“anitama Japanese Film Market Weekly” is normally released on Friday, ignoring the daily release rate of Japanese media. A little detailed description can be found at the end of the text

Last weekend, from December 22nd to 23rd, the Japanese film market ranked the top ten films in the number of seats:

Last weekend, from December 22nd to 23rd, the top ten films in the Japanese film market and the box office income of the three consecutive holidays from December 22nd to 24th:

In the order of the premiere date, the main movie in the release shows the current record of the box office revenue transition:

Note: The general first move is from Friday to Sunday for 3 days, “Invincible Destruction King 2: Big Internet” is the first move from Friday to Monday, “Ping Cheng Kamen Rider 20 is a commemorative Kamen Rider” The first generation of the eternal life of the Heisei era is from Saturday to Monday

December 23 is the customary emperor’s birthday, which is a Japanese legal holiday. When the emperor had his last birthday holiday, he met Sunday, and he moved on Monday. Formed a three-day break from December 22 to 24, so the film premiered on Friday had a four-day start time. This weekend is also going on after the release of the top three main films last weekend. However, this year’s peak season, Dongbao can not afford even the cumulative box office revenue can reach 1.5 billion yen in the blockbuster film, the Japanese market winners in the field of domestic film finally turned to show

Last time Dongying ushered in this scene, it was still 6 years ago in the winter, relying on “One Piece Movie Z” and “Kamen Rider x Masked Knight Wizard & Fourze MOVIE War Ultimatum”. In the second half of this year, Dongying’s track in the movie market was basically copied six years ago. In the summer, “Theatrical Kamen Rider Be The One” + “The Fast Pirates Lubang Lian VS Police Team Patrol Lianen en film” is the highest initial amount of the Toei Superhero Summer Theater Edition in the past 6 years. Movie hug! The beautiful girl of light, two people are beautiful girls of light. The all-star memory is also a time lapse of 6 years

But in general, as long as Dongbao does not give force, it means that the overall hegemony of the Japanese film market is destined to be controlled by overseas imported films. The first weekend is Disney’s new film “Invincible Destruction King 2: The Internet”, and the 20th Century Fox’s “Bohemian Rhapsody” and Warner Bros.’s “Fantastic Animals: The Crime of Grindelwald” became the beginning of winter. The three main occupiers of the Japanese film market

The National Museum 376 and the 468 screen were released. On the weekend of the 2nd, the number of visitors was 350,000,037, compared with 131.1% for the former, and the box office revenue was 455.363 million, compared with 133.5%. In the first day of the move, the cumulative number of visitors was 620,698, and the total box office revenue was 705,913,500 yen. The final box office revenue is expected to be 4.5 billion yen to 5 billion yen

Dongying’s “Dragon Ball Super Bolly” was released in the 2nd week of the 2nd week, and the weekend was half-decreased from the previous week. After the release, the accumulated box office income was 1,868,858,900 yen. Counting the number of visitors on the 11th day since the release of the holiday, the total number of visitors was 1,157,618, and the total box office revenue was 2,037.8 million yen. The final box office revenue is expected to remain above 3.5 billion yen

Released the “Ping Cheng Kamen Rider 20 for Commemoration” Kamen Rider Eternal Eternity” debut, 3, the national 332 screen release, this release has once again set the largest record in the history of the series. In the first day of the move, the number of visitors was about 313,000, compared with 103.3% of the same period last year and 146.8% before the summer. Box office revenue was about 389 million yen, compared with 108.3% in the same period last year and 149.4% in the summer before this year

Counting the Monday holiday, the cumulative number of visitors in the 3rd day since the release was 420,433, and the total box office revenue was 516,665,800 yen. This year, there are 2 points different from the previous rules. The first is that the three-day break at the premiere has a certain diversion effect on the weekend. The second is that the premiere day is delayed by about 10 days than the previous average period, resulting in the film tending to appear more than the series. In the past, the work has become more serious and super-initial-type shifting trend. At this stage, the final box office revenue is expected to be around 1.35 billion yen

The Ping An Kamen Rider series film has been released over the years.

