When Nakamura first came into contact with the original “Five-Bill Bride”, he was immediately attracted by the unfolding of the wonderful story and the relationship between Fengtalang and the five sisters. He read the original contents of the original in one breath. Nakamura said that it is not uncommon for many female lords to like the work of the male lord at the same time, but it is rare for the competitors to be full sisters. Especially considering the relationship between the sisters, but also want to face the feeling of love and courage, the teacher of the Spring Festival has performed the contradictory emotions of the five sisters very well

The shape of the five sisters is basically the same at first glance, but the teacher of the spring field can describe each person’s personality, especially when they express their feelings to Feng Tailang. Nakamura feels very powerful. At the same time, in the original work, the contrast between the five sisters in the funny situation and the expression on the serious occasion is also very interesting. In this regard, Nakamura said that Sanghara Supervisor had specifically said that he should consciously consider the contrast when painting

When I was animated, Nakamura said that she was trying to restore the original taste. In particular, the color manuscript of the gradient paint method of the Springfield teacher was very beautiful, so I wanted to restore it as much as possible. If the original painting only looks at the head, it can be seen that there are many gradients. In this, the teacher of the spring field has added highlights, and even the shadow of the hair texture is quite detailed. Although Nakamura wants to behave like this in animation, considering that if the animator is too detailed, once it moves, it will impose a burden on the painters on the scene. Therefore, it is only possible to explore the most appropriate drawing on the edge of the limit

The five sisters in the works will pretend to be others, but the clothing and hair style can not be changed, which is a problem for Nakamura. However, Nakamura believes that the character of five people is actually reflected in the eyes. As long as the observation is careful, five people can be distinguished according to the eyes, and each person’s stance also shows their own character to a certain extent. On the other hand, the impressions of the five people in the animation are based on the color originals of the teacher, and the oil color is designed to make the color of the five people more vivid than the original. For example, in order to prevent a flower from being confused with the pink color, it is necessary to match it with a relatively faint color, while for four leaves, it uses an orange color to distinguish it from the other four

In order to further improve the animation design, Nakamura mentioned that the Springfield teacher also told him how to easily grasp the characteristics of each of the five people. Especially in terms of hair style, for example, in May, it is easy to understand the whole hairstyle as a star shape from the outline, and the short hair of the four leaves can not be too round, and the image is a trapezoid like a hem of a clothes. In addition to these suggestions, the teacher of Springfield also gave some sketches of Nakamura for reference. Nakamura is an animated person based on these materials

Sangyuan supervision gave roughly three instructions to Nakamura. First of all, I hope that the heroine will be portrayed as a deep person. That is to say, not only the basic character of the character but also the part held by the heart should be visually expressed. The other two points are to give people an indescribable color emotion, and to be free from the liberation of the painter’s gender. Nakamura bluntly said that if he could directly attack his own sexuality, it would be a graceful and graceful curve for teenage girls. Therefore, Nakamura has always paid attention to this part of the protagonist’s usual stance and movement. Incidentally, during the discussion meeting of the animation, Teacher Haruyuki mentioned that the animation was based on the original style of the 3rd to 4th volumes

In the animation of the younger sister of Takizawa Taro, the teacher of the spring field told Nakamura that everyone in Uesugi’s family had long eyebrows, so the leaves needed to draw a thick eyebrow, showing that it was Feng Taro. The feeling of my sister. Regarding the growth of the leaves in the future wedding ceremony scene, Nakamura said that in his original design draft, the supervisor proposed a modification suggesting to increase the height of the leaves to make them slim, so compared with the elementary school era, The growth of the leaves is quite obvious

The whole part of the animation, so that the most impressive painting scene of Nakamura is the scene in which the third singer has confidence in Wind Taro. Nakamura revealed that in fact, until this scene, his treatment of the three eyes was slightly suppressed. After this story, the three scorpions gradually became active, and the relatives began to increase the brightness of the eyes. In addition, in the fourth fireworks’ exhibition, the village was also painted quite hard in the scene of a flower wall Taro. In this period, one flower hopes to receive more actors to work on the one hand, and on the other hand, because of work reasons, it is impossible to take such actions with the sisters to participate in the fireworks display. Therefore, when painting this section, Nakamura said that he has been I want to show the painful feeling that a flower can’t watch the fireworks with my sisters

Finally, when talking about the topic of who I like the most, Nakamura is very embarrassed to say that he was the first to push the three, but then he was attracted by a flower and liked a flower, and after a while, then It became a super-like four-leaf. Recently, I was very worried about the second, and it can be said that it was completely set by the teacher of the Spring Field. But if you really want to choose one from them, Nakamura will still choose Sancha. From the initial cold girl who was indifferent to the surroundings, she gradually changed herself because she liked the relationship with Feng Taro, and bravely approached him, which left a deep impression on Nakamura

The animation has ended, and Nakamura is very grateful to the audience that has been supporting it so far. I was able to participate in such a highly popular work as a major production member this time. I was also very nervous after the glory and gained a lot of valuable experience. In the future, Nakamura said that he will also pay attention to the growth and love of these five sisters together with the audience, and witness who will become the bride of Fengtaro

[References].

• “MEGAMI” May 2019