This report was originally published by Jiang Feng, a reporter for the Global Times in Japan. In fact, there is not many repercussions in the country. The result is that this news has been spread in many Japanese. In fact, the roots of the Japanese animation industry, the Japanese do not know. However, it is not so simple to cut down the re-training. For the Japanese animation industry, this is a revolution. After all, not every animation production company and planning company is allowed to work slowly, such as Ghibli. Hayao Miyazaki, one of the founders of Li, has also criticized the “handcuff mode” before, but it has existed for so many years and has achieved results, so the “handcuff mode” has certain accuracy. Then I said that an animator came to China. In fact, if the artist at the grassroots level of knowledge comes to the Chinese animation industry, we need the Japanese middle and high-level animation talents to lead the team and bring the project. Has not been attracted to China. Let’s take a look at the original text of the Global Times. I have read the reprinted content on many websites in Japan. This also means that the Japanese industry is still very concerned about this phenomenon, but this phenomenon is already the norm in Japan..

“Kyoto Animation” arson has kept the outside world concerned about the Japanese animation industry. Japanese media recently reported that the country’s animation industry has long been low-paid, and many Japanese anime creators are willing to quit to the Chinese market, which is better treated and more free to create. Japanese 榎 Film Co., Ltd. President Yu Shanjiao recently said in an interview with the Global Times that the “handcuffs model” of Japanese anime was once the highest standard in the industry, but in recent years some people believe that it is this model that directly led to the Japanese animation industry. A poor working environment that is ubiquitous in terms of income and labor intensity

榎善教 tells reporters that Japan has become the dominant animation industry in Asia and the world, and the key figure is the Japanese cartoonist Tezuka Osamu who created works such as “Astro Boy”. Tezuka Osamu established the “Bug Production Company” in the 1960s, and most of its industry standards have been used. Compared with the American animation giant Disney Company’s high-cost, large-input production mode, the hand-picked insects brought back to Japan from the United States advocate maximum cost savings, making full use of the minimum number of frames and the number of original paintings. Complex character movements. This requires animators to have a very high level of expertise

榎 教 举例,, ,, ,, ,, ,, ,, ,, ,, ,, , , The advantage of doing this is to make animation production an “industry chain” with a “base”. As long as the famous animator proposes the idea and then slightly modifies it on the “base plate”, the work can be released quickly. The drawback is that the animated characters are more and more similar, and the animator can only become a “painter” and it is difficult to become a “painter.”

According to a questionnaire survey conducted by the Japanese Youth Animation Producers Support Association on 153 Japanese animators, more than 90% of novice animators are employed informally, and more than 80% of the starting salary is less than 100,000 yen. RMB 6521). The fast-growing Chinese animation industry has set a relatively high price. The reporter learned from the recruitment website that if there is more than 5 years of work experience in the Japanese animation industry, the salary can reach a monthly salary of 18,000 yuan, including perfect welfare benefits and salary increases, as well as free accommodation in apartments. In addition, many Chinese companies have directly brought in funds to enter the production chain in Japan, where the industrial chain is more complete, and attract Japanese talents with high salaries

The Japanese government is certainly not willing to take up 10% of GDP, and the important cultural industry practitioners are “digging the wall” by China. To this end, Japan’s new entry law for foreigners in the animation industry has relaxed the work visa review. However, some analysts believe that the Japanese industry does not start to improve the employment environment in the country, but hopes to use the cheaper foreign labor to support the development of the animation industry. It is more difficult to retain the outstanding animation production talents in the country