The 20th Century Fox released the Bohemian Rhapsody film “Bohemian Rhapsody” released 4th in the 7th week, if the amount of box office income is the benchmark, it is 3rd. Still showing the trend of the Long March type, it has become a unique advantage of the film, and the weekend results are over 90% compared with the previous week
Since the release of the 45th, the cumulative number of visitors has reached 4.53 million 3,806 person-times, and the accumulated box office revenue is 6.2537 billion 7480 yen. Including the Monday holiday, the number of visitors has been 4.68 million and 1721 since the release of the 46th, and the accumulated box office revenue is 6.4443 trillion 4080 yen. The final box office revenue has already secured more than 9 billion yen. If there is a final film that reaches 10 billion yen in 2018, it is this

The Harry Potter prequel series “Fantastic Animals: The Crime of Grindelwald” released by Warner Bros. broke through 5 billion yen and was released in the 5th week. On the weekend of the 2nd day, the number of visitors was 160,366, compared with 68.5% for the previous week, with a box office receipt of 229.88 million yen, compared with 68.7% for the previous week. Since the release of the 31st, the cumulative number of visitors has reached 3.16 million 4566 person-times, and the accumulated box office revenue is 5,082,268,700 yen
Counting the number of visitors on the 32nd day since the release of the holiday, the number of visitors was 3.7 million 3,869, and the total box office revenue was 5.2 billion tens of thousands of yen. The final box office revenue reached 7 billion yen, but the 6.5 billion yen is still within range

The Warner Bros. released the American love film “The Birth of a Star”, which debuted at 6th, and the 342th and 396 screens were released nationwide. On the weekend of the 2nd, the box office revenue was approximately 185 million yen. The total number of visitors in the 4th day of the first day of the holiday was 248,669 person-times, and the total box office income was 342.78 million yen. The final box office revenue is expected to be 1.5 billion yen

Dong Baodong and the release of the latest lighting entertainment “Green Monster Grinch” released in the second week of the 7th, since the release of the 10th day, the cumulative box office revenue of 564.86 million 4,300 yen. Including the Monday holiday, the cumulative box office revenue for the 11th day since the release was 569.97 million yen, and the final box office revenue expectation was maintained at 1.5 billion yen

The “Monster Watch” series released by Dongbao is the 5th movie “The Movie Monster Watch is Always a Friend”. It is released in the 2nd week of the 8th place. Since the release, the accumulated box office income in the 10th day has reached 444,439,800 yen, compared with the previous one. 64.4%. Including the Monday holiday, the cumulative number of visitors in the 11th day since the release was 456,356, and the accumulated box office revenue was 510.038 million yen. The final box office revenue is expected to maintain 1.3 billion yen

The live-action movie version of “Fake Love” released by Dongbao debuted at 9th place, and the national 295 screens was released. In the second day of the weekend, the box office revenue was approximately 75 million yen, and the total number of visitors in the first four days of the Monday and the holidays was 1,270,709, and the total box office revenue was 174,760,100 yen

Tung Po’s novel adaptation of the horror film “Come” was released in the third week of the 10th place. Since the release of the 17th, the cumulative box office revenue was 530.692 million yen. Including the Monday holiday, the cumulative number of visitors in the 18th day since the release was 450,000 0960, the cumulative box office income was 586.67 million yen, and the final box office revenue is expected to maintain 900 million yen

Other circles continue to be filmed. The novel published by Dongbao, “Although Lost the Mobile Phone”, has accumulated a total box office income of 1,872,280,600 yen since the release of the movie on the 52nd day, including the number of visitors in the 53rd day since the release of the festival. The number of person-times, the total box office income was 1,87,781,100 yen, and the final box office income could not reach 2 billion yen

The “Mobile Suit Gundam NT” issued by Shochiku broke through 500 million yen, and the cumulative box office revenue on the 24th since the release was 513.337 million yen. Including the holiday on Monday, the cumulative number of visitors in the 25th day since the release was 360,721, and the total box office income was 520.21 million 2,900 yen. The final box office revenue is expected to remain 600 million yen

The distribution of the girl comics released by Warner Bros. “We Waiting for Spring” has accumulated a total box office income of 104.83 million yen since the release of the movie on the 10th, and the cumulative number of visitors on the 11th day, including Mondays and holidays, was 144,064 person-times. The box office revenue was 126.928 million yen. Since the release of the fantasy adventure film “The Nutcracker and Four Kingdoms” released by Disney, the cumulative box office receipts on the 24th have reached 669.661 million yen, and the final box office revenue is expected to maintain 900 million yen

Weekly progress.

