The cartoonist Yang Jie is an otaku and his wife is a rotten woman. He started to imagine:
If an otaku is dead, the survivor of the funeral does not know what song he likes, just pick a song from the iPod, but the song is the song of the sick sister, is it when he is out? The song that will kill your brother~” will be heard throughout the audience?
If a rotten woman dies, the survivor’s survivor does not know what song she likes, just pick a song from the iPod, but the audio file is a BL radio drama. Is it famous when the seiyuu is out? I am dying…!” The voice will ring the audience?
(https://twitter.com/yohsuken)
Good insurance, fortunately I don’t have an iPod
The novelist Kono Yu changed the final draft of the “Ladder Island” series and took the time to conceive the plot of the next work. Suddenly, the mind came to the question: “Do you want to read this kind of story?” I want to write, and there is no way. I can only give up thinking and continue to advance the work
Kono believes that the strength of the novel lies in the lack of human resources. Therefore, the writers write as they please, and most of the works they write are completely unattended. Only a few of them have miraculous universality and sell them. This is the normal phenomenon in this field
As for those works that are popular and wonderful, give them to Disney and do it
Heye himself is writing with such a mentality, please edit and cheer for more. He laughed at himself as an attitude of “hands-on shopkeepers.”
(https://twitter.com/konoyutaka).
With his attitude, Mr. Nagano wrote a series of “Ladder Island” with “miracle-like universality”. However, the division of labor between the writer and the editor sounds ideal, but it is difficult to know how to do it
Before the debut of the cartoonist Suzuki Ken, he used the fax to send the serials for serial use to the editor. The editor immediately called him and said, “I don’t think that is what you really want to paint. Suzuki teacher, tell me, what do you really like most? Draw what you really like. Because that is the real thing. Interesting comics. The way to sell the work is up to me, this is the editor’s work.”
If everything ends here, it seems to be a beautiful conversation. However, it was the same editor. After a few years, he began to say: “You can’t let the writer paint as he pleases. What the writer really wants to paint is not sold, and it won’t be interesting. So, the editor must be at the helm to guide the writer. What kind of comics to draw.”
Suzuki added: As for whether the editor has the best-selling technology at the helm, it is a completely different topic. The editor’s policy is changing, and it will only make the writer and the work unbearable. Moreover, it is too far-fetched to push all the reasons why the works are not sold to “Let the writers paint as they please”. Everything is not that simple
(https://twitter.com/suzuki_kenya/status/1106752088141234176).
CartoonistニャロメロンSay, the serialization of comics is like the game “The West of the Wind”. Every time you start, you start from level 1, but you can use it once and for all. Exploring the accumulated experience and techniques in the process of exploration, and trying to continue to explore
(https://twitter.com/nyaromeron/status/1107198626218967040).
The cartoonist Yokota Zhuo Ma praised that the serialization is like “The West of the Wind”, this sentence is almost the same as the truth
Even if the last adventure can be cleared, you can’t guarantee the next adventure. However, the player has accumulated experience and the level is indeed improving. The rest depends on luck
(https://twitter.com/kyooteta/status/1107212780141084672).
It’s a coincidence that when another cartoonist talks about different topics, he also uses the “Western Winds” to make an analogy
The cartoonist Inari Ichiro said that there are such a group of people in the world who always like to over-subscribe things that have already passed the heyday and over-torn things that are still growing. The motivation of these people, in most cases, is to brush the sense of superiority: “You see that I have kept up with new things, are you out of date?” So don’t take their words too seriously
Especially Japanese people like “growth” very much. They prefer to invest in the future or expand reproduction than what they should do now. But if you are overly addicted to this preference, you can’t win the game. If you have played the game “Huangfu Hegemony” or “The West of the Wind” (such as the Rogue-like game), you can learn this
Inamaki summed up what he wanted to say, that is: everyone came to play “Huangfu Hegemony” and “The West of the Wind”! !
(https://twitter.com/reach_ina/status/1107169422714658816)