“anitama Japanese Film Market Weekly” is normally released on Friday, ignoring the daily release rate of Japanese media. A little detailed description can be found at the end of the text

Last weekend from January 26th to 27th, the Japanese film market ranked the top ten films in the number of seats:

Last weekend from January 26th to 27th, the top ten films in the Japanese film market and their respective box office income status list:

In the order of the premiere date, the main movie in the release shows the current record of the box office revenue transition:

Note: The general first move is from Friday to Sunday for 3 days, “Invincible Destruction King 2: Big Internet” is the first move from Friday to Monday, “Ping Cheng Kamen Rider 20 is a commemorative Kamen Rider” The eternal life of Heisei and the “Fate / stay night [Heaven’s Feel] II. lost butterfly” was launched from Saturday to Monday for 3 days

At the end of January each year, it is time for the Japan Filmmakers Alliance to publish the final accounts of the previous year’s movie market. In 2018, Japan released a total of 1192 movies, which was 100.4% compared with the previous year. Among them, 613 Japanese-made films were made, compared with 103.2% in the previous year, and 579 imported films, compared with 97.6% in the previous year. The film population of the Japanese film market is about 96.21 million person-times, compared with 97.0% in the previous year. The film population of 170 million people is a ceiling reference line since the collapse of the Japanese film and television industry in 1975. This century has exceeded 170 million times in four times, including two consecutive times in 2016 and 2017, and finally in 2018. Go back below this line again

Based on the total amount of box office receipts, the total amount for the whole year was approximately 222.51 billion yen, compared with 97.3% of the previous year. Among them, the total box office revenue of Japanese domestic films was about 1,202,029 million yen, compared with 97.2% in the previous year, accounting for 54.8% of the total. The total box office revenue of imported films was approximately 10,084 million yen, compared with 97.5% of the previous year, accounting for 45.2% of the total. So the average fare of the Japanese film market rose to 1315 yen last year, compared with 100.4% in the previous year

In 2017, there were one big-selling works with a box office receipt of more than 5 billion yen, and no over-selling works with a box office income of more than 7 billion yen. In the 2018 year, there are 3 large-selling works of Japanese domestic movie box office receipts of more than 5 billion yen, of which 2 are more than 9 billion yen. In 2017, there were 5 large-selling works with a gross box office receipt of more than 5 billion yen, of which 3 were oversold ones with a box office receipt of more than 7 billion yen, and one broke through the 10 billion yen mark. The final value of the specific film publications is shown in the [2018 Japanese movie with a cumulative number of visitors of more than 1 million visitors] after the end of the text

Last week’s Dongwon Kyuw’s adaptation of the movie “Kameno Hotel” was held in the first week of the second week, and the number of visitors was about 35,000 on the weekend, 72.5% from the previous week, and 400 million at the box office. 7,793,600 yen, compared with 75.5% in the previous week. Since the release, the cumulative number of visitors has reached 1.45 million 9591 on the 10th, and the accumulated box office revenue has reached 1,80,6228,800 yen. The film became the first in the premiere film this year to break through 1 million people, and the final box office revenue is expected to be adjusted upwards to 5 billion yen

Warner Bros.’s novel adaptation of the film “Twelve Wanted Dead Kids” debuted at 2, the national 343 screens was released, the weekend 2nd day, the number of visitors was 20,636, and the box office income was 280,754,700 yen. In the first three days, the cumulative number of visitors was 263,398, and the total box office revenue was 303,291,800 yen. At this stage, the final box office revenue is expected to be 1.5 billion yen

20th Century Fox released the US musical series “Bohemian Rhapsody” released in the 12th week of the 3rd, since the release of the 80 days since the cumulative number of visitors was about 7.56 million times, the cumulative box office income of 10.4 billion 60.63 million 1194 yen. The final box office revenue expectation is maintained at 12 billion yen, which is second only to the final box office revenue of Aventa, which is 15.6 billion yen in the 20th century

“fate / stay night [Heaven’s Feel] II. lost butterfly” was released in 4th week of the 3rd week. Since the release, the accumulated box office revenue on the 17th has been 1,117,785,949 yen. Excluding the premiere effect, the previous match was 108.6%, and the final box office revenue expectation was between 1.6 billion yen and 1.8 billion yen

Disney’s “Invincible Destruction King 2: Big Internet” was released in the 6th week of the 5th week. Since the release, the cumulative number of visitors in the 38th day has reached 2.93 million 3,786 person-times, and the accumulated box office income is 3.624 billion yen. The expected value is maintained at 4 billion yen

The “Film Sword Dance” released by the Dongbao Imaging Division was released in the second week of the 6th place. Since the release, the cumulative box office revenue for the 10th day has reached 307.746 million yen. The “Psychometer Sinners of the System Case.1 “Sin and Punishment” issued by the Dongbao Imaging Division was first released in 7th place, and the national 87 screens was released. On the weekend of the weekend, the box office receipts were 64.51 million yen, and the cumulative number of visitors in the first three days was 66,333, and the accumulated box office income was 96.88 million yen

Songwood’s “Love Live! Sunshine!! The School Idol Movie Over the Rainbow” was released in the 4th week of the 4th week, and the cumulative box office revenue on the 24th since the release was 704.24 million 8400 yen. The documentary of the documentary literature released by Shochiku, “The True Story of Banana Love in the Third Half of the Night” finally broke through 1 billion yen. Since the release, the cumulative number of visitors has reached 833,000 since the 31st, and the cumulative box office income is 1,026.8 million. 7,300 yen

