The topic of Kobe’s supervision of the TV version of the “Consultation of Dream Island” and the most common topic of the group’s composition, Mr. Ohno, is how to control the narrative. Kobe’s supervision feels that the most inspiring point of this book is that “warning the world, people who are commonplace in the weekdays and take it for granted are far from being as simple as the appearance.” The supervisor believes that this phenomenon also has the possibility of a high probability in real life. In addition to the above-mentioned views of the supervisors, Mr. Ono also deliberately aggravated the writers. At the very moment of life and death, human beings helped him to describe and carry forward his behavior

Throughout the many works that Kobe has supervised over the years, whether it is directed by him or a piece of the monograph, the performances of the performances, all exude a fascinating charm. Long-term commitment to the character’s psychological activities, detailed and realistic depiction of Kobe supervision, in the face of the anti-utopian “consulted Dream Island” plot, where is it going to cut into?

In the opinion of the supervisor, the original work is a work that can be appreciated and tasted from multiple angles. For example, it can be seen as a metaphor for children to get rid of parental control and learn to be self-reliant. And such “marks” with universal meaning are scattered in all corners of the whole work, moisturizing and feeding the soul and essence of the works

Of course, the adaptation of the works will inevitably have some communication with the original author. The most impressive impression of this supervision is the wording used by the other party when asking questions about the personality setting of Emma

Emma is not “the princess who waits for the arrival of Prince Charming”, but “the prince who controls the white horse”! It can be said that the context that the founder has realized from this statement completely affects the performance of the debut characters in the film

Here, repeat the important things again, “Ama is not a princess, but a prince, and Norman is a white horse of the prince’s mount”. This is made by the input of seiyuu during the post-recording. The characters are more intuitive and full

According to Kobe’s supervision, there was a scene in which Emma screamed and screamed, and the shock of the heartbreaking, the supervision could not help but be shocked, and the character’s heart could spurt such a sad embarrassment. Taking Norman as an example, the performance of seiyuu makes the character’s body full of the cultivation and noble temperament beyond the supervision and expectation, just like the aristocratic children who have left the society. On the other hand, the feeling that Ray gives people is closer to the market. The three protagonists who grew up together in the same environment have different temperament, which shows that the fateful arrangement is incomprehensible and full of inexplicable harmonious beauty

Speaking of the difficulty of animation adaptation, Kobe Supervision mentioned the expression of “do not use the character’s inner monologue”. The supervisor deliberately expressed this part of the content through the body language and expression of the character. Therefore, the related monologues in the original work were all changed into corresponding drama language

In this regard, the explanation given by the supervisor is that, according to his experience, usually, the composition of the context dominated by monologues tends to weaken the dynamics of the characters (painting), so he decides to abandon the monologue. Although, in most cases, the lack of monologues will increase the pressure on the show, once you come up with the right solution, you will often receive unexpected and unique results

In addition, the space, color construction, music, photography and other elements of the background art in the film are also trying to help and complete the performance

For example, from the clothes worn by children, to the walls of buildings, furnishings, and tablecloths, all are conspicuous white, so the richness of color is largely suppressed. On this basis, the supervision further uses the light and shadow changes of the morning and evening weather to meticulously depict the changes in the time schedule. Also, this indoor setting is drawn by 3DCG, which is the first experience and a new challenge for supervision

In addition, according to Kobe’s supervision, the teacher Xiao Yugui, who is responsible for the music of this drama, joined the team through his recommendation. Supervised evaluation, the music written by Xiao Yan teacher is beautiful and moving, and with the actual screen image, I feel more intimate and appropriate

References:

19 February issue “NewType”