How is the rotten film made?

Many writers will black out people who are arrogant in social networks, and some black people ridicule these people as writers who actually blacken customers, and are digging their own graves

And the adult cartoonist Chiba Hideu retorted: If you can make a writer’s mentality to create a peace of mind, perhaps you can not bring 10 new customers

(https://twitter.com/chibasyu/status/1136048029402689536).

The cartoonist Black Pill has recently encountered such a situation: she met a writer who had not seen him for a long time, and greeted the other party saying that she “meeted for the first time” and was comfortable with self-deprecating. “After all, when I last met, I was just a newcomer…” I am sorry for Black Pill. She defended herself on Twitter, saying that this has nothing to do with whether the other person is a big man or a new person. No matter who looks and whose name, she can’t remember

(https://twitter.com/kuromaru_/status/1136110775854985216).

黑丸’s remarks have aroused the resonance of many people, such as the cartoonist Yuki Masami, the original comic author, the seventh mirror, the seiyuu, and the Ryotaro, who have all come out to reveal their faces. Symptom

As the cartoonist Yamamoto, even if the famous cartoonist greets him at the party, he will also ask the other person “Which are you coming from”, and still ask the same famous writer twice

(https://twitter.com/atsuji_yamamoto/status/1136163662857564160).

The cartoonist looked around and even came to the conclusion that the cartoonist couldn’t remember the face and name of the person—for example, he couldn’t remember the black pill of others. When he praised the look of the yukata dress at the reception last year, the ring I hope I can’t remember who she is

(https://twitter.com/tamakinozomu/status/1136165689155129344).

Cartoonist Ming YeみるSmarter: When she greets others, she no longer uses the greeting “First Meet”, but instead “Hello, I am Mingye” And so on, then observe each other’s attitude

(https://twitter.com/mirutic1/status/1136263972041121792).

15 years ago, the “Devil Man” live-action movie version suffered from bad reviews due to the poor quality of all aspects. Until now, it is still being pulled out by netizens from time to time

The contributor, Hiroyuki Hirota, saw that the tweet that taunted the “Devil Man” live-action version was turned upside down, and only regretted it: in his opinion of the group, the director of the work, Nasubo What devil, what the end of the world is not interested at all, is forced to shoot this piece

The truth of “Devil Man”, Hirota is not clear. However, the line of the real version of “Devil Man” was inherited by the live-action version of “The Ultimate Weapon Girl” produced by Toei. He was once the director of “The Ultimate Weapons and Daughters”, and he revised the script for the work, so he heard how bad the production of the work was

The film was not shot in accordance with the revised script of Hirota, and the bad place is still so bad. And Hirota heard the statement from the director of Suga, and doubted his own ears: “There are scenes in the film that I don’t remember to take.”

Of course, the film has not become an ideal work, the director can no longer trust others since then, and has not filmed for ten years. Hirota believes that he is in a state of similar illness

If the production system drags the water, the film is already in the stage before the performance and the script. Film critics won’t know the inside story, and they can’t tell the audience. The audience will think that “the director is not good” and “the actor is not good.” Few people criticize the producers. The media rarely interviews producers

Not just producers, related companies will be harder. Unless the film budget is low enough, the casting and crew members will not be as directed by the director. After all, in the real version of “The Ultimate Weapons and Girls”, is there a scene that the director does not remember to shoot? How bad the production of “Devil Man” is, it should be imaginable

Oshi keeps saying: “A movie with personality can only be born from a studio with personality.” And the opposite is true, the studio is everything. The quality of a movie is not about “talent” but by “real work” of “live.”

(http://mega80s.txt-nifty.com/meganikki/2019/06/post-b83ffa.html)