In the Nagoya City Council, the Liberal Democratic Party member Saito Kazuo proposed the idea of designing an animated, sub-cultural road between the west exit of Nagoya Station and the Yeouido area, and setting up a memorial image of an animated character to attract Sightseeing. Nagoya Mayor Kawamura Takashi is also very much in favor of this proposal
According to the concept, Nagoya City will spend 10 million yen next year to investigate similar cases and copyrights in other cities
There are about ten animations and subculture shops around the west exit of Nagoya Station. There are also related specialized schools. Many animators will come to this area
Although many official people expressed their support for this idea, the attitude of the folks is relatively negative. In an interview with China-Japan News, a 68-year-old woman who opened a shop near the west exit of Nagoya Station asked: “I have never heard of such a thing. Don’t spend money on bronze statues, but use it in social welfare and Parenting.” Another 24-year-old female company employee who visited the animation store on the same day said: “The animation road is good, but it is important to put any characters. The animation also has a popular ups and downs, don’t put bronze statues, but Is it better to change to a Kanban?”
(https://www.chunichi.co.jp/article/aichi/20190918/CK2019091802000045.html).
Light is the first year of the preliminary investigation, it is necessary to use 10 million yen, the official master’s big hand is not the same. Let the practitioners see it, don’t know how envious it is
Seiyuu Hatoyama sees news about the Japanese e-sports competition because the winners did not have a professional license and deducted bonuses. The commentary said: What is the significance of “professionals”? This reminds him of the filming of Japanese dubbing of foreign movies. He is a professional seiyuu who voices the main characters and only pays 15,000 yen; while the comedians can get 1 million yen
This kind of live of 15,000 yen is the normal state of the industry, and Hatoyama has received hundreds of them. Every time, he will envy the guest artist
But Lushan also has no intention of spreading negative impressions on the industry. He added that not all studios are like this, and there are also studios with different budget allocation methods. Dubbing is a very interesting world. He doesn’t want to complain that “my pay is too low! Give me a paycheck!” He is very clear that the propaganda fee is the highlight of the famous artists who participate in the dubbing. I just envy others to make more money
To say a different studio, Lushan gave an example. For example, the initial performance of the film will be able to pay for his monthly meal of BL
(https://twitter.com/inava62/status/1173929825414762499). Why is the treatment of
BL so good? In the view of Lushan, many BL works are more full of love than the sales consciousness, so both the company and the same person are treated well. But correspondingly, the requirements for the performance are also very strict, for example, “just a half of a gasp… a quarter of a voice” or “the feeling that only the right eye is crying”. It is a very happy job
(https://twitter.com/inava62/status/1173968344656961538).
Although the seiyuu treatment is not as good as a guest artist, it is good to get at least money
Participating in the “JoJo’s Bizarre Adventure” series of animations, and the animator who also actively published the paintings on Twitter, Augumi Gengping, suddenly voiced the day before yesterday, saying that although he participated in the production from the first episode of “Golden Wind”, I did not get paid at all, and I participated without compensation. This is not because he volunteered to make a painting, but it has been a year and a half since he started working in Episode 1. He still has not received a penny of compensation, and he is supported by love
Last night, “Golden Wind” held a celebration feast, and the producer told Augani that it would respond accordingly. Although Lugu believes that this matter violates the outsourcing law, it may not have been fundamentally resolved, but he does not want to continue to hurt the cast of the participating works and the fans’ love and love of the works, so the sound of this matter ends here. He believes that the love of JoJo is unparalleled. It is to support the young creators of the future industry not to experience the same experience as himself
(https://twitter.com/asikoh009/status/1174330597369507840)