The e-magazine “Pia” opened a series of interviews with the famous director Oshii Shou, “What the Masters taught me,” this month, and asked him to tell the story of his “Masters” in the entertainment industry. The first hero of the interview was the famous Miyazaki. .

The first encounter between Oshii Shou and Hayao Miyazaki stemmed from the Animage talks arranged by Suzuki Minf. At that time, Oshi just completed the “Fuxing Boy Love Planet Love”. Suzuki became interested in him and contacted him and asked: “Would you like to see Mr. Miyazaki while trying?”

For Miyazawa at the time, Miyazaki was “the supervision of the “Juvenile Conan”.” On the occasion of NHK’s broadcast, “Early Junior Conan” couldn’t help but stop the work in his hands and concentrate on watching. In his opinion, Hayao Miyazaki is a powerful person and a talented animator. .

So, I’m going to see Miyazaki with Suzuki. However, when the two met, Miyazaki took a sneak peek at “Love Planet Love”. He said: “This is good or bad. I will know if I look at a still.”

Although Oshii himself said about the same thing, he said that “you can see it in 3 minutes.” Even if you look at the stills, you have to watch 3 photos. Even if I am observing, I will not threaten that I can rely on a still. .

So, the first impression Miyazaki left on Aoi was “the original, Miyazaki’s supervision, it turned out to be such an uncle.” .

Although the current Oshii Shou is almost a tonality, but he was still very young, more modest, and no madness to that point. Therefore, he will feel that Hayao Miyazaki is an unreasonable uncle. And such an uncle will make such awesome animation, which suddenly triggered his interest. .

Miyazaki criticized the lack of consistency in the setting of Love Planet. This is a bit of a good statement. Because “Love of the Planet” was made in just three months. In the final analysis, when Isai directed this work, I had the intention to follow Miyazaki’s methodology and wanted to use the settings used in “Lubang III Cariostro Castle” to draw action movies. .

At that time, Oshi was exploring the performance from imitating all the supervision, and Miyazaki was certainly among the supervisors of his imitation. In the process, he found that he lacked the designer who could freely make art settings based on his language description. The production of “Love Planet Love” lacks time and money, and it is done according to the mirror that was modified by Oshii. Of course, it will not be able to match. In addition, different scenes are drawn by different people, so there will be inconsistencies. .

So, Miyazaki’s criticism of “Love in the Planet” is at the heart of it. Oshi is just because he understands that the other person is right, so he is more and more worried: this stinky old man – not right, Miyazaki is still young, so it is stinky uncle. .

It’s even more unfortunate that “I love the planet is made in three months.” In front of Hayao Miyazaki, there is no excuse – because Miyazaki also spent 3 months. At the time, I made the Castle of Cariostro. .

Miyazaki can do this because he is a genius. He can cut the mirror, make settings, conceive the characters, draw the original paintings, modify the original paintings of others, and mass-produce the process. This is simply not possible. Hayao Miyazaki is a superman in the animator. To be extreme, he is a huge genius who does not need an employee. Moreover, Miyazaki is unconscious of his great cause and is at an alarming level, so he will always say, “There are three such things that I can make.” .

Azu was determined at the time: If the palace is always Napoleon, then he must become the staff headquarters of Prussia. Like the military genius Napoleon, Gong established strategy, tactics, and formed the army alone. Then he would like Prussian, instead of relying on personal genius, but gathered many ordinary talents to win the war. This is the conclusion he thinks about how to achieve the same level of work as a genius. .

Yes, Oshi has made Miyazaki his opponent early. He said that anyone who has influenced himself is basically his imaginary enemy. If you want him to say something, people who don’t have imaginary enemies will not achieve anything. The work is made by competition. In particular, he himself can be said to be working on the confrontational psychology of the previous generation.

In the past, Oshi was more indulgent in his struggle instinct, so that Miyazaki also said that “has not seen such a militant performer for a long time.” Oshi believes that it may be because there is no such person around, and he has won the favor of the old man. .

The next “Fuxing Kid 2 绮丽梦中人”, for Azui, is the battle of revenge. This time, he carefully mapped the mirror to ensure that there is no contradiction in the dream. Although the story is simple, it is also written as a unique multi-structure of the doll. .

For this work, Miyazaki did not express his opinion clearly. But the problem is that Mrs. Miyazaki praised “The Dreamy Man”. She said to Miyazaki: “You can’t shoot such a work.” Mrs. Miyazaki commented on the concept of life in scenes such as shopping in convenience stores. Because Miyazaki’s own sense of life is zero, so the life of “The Dream of the Dream” is even more vivid. .

And the next work of “Imperial Egg”, once made Miyazaki a big Thunder: “Don’t shoot a movie like a special attack team!” Aoi didn’t understand how he met his counter-scale and learned that it was Miyazaki. An amateur female painting is very interested in this work, only to realize it. He said that the old man is always like this, and when it comes to women, it will be emotional. .

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Oshi just left STUDIO pierrot and became a free agent. At the invitation of Miyazaki, he was a diners in his personal office “Two Horsepower”. At the time, the two talked about a lot of topics. Oshi believes that the reason why Miyazaki invited him to two horsepower is to want a companion. .

Miyazaki teaches Oshi: “To be a free person to supervise, you must be prepared to eat enough for three years.” The meaning behind this sentence is that “you want to shoot the work you want to shoot, you must have enough Living expenses. Don’t pick up the film to support yourself.” For free supervision, choosing a work is the biggest problem. Oshi keeps this in mind and has been practicing it since then. .

