hand, we must combine it with the modern world view. Then the sound of the glacier is perfect. .
In addition, there is also the relationship of the song itself. Tanaka thinks that the tone is very high, and it is easier to sing for the glacier, but it does not mean that it will reduce the brightness. The original tone of the original Honda is slightly lower, so that the sound of the glaciers mixed with the melody in the song, but the glaciers took the initiative to propose this tone on the recording site, and raised 2 degrees on the spot, so Tanaka decided to Rethink the arrangement. “Is the cemetery so bright?” At that time, he felt that something was wrong, but in the end he thought that it was more like watching it on TV now, but at the time he thought too much. .
It can also be said that Tanaka and Glacier cooperate to produce the opposite chemical reaction. What I had thought before was not 100% correct. After all, I still had to sing out from the mouth of the glacier. His singing voice is correct. No matter what kind of accompaniment will eventually become his world. The singing of the glacier was very good. When recording, Tianzhong was stunned. It was called “the monster of the song” by Tanaka. The harmonies were recorded on the spot, and all of them were repeated. .
The best place for Tanaka is that the Glacier is a famous song singer, but does not need to clench his fist to sing. Before the sing, Tanaka also wanted to remind him that “there is no need to make a fist here.” I didn’t expect that even if he didn’t say anything to him, he wouldn’t make a fist because the glacier didn’t intend to sing. Tanaka lamented that it would be easier to work with people who sing well. .
The part that sings in the final stage is sung by the impression that the monsters of the giggling forest sing, which Tanaka thinks is very interesting. The original intention was to make a harmony between the beats, although it was interesting, but it was too noisy. Of course, the manual delay is also considered, although simple, but not interesting enough. Sure enough, please let the glacier sing the most vocal. .
This time, the cooperation with the glacier was particularly enjoyable. Even Tanaka’s hand was itchy, and I wanted to take over the playmate. For Gao Li Kangzhi’s music, Tanaka appreciated the prize. If you let yourself do it, it will be a different feeling. Tanaka said that if you still have the seventh issue, please let yourself do it. .
Finally, Tanaka also said that this time “Ghost Taro” is very good. When I was watching with my wife, Tanaka’s wife asked, “Is there a problem with the horror film on the early morning of Sunday?” Retorted, “Isn’t it officially done to take care of the bigger children?” And Tanaka also feels that the role of a cat is very cute, not to mention the children, and I really want to see it all the time. “Gig Taro” can be said to be a representative of Japan’s works. In the past, it has been adapted several times. The quality of this time is still outstanding. As the initial entrance to the “Gantaro” world view, Tanaka also hopes that everyone can get the same name. The theme song of the title began to come into contact, which was the greatest honor for him. .
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- Entertainment Station: . 氷川きよしが歌う「ゲゲゲの鬼太郎」誕生のひみつ誰もが知るあの曲を2018年型アレンジに─アニメ音楽の王道を輝かせる“田中公平印”とは？