The same person cartoonist went toほとり, the more people who hang “for the creator”, the more they regard the creator as a “social barrier that cannot be taken care of themselves”; and these people This is a premise that the service you want to make seems to be a bit of a contempt for the creator. He hopes that this tendency can be stopped
(https://twitter.com/sakurazari/status/1145291033007153154).
E-book publisher manGabito President Hirata Hiroshi put forward an idea: If you make a new work in your favorite writers and editors, you can see the progress, see the manuscript, ask ideas, cover the cover in real time through the communication software. Classes can also make comments, participate in book production in this way, and have their names appear on the list of book producers. Would you like to pay 100 yen a month?
Pingtian hopes that through this practice, the quality of the books will be improved as much as possible before the listing of the books, so that the fans can find the wrong words together. Although one person only has 100 yen, it is also a stable income, and the money can naturally achieve closed-loop, and the fans. Producing together can also enhance fun, and can rely on the “people in the middle” effect to increase the number of followers. If a writer can have 100 production committee members who contribute to the production, it is very powerful
(https://twitter.com/manabu_hirata/status/1143081824127606784).
However, even the average reader is not very optimistic about this idea of Hirata
The cartoonist Yangsuke said: For those writers who have had their work been kicked by various people for several years, the proposal is only to stimulate their trauma, let them rush to the toilet and start vomiting
(https://twitter.com/yohsuken/status/1145465673457422336).
Deborah Shamoon, Associate Professor of Japanese Culture at National University of Singapore, gave a lecture at the Meiji University in Japan on the comic book culture of the English language. The introduction of the lecture mentioned that the scale of the development of the “girl comics” in Japan is very rare in today’s world. However, in the 1950s, the Anglo-American girl comics were very popular and the quality of the works was very high. However, after that, the British and American girl comics gradually became sluggish, and by the 1980s, it was difficult to trace
(https://www.meiji.ac.jp/ggjs/info/2019/event2019_2.html).
The cartoonist Takayama Miho saw the lecture publicity and recalled a girl who went to study from Kyoto University in Kyoto. The strength of the international student is quite high. The style of painting and the content of the work are obviously interested in creating girl cartoons. However, the classification does not constitute a girl cartoon, so it is now being asked to learn the Japanese girl comics
Takayama asked, it is said that cartoonists outside Japan have almost no such thing as girl comics, and that international student has never been exposed to such a divisional technique. I don’t know what to do
Takayama believes that the reason why Japanese girl comics can become a girl comic is entirely because of the division. No matter how young the style is, as long as the division is not the style of the girl comics, it will always make people feel heavy and stiff. The revolution triggered by the girl comics is to liberate the comics from the square
Deformed lattices, with lines that do not completely enclose the grid, and even spaces that are not even border lines. Through these methods, the world of works is liberated from the narrow papers in the hands of the readers, spreading feathers into a wide space like feathers. In the mountains, this is what the girl comics achieve
Among them, the important ones are “line of sight” and “cross-page composition”. It is important for readers to unconsciously recognize the grids and reading order that they cannot see, as well as the “beauty of the scenery” across pages. This may be in line with Japanese ink paintings, screen paintings, and fan paintings
The most important thing in the girl comics is the text, not the picture. To say that extremes, paintings and divisions are all “in order to let people read monologues and lines”. This may be a little different from the teenage comics that show the scenes and movements. (Of course, even if it is a young manga, the key moment is the most important line.)
(https://twitter.com/mizpi/status/1144811461467766784)