The cartoonist も particularly likes a story: an editor opponent Tsutsumi Tsukasa pointed out that the tram painted in his comic was too old-fashioned, and Mr. Tezuka said angrily: “I haven’t used a tram for years!” Threatening the material, getting out of the tram and just running away
(https://twitter.com/kireina_mochi/status/1201522901695860743).
The cartoonist Goto Yuyako has complained on Twitter many times: Recently, the home of rich people has become more and more simple. If she draws comics from rich people intact, it will look completely absent. The rich look. She hoped that rich people would decorate it more garishly
The appearance of the house is fortunate to say, even if the shape is simple, as long as the area is large, it always looks rich. The problem is indoors, especially the ceiling! !! Some rich people have no decoration on the ceiling, and the lamp is a ball. Goto hopes that rich people will hang crystal chandelier at home
(https://twitter.com/hayakogoto/status/1200961738633400320).
The cartoonist Firebird, who has just become a father two months ago, said that cartoonists who have given birth to children often draw cartoons that raise children, and he has always thought that “because children are a treasure trove of creative materials.” But now he understands: the correct answer may be more “Once you start raising children, there is no time to learn from other places.” It is reasonable to draw childcare comics
(https://twitter.com/minatohitori/status/1200583385569095680).
Voice actress Xiao Shimizu Amei said that there are several beautiful voice actresses living near her house. Everyone is very good. When she runs to other people’s whim, they will cook for her; they will play games with her. In the middle of the night, she had a tea party; because she was allergic to wheat, she specially made wheat-free snacks to her home. Xiao Qingshui feels that if the reality is a love simulation game, then her position is the protagonist
(https://twitter.com/AMISUKESHIGOM/status/1200820194773307394).
Actor, voice actress, and drama performer Jiang Qingyan said that he hopes that students think about “what the lines want to say” before thinking “how to read the lines”. There are several ways to interpret lines, and the way of speaking will vary according to “this role”, “must say the reason for this line” and “purpose”. If this step is ignored, then the lines will always be self-centered “rootless fake flowers”
Self-assured “real” line performances are mostly self-satisfied “spoken words,” without frustration and difficulty in hearing the logic. Since it is a performance, lines that the audience cannot understand are worthless. Logic can only be established by changes in tone and volume. In Japan, there are subtle arts such as rakugo, pulpit, and langur. Why don’t students learn from these art forms?
It’s not just talking that is the line. Not speaking is also an important element of lines. Why don’t students think about the “interval” in their lines? The use of interval can grasp the life and death of lines. To make the most of these intervals, meaningless ventilation should be completely avoided. Don’t rush to speak until you dig into this. Learn the skills of your ancestors first
(https://twitter.com/HaruhikoJo)