More than expected “Neptune”, Wen Ziren holds the hope of DC

Author: Wang Jiaqi.

Watching “Sea King”, the most powerful director of Wen Ziren is that the passers-by and the original party can find their own point

In terms of style, Wen Ziren does his best to break through the channel between classical heroic epics and modern entertainment (whether it is action or soundtrack)

“Sea King” is full of ideas for the trilogy. The most insane visual presentation refreshes the volume that a single superhero movie can carry. (IMAX and Dolby Cinema have two choices, and other rooms are too bad for movies).

I was actually quite curious about the reaction of the “King of the Sea King” when the “Black Panther” was released because of the “Prince Revenge” routine

The same is a melee, the tribe becomes a kingdom, and all the forces of the various forces in the three-dimensional space seem to cross from “Lord of the Rings” to “Star Wars” (note the sound of the “Spaceship” weapon!), Wen Ziren In the dazzling scenes, the retro return of the classic Hollywood movie narrative style of the new Hollywood era (Spirberg’s gratifying smile) was completed

“The King of the Sea” is so popular in the domestic reputation that its magical epic shell is not small

Indeed, compared to the real world superheroes, this kind of story that is more biased towards the overhead world is more appetizing for the Chinese people. After all, it is linked to two worlds, but Atlantis is the absolute main show. (Of course Atlantis’s high-tech armor design…how is a Hollywood alien in the fifties look and feel?).

Although there is a lot of special effects scenes, Wen Ziren tries to take care of every major character, especially the two villains, when the drama is compressed. At least the motivation is no problem

As the secondary villain of this episode, the black manta ray has not completely become a functional role. Although the “killing the father’s hatred” setting is rushed, at least the black manta ray is completely flattened

Arthur and Oum’s final battle on the sea rekindled my hopes for DCEU, combining the classic oil paintings and strong percussion that Zach Schneider emphasized, and the unique battle of Neptune. The way

Zach’s rude play in The Iron Man is also tailor-made for Superman (forgive the peasant kid), and the uncontrolled promotion in JL is a failure, and this is still in the atmosphere. The good “Wonder Woman” is vague, especially with Ares

Haiwang finally found a fighting style that suits her, rather than a savage that would only be done before the wilderness wolf

The last freeze screen will make all the people who are still arrogant between Marvel and DC close their mouths. The charm of the hero should be so pure

Seeing “Haiwang” Zhongwenziren Guangming Zhengda’s use of a huge amount of money to play a short period of “old line” is still very cool, the submarine section under the sea, even the soundtrack style are suddenly familiar with it!

However, this does not mean perfection. The reason why the epic melee of “Sea King” is different from “The Lord of the Rings” lies in the serious shortage of paving. As a whole, the battlefield is purely focused on the shocking appearance of Neptune. There is no condition to construct the battlefield rules and rationally adjust the relationship between the global battlefield and the local battlefield

If you consider tactical issues, Aum is a brainless war waste wood, who will want you to do infinite sea tactics?

There is no brewing war, no matter how long the casualties are, it is difficult for the audience to feel the same, thanks to the unique physical qualities of the deep sea killers, otherwise some pictures are bloody hahahaha! As for the scene of the Trident, is the scriptwriter still unable to think of the way to torture Arthur? ?

Although the visual effect is extremely good, the scene between Arthur and Mela is basically not enough to spark, Arthur’s character is a kind of very spectator-like type, super muscle tough guy plus contrast (see China) The people’s “old friend” Dushi Qiangsen), but in addition to not wanting to be a king, the true meaning of “personality defects” does not exist, and there is no way to talk about the arching of characters in traditional super-English movies. (Of course, depending on personal preference, this can be both an advantage and a disadvantage for the movie as a whole). Leave it to the next one to do it~.

PS. The ending song is super king, Mei La HT must buy, the opening is too stunning, it is really a childhood-like feeling of a fairy tale (the best emotional drama of the whole film?!)

By the way, “Neptune” is indeed beyond expectations and is enough to be regarded as a milestone. However, in my personal heart, the best balance of all aspects of DCEU’s works is still the “body of steel”, and the advantages of “sea king” It is unfair to criticize Zach. I am not against the fact that you don’t like Zach. The higher the author’s work, the harder it is to find a horizontal contrast frame. You just say that you don’t like Zach’s style