As a structure, after the delivery of the second season script of “Golden God”, Mr. Takagiden unloaded most of the burden. In the face of the animation, he also took the position of an ordinary audience and waited for the opening of the show. Therefore, compared to other producers who are still on the scene at the moment, as a structure, the mentality is indeed much easier
Before taking over the scriptwriting task, Mr. Takagi heard about the original “Golden God”, but it was nothing more than that. In actual contact, the teacher felt that the comics were really worthy of the name. And the interesting feature of this work is that it can blend all kinds of entertainment elements into one. Mr. Takagi originally controlled this type. This time, fortunately, he received a job for his appetite. The actual operation was full of enthusiasm
In fact, Mr. Takagi’s most favorite paragraph is the number 7 of the comic book, “Boss and Princess” (“Knockingと姫” 65~69). In this chapter, I can see that the teacher is full of blood. However, this part of the content was ultimately limited by the length of the space, and he had to cut love during the animation, which made him regret it
Overall, the choice and composition of the syllabus, in the early stage, was concluded by the screenwriter Takagi, with the supervision of Namba, and the members of the production committee. Everything is to ensure the main plot of Sugi and Ashilipa
Readers who have read comics should understand that the original is actually a series of “off-line” (spur-line) stories that have been continually half-way. After careful layout and nesting, this is precisely the charm of the work
Once the specific adaptation is involved, in order to take care of the main story, sometimes it will inevitably be limited by the length of time, and it will be repressed. Therefore, compared to the original, the “frenzy” in the animated version, still slightly discounted
Despite the restraint of “wildness”, it still makes everyone very enjoyable. In this regard, Gao Mu, a screenwriter, is deeply honored and does not forget to emphasize that according to his heart, Think more and add more
In the process of finalizing the outline, Mr. Takagi has compromised concessions and persistence. One of them is the “candid” bridge that is known as the “naked sacrifice”. The teacher was very proud of the interweaving arrangement
On the other hand, Mr. Takagi is also very happy to describe the relationship between Sugimoto and Ashilipa, not to use love as a selling point for heterosexual relationships. It is said that the true trust that transcends the love of ordinary men and women brings the creative enjoyment of the writer and the body
Perhaps because of the disparity in age and experience, the attraction between Sugi and Ashilipa is neither unusual love relationship nor pure parent-child relationship. Sugimoto has even stubbornly compared his young Ashilipa with the nickname “San”
In the opinion of Mr. Takagi, Sugimoto is a man who always “chaos” and always follows the inner principle of “no over-the-moment”. On the one hand, he pays tribute to the object of respect that he has endorsed, and on the other hand, he has a pain in the judgment of those who are not flat. The treatment of Ashilipa clearly applies to the previous creed. Mr. Takagi is very appreciative of the ethical concept of Shan Yuan. And this phenomenon is not limited to one person in Shan Yuan. The other characters who appear in the film also express their respect to this girl who is petite, temperamental and intelligent. It is really commendable. Not only the tail shape, the ancient scorpion and so on have never been scornful in words and attitudes, and even the elders such as the earth have never taken a high-profile attitude toward Ashilipa at the personality level
It can be said that it is precisely because of the unique temperament of Ashilipa that the people gathered around her have formed an extraordinary atmosphere of incredible contradictions but harmonious harmony
According to the saying “Golden God”, it depicts the harsh nature, the speculative people, the ubiquitous trap. The performances of life and death are chased, and each debut character has an unspeakable painful past. However, the people in the drama are immersed in some kind of unrequited feelings of ecstasy, which are all in the same place, and walk together all the way through the precarious dangers. The original fan should also be a dynamic balance of this dangerous egg, and feel that you can’t stop
In the play, the three forces headed by Sugimoto, Tsurumi, and Earth are in a hostile position, but they don’t see anyone who has seen their opponents. Instead, they often have awe of the enemy. This kind of heroic feelings, which are also enemies and friends, and cherish each other, is in line with the typical setting of traditional Japanese drama (martial arts film), and the drama is further extended in detail on this big frame
In the later stage, there is no doubt that it points to the big chaos that will be faced after the “huishi” net prison. It is not difficult to imagine that the on-site staff are now struggling for this spectacular show, and they are constantly fighting around, and Mr. Takagi, like all the audience, is looking forward to the opening moment
References:
19 January issue “Animage”