The “Dragon Ball Super Broly” released by Dongying was released in the 7th week of the 7th week. Since the release, the cumulative number of visitors has increased to 2.96 million on the 45th day. The accumulated box office revenue is 3.837 billion 5,500 yen, and the final box office revenue is expected. Maintain 4 billion yen. The “Love Song” released by Dongying first appeared on the 10th, and the national 181 screens was released. On the weekend of the weekend, the box office receipts amounted to 34.62 million yen, and the total box office income during the first three days was 41.52 million yen

Other circles continue to be filmed

Dongbao, “Movie Monster Watch is always a friend” since the release of the 45th day, the cumulative number of visitors was 1,107,604, and the total box office income was 1,109,897,600 yen. Since the release of the real-life movie version of “Fake Love”, the cumulative number of visitors has reached 433,330 times on the 38th, and the accumulated box office revenue has reached 528.89 million yen. Since the release of the novel’s horror film “Come”, the cumulative number of visitors has reached 687,709 since the 52nd day, and the accumulated box office revenue is 890,138,4000 yen

Warner Bros., Harry Potter’s prequel series “Fantastic Animals: The Crime of Grindelwald” has accumulated a total of 4.89 million 8978 visitors since the release of 66 days, with a cumulative box office income of 6.5428 billion 3,700 yen. The US love film “The Birth of a Star” finally broke through 1 million person-times. Since the release of the 38th, the cumulative number of visitors has reached 1.04,820, and the total box office income has reached 1,39,047,600,000 yen

Others, the French movie “Taxi Express 5” has accumulated a total box office income of 130,164,400 yen since the release of the 10th. The release of “Ping Cheng Kamen Rider 20 as a commemoration of the Kamen Rider Eternal Eternity” released by Toei has been enlarged by about 1.22 million on the 37th, and the accumulated box office income was 1,438,828,800 yen

The Pingcheng Kamen Rider Series Winter Theater Edition has been released for generations.

New work outside the circle. Gagara introduced the US horror film “The Winds of the Wind”, which was released on the 59th screen of the country. The number of visitors in the first move was 156,526, and the total box office income was 21.11 million 4,200 yen

Weekly progress.

Note: The bold is the updated movie, the accumulated value stops updating the accumulated value representing the time, not the final value after the release. Usually, the movie that premiered in December each year is aimed at the first month of the month, so it belongs to the next year. For example, the work premiered in December 2016 is 2017

At the beginning of the 2019 Japanese movie with more than 100,000 visitors at the beginning of the year:

Japanese film with a cumulative number of visitors of more than 1 million in 2018 [final version]:

At the current stage, the total number of Japanese viewers who watched more than 1 million visitors in 2019:

Monthly progress.

Note: The figure in the right column is the final value. The actual value of the cumulative value is shown in the previous table. The final result after the final release is the latest and the latest may be the same as the beginning of March of the next year. The box office receipts of the film are not the operating income of the issuing company. Such figures are reported in the company’s financial statements; nor are the income from the company’s issuance of films. Such figures are no longer publicized since the year 2000

Japan’s three major film companies released their work in the last three years of box office receipts:

The works of the major 12 major film distributors in Japan have earned box office revenue in the last three years:

Description.
First: The complete and accurate overall situation of the Japanese film market, unified by the Xingxing Communications Agency, and paid for publication. The source of information of Xingxing Communication Co., Ltd. Is Japan’s local film distribution companies, including Japanese local film distributors, as well as overseas subsidiaries such as Hollywood’s major film distributors in Japan. There are 12 major film distribution companies in Japan. The source of information for each film distribution company is cinemas across the country, and there are six majors chain theaters in Japan. Xinghang Communication Co., Ltd. Is responsible for the overall situation. The film distribution company is only responsible for the work that it has issued. The cinema is only responsible for the results of the part that is released in the home
2: The statistics and publication of the Japanese film market by the Xingxing Communications Agency will not be updated every day for a one-week cycle. The list of the list is two days per week on weekends, not daily, or seven days a week. The benchmark for the list is the number of viewers of each film, not the amount of box office income. The list of the weekdays, the amount of box office income as the benchmark, and the list of other various benchmarks, although they exist, are not the target of the official list published every week. That is, the list of Japanese film markets published every week is essentially the ranking of the weekend visitors
Third: The filming rate of the Japanese film market is not calculated according to the ratio of the number of screenings of each film in the total number of screenings of the entire market, and the ratio of the number of seats is used to calculate the ranking share. The total number of seats for each movie means the maximum number of tickets sold, directly related to the actual number of viewers
4: When it is in normal operation, Xingxing Communication Agency starts collecting every week, and the shortest report can be published free of charge that night. It is the earliest on Tuesday. Depending on the publisher of the film, some will have exact values until Wednesday, and occasionally even Thursday. The main works of Dongbao and Shochiku have been changed to the premiere of Friday since mid-April 2018, and the weekend value of the new film will be delayed by one day. Anitama’s weekly film market in Japan, not seeking speed but refinement, ignores the speed of specific information disclosure and the legal holidays in Japan every week, and chooses to release it on Friday
Fifth: In the case of a three-year long holiday in Japan, the possibility of suspension of renewal during the period of the end of the year is very high. In mid-August, the possibility of suspension of renewal during the summer break of the Bon festival is low. The possibility of suspension of the update is not ruled out during the Golden Week period in late April and early May. In the abnormal operation, Hing Hing News Agency may have a situation in which the complete and accurate information has not been updated throughout the week. In this case, the Anitama Japanese Film Market Weekly is waiting until the end of the working day of the week, based on the published part of the situation. Released early Saturday morning