Note: The bold is the updated movie, the accumulated value stops updating the accumulated value representing the time, not the final value after the release. Usually, the movie that premiered in December each year is aimed at the first month of the month, so it belongs to the next year. For example, the work premiered in December 2016 is 2017

At the beginning of the 2019, the Japanese movie with more than 100,000 visitors at the beginning of the year:

In the current stage of 2018, the cumulative number of Japanese viewers with more than 1 million visitors:

At the current stage, the total number of Japanese viewers who watched more than 1 million visitors in 2019:

Monthly progress.

Note: The figure in the right column is the final value. The actual value of the cumulative value is shown in the previous table. The final result after the final release is the latest and the latest may be the same as the beginning of March of the next year. The box office receipts of the film are not the operating income of the issuing company. Such figures are reported in the company’s financial statements; nor are the income from the company’s issuance of films. Such figures are no longer publicized since the year 2000

Japan’s three major film companies released their work in the last three years of box office receipts:

The works of the major 12 major film distributors in Japan have earned box office revenue in the last three years:

Description.
First: The complete and accurate overall situation of the Japanese film market, unified by the Xingxing Communications Agency, and paid for publication. The source of information of Xingxing Communication Co., Ltd. Is Japan’s local film distribution companies, including Japanese local film distributors, as well as overseas subsidiaries such as Hollywood’s major film distributors in Japan. There are 12 major film distribution companies in Japan. The source of information for each film distribution company is cinemas across the country, and there are six majors chain theaters in Japan. Xinghang Communication Co., Ltd. Is responsible for the overall situation. The film distribution company is only responsible for the work that it has issued. The cinema is only responsible for the results of the part that is released in the home
2: The statistics and publication of the Japanese film market by the Xingxing Communications Agency will not be updated every day for a one-week cycle. The list of the list is two days per week on weekends, not daily, or seven days a week. The benchmark for the list is the number of viewers of each film, not the amount of box office income. The list of the weekdays, the amount of box office income as the benchmark, and the list of other various benchmarks, although they exist, are not the target of the official list published every week. That is, the list of Japanese film markets published every week is essentially the ranking of the weekend visitors
Third: The filming rate of the Japanese film market is not calculated according to the ratio of the number of screenings of each film in the total number of screenings of the entire market, and the ratio of the number of seats is used to calculate the ranking share. The total number of seats for each movie means the maximum number of tickets sold, directly related to the actual number of viewers
4: When it is in normal operation, Xingxing Communication Agency starts collecting every week, and the shortest report can be published free of charge that night. It is the earliest on Tuesday. Depending on the publisher of the film, some will have exact values ​​until Wednesday, and occasionally even Thursday. The main works of Dongbao and Shochiku have been changed to the premiere of Friday since mid-April 2018, and the weekend value of the new film will be delayed by one day. Anitama’s weekly film market in Japan, not seeking speed but refinement, ignores the speed of specific information disclosure and the legal holidays in Japan every week, and chooses to release it on Friday
Fifth: In the case of a three-year long holiday in Japan, the possibility of suspension of renewal during the first half of the year is very high. The possibility of suspension of renewal during the summer break of the Mid-Autumn Festival in mid-August is low. The possibility of a suspension of the update is not ruled out during the Golden Week period at the beginning of the month. In the abnormal operation, Hing Hing News Agency may have a situation in which the complete and accurate information has not been updated throughout the week. In this case, the Anitama Japanese Film Market Weekly is waiting until the end of the working day of the week, based on the published part of the situation. Released early Saturday morning