In the view of Oshii, there is another reason for Miyazaki to pull him. He wants him to take the third version of “Lubang III” after the “Cariostro Castle”. At that time, Miyazaki took him to see the Dejian Bookstore president Dejian Kang, saying: “I have a genius boy named Oshii Shou.”

Miyazaki said that he is a “genius”. Oshii did not pay special attention to it. He felt that since Miyazaki had the heart to ask him to make a film, he would naturally exaggerate his words. It was called “juvenile” and even surprised him: “I was a teenager.” – At that time, Oshii Shou was already in his thirties. .

Miyazaki is so bitter and wants to let Emei shoot “The End of Lubang III”, it seems that “I absolutely don’t want to let ● ● ● shoot, but the goods can’t be done, so you can do it, give “Lubang” a good time. “. He said: “The kind of film does not continue to do the meaning. The three parts should be finished!” and Oshi himself has the same feeling, I believe that he can surpass “Lubang III.” .

However, seeing that “Lubang III” is still broadcasting now, you can imagine that Aoi did not complete this mission. At that time, he was still young and ignorant. In the script meeting, he said straightforwardly what he wanted to tell: “Lubang is a fictional one. It didn’t exist at all. It is people who want to have such a role. He was born from this wish. “Although he and Miyazaki talked about it, Miyazaki replied “I will do it,” but others did not buy it at all. It is only natural that I want to come. .

Azui once said that the performance of his own dining scene was also influenced by Miyazaki. Daxie Kangsheng said: “The old palace is an omnipresent ellipsis.” The animation should not really restore the character’s behavior, but should restore that feeling. Miyazaki is very good at this, and the dining scene is a great example that looks really delicious. Affected by him, Oshi began to join the dining scene in his own works. .

However, Miyazaki has the biggest impact on Azu, or Lay-out. The reason why he became a Lay-out supremacist is undoubtedly the influence of Miyazaki.

Miyazaki is an omnipotent painter, and he can express everything by the different ways of painting. Of course this is because he is a genius to do this. For example, in the “Future Boy Conan” episode 8 “Escape” is a very famous scene, Conan raised iron plates in the desert, to shade Lana. The height of the horizon of the desert is perfect. In other words, Miyazaki used only one line to create a vast desert. This scene gives people a deep understanding of how powerful a simple thing is. It is because of this scene that Oshi began to think about the inevitability of Lay-out. .

Japanese animation contains a non-sale brochure, which is also sent to visitors, including Lay-out of Miyazaki’s “Future Junior Conan” and “Red Hair Anne”. Oshi got this booklet, carefully read it, and faithfully copied it. He used a lot of similar compositions in his TV animations. .

When I arrived at the second horsepower, Iwai did not miss the opportunity and asked questions to Miyazaki. When asked about the horizon in “Future Boy Conan”, Miyazaki told him with great enthusiasm: “You can ask the idea! You know how much time I have spent before deciding how to paint this horizon!” This is also an interesting place for the palace. .

Miyazaki really taught a lot of things in Oshi. For example, when the argument is loud, whoever wins will win. Whoever says more will win, and physically suppress opponents. Oshi believes that Miyao’s self-assertion is very strong and he always wanted to teach others, but no one could keep up with his rhythm, so he came, and Miyao was very happy – at least very happy at the time. .

Among these teachings, there are also good words, some of which have been left in the heart of Ei. He said that what Miyao said is a matter of experience. It is based on his own words and will have weight. .

However, what Miyazaki taught him is also the “method of eating pork chops as soon as possible.” When he ordered the takeaway, he almost certainly called pork ribs, so that he had been eating pork chops for two weeks. Why do you want to finish it as soon as possible? Because he does more work than anyone else. Miyazaki’s point of view is that there is no such time to enjoy the food slowly, so it must be eaten as soon as possible. .

A few days ago, at the funeral of Gao Yixun, the two met again and again. Miyazaki said “Oh, Oshii Jun” and embraced him. Before that, he had never done this kind of thing. This made the amatement realize that the palace is also old. .

He met Miyazaki again last time, or at the publicity meeting of the “Ghost in the Shell” in 14 years ago. The two met in Ghibli and had a big fight. In peacetime, the two were very amiable at first, but in the end the anger of both sides resounded throughout the studio. .

Although the two have many similarities, for example, they all like war and often read the war. But for war, Aoi pays attention to victory and defeat, while Miyazaki cares about human feelings. For the aircraft, Miyazaki likes the reciprocating engine, while Izu likes the jet engine. The difference between the two is just that big. .

For the supervision of this position, the views of the two are also inconsistent. Miyazaki advocates that the supervision is a non-commissioned officer, and he must fight with the soldiers in a battle and win the trust of the soldiers. Oshi believes that supervision is a staff member. His duty is to plan everything about the war. To do this, keep a distance from the soldiers and not be taken away by emotions. If you think at the same level as the soldiers, you will lose. .

And more important is Miyazaki’s talent. Oshi can’t resist his genius. It is only unrecognizable in thought. He hates Ma Xisticians the most. .

However, if you want to ask if Izu likes or hates Miyazaki, he is absolutely not annoyed, and he is very grateful to Miyazaki. He really learned a lot from Miyazaki. .

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