This column is a monthly issue. It is based on a single episode of paintings in the past. It introduces the ornamental paintings and the characteristics of the original artist. However, the content is not limited to a single episode, and other animations will be used as a data supplement. .
STAR DRIVER 辉きのタクト The 25th (final) “servant たちのアプリボワゼ”.
Chinese Name: “Traditional Tacote” twenty-fifth words Our domestication.
.
Mirror: Murakami, Fifty Fathoms.
Performance: Fifty Fathoms.
Painting supervision: Ito Kazuyuki.
Mechanical painting supervision: Abe Shingo, Otsuka Ken.
Original paintings: Murakami, Abe Shingo, Nakamura, Shinsui, Kazuyuki Kazuo, Fujii Shingo, Hashimoto Kyosuke, Kim Seon-jung, Yu Gongzhe, Ishihiko Ike, Tanaka Hiroshi, Kishida Hideki, etc.
In the first issue, I enjoyed the fresh and lovely girl climbing the mountain. Then I will give you a taste in this issue, and introduce the legendary story of the shining “Takot”. Because of the attitude of supervising Fifty Fathoms’s original paintings, the original painters in this film have gained a lot of space, so it is easy to find original paintings of different styles. .
This episode not only draws more than 10,000, but also divides the climax into two paragraphs. After the first climax, it quickly plunges into the second climax, so the two happiness stacks together, like two hours of exposure to the heat. After drinking ice and snow, bring the body and mind from top to bottom. In addition, this collection also gathers many top original paintings, including the representatives of the Jintian Department, Ishigaya, Shinsui, and Miyagawa. There are Kishihiko Kana, who is famous for special effects, and Hashimoto’s history. There are masters of radish, Abe Shingo and Jin Shijun. There are also circus iconic figures, Mr. Mujing, etc. From the research value to the ornamental, they are definitely a single-collection of painting lovers. .
Jin Tian is the three masters.
The three masters of the Jintian Department, Jin Shizhi, Yu Gongzhe and Xinjing, are the highlights of this episode. Especially the styles of Xinjing and Jinshi are too prominent, and they are easily recognized by everyone. Although the Jintian system seems to be simple, in fact, there is a very high demand for the link between Zhang and Zhang, as well as the light and shadow characterization of the original painting. .
The first part of this stone, the action jumps without any confusion. The original paintings that consistently ignore the laws of physics have brought extreme expression. The crossbow’s lens is very interesting. First, Tacote’s expression is drawn into the painting, and then it is superimposed to Dobourne’s stretched to the extreme posture. The adjustment of the number of beats strengthens Tacote’s expression and shows Tacote’s hair. Emotions. And also draw six packs of abdominal muscles on the belly of the robot, this is also very stone. .
Although the three people in this episode can be called Jintian, the difference is not small. This stone is one of the most unrestrained original paintings in Jintian fo. Compared with Yamashita Ken and Jintian Yigong, the action is more unrestrained, free, and often simplified to create a more dramatic effect. The simplification and exaggeration of the shape is also Jintian. One of the most exaggerated in the department. .
And the new well is a follower of Yamashita, and has the same personality as this stone. In the 21st century, where the kelp shadow (pure black jagged shadow) was abandoned under the mountain, the new well is still in use. Moreover, compared with the foot of the mountain, the movement of the new well is more leaping. Obviously, it is deliberately pursuing a sense of stagnation, and it does not inherit the preference of Yamashita for a large period of back movement. The most intuitive feeling of the original painting of Arai is retro, belonging to the living fossil that is seen once less. .
In this episode, the metal texture of the radish of the new well painting is completely different from that of other people. The gloomy kelp shadow also perfectly sets off the sinister environment in which Takot is located, and the high contrast kelp film is called the world. Absolutely. However, Xinjing has not painted original painting since 2014, which is a pity. In the previous Episode 3, Episode 20, Aoi also performed, and you should not miss the new well. .
.
Yugongzhe is affected by the spherical explosion of the mountain.
今石和新井 are both famous and unrestrained players in this stone system, and Yu Gongzhe is relatively less crazy, so Yu Gongzhe often draws some acting and sells cute cards. It can also be seen from the part of this collection of rain Gongzhe that compared with the other two Yugongzhe, the connection of movements is more important, especially the part of Tauburn rolling, and the painting of the shadows tends to be normal.
Although the original paintings of Jintian are similar in terms of special effects, light and shadow, and perspective, each of the original artists of the Jintian Department has been improved on the basis of their predecessors. For example, the most promising Jintian is the original painting bridge blue man, his light and shadow painting is more in line with the needs of current animation. And he pays more attention to small acting, and through his own improvement, the past Jintian series is combined with the current stereo lens to make a very expressive lens. .
Fighting for the explosion.
There are two original painters known for their explosions, namely Kishida Hideaki and Hashimoto. The most striking explosion in this concentrated epidemic was the explosion of the persimmon painting, which was also caused by the outbreak of persimmon. The glare that converges after the explosion also takes into account the environment, which is quite different from the original painting that uses high contrast. The superposition of multiple balls also makes the explosion very fluffy, and the globular layered eruption is also very eye-catching. .
As for Hashimoto’s history, I believe everyone will not be unfamiliar, “Your name. The scene of the meteor falling in the Shou Town is from his hand. He is very good at drawing large scenes of destroying the earth and destroying the land. The amount of paintings in this collection is very exaggerated. The iron plate burned by high heat is bulged from the inside out, and the rare expression method, but the dense number of spherical protrusions may cause discomfort to many dense phobia patients. The subsequent big bang erupted in five directions, highlighting a gorgeous. .
飒不无的村木马戏.
Before you say Murakami, you can take a look at Mori’s circus. In Senxian’s circus, Tauburn can see two times for the missile’s evasion. For the first time, the missile was rotated by the left side of the painting. The second missile was chased by the right side of the painting and chased Dobborn. The design was still intentional. However, the first rotation of Tauburn, the spatial relationship between the track and Tauburn is a bit confusing, although not careful to see no harm, but there is still a gap from the top circus. .
.
The pile of dense corners of dense missiles in the depth of the picture is a major feature of the village wooden circus.
Compared to the refinement of the chase process between multi-segment missiles and chased objects, Murakami’s circus is a more direct racing style. The circus in this episode is a very standard village wooden circus. Many missiles in the same direction are followed by Tauburn sprinting back and forth in the direction of the Z axis. In less than ten seconds, Tauburn accelerates five times, just like watching a close-up 100-meter relay race. Stimulating, the real cool and unparalleled. .
Others.
In addition to the three points of appeal, the performance of other original artists can not be ignored. The samekh lift from Fujii Shingo is one of them. By mimicking the jitter of the camera, it is easy to feel the existence of a “camera” in conjunction with the action of lifting. In order to reflect the great sense of distant objects, the painting method of the smoke is also trying to imitate the smoke of the real rocket launch. The number of paintings in the whole section is up to 800. Fujii’s pursuit is to create a sense of realism, and the painting in the opposite direction of the Jintian system. From the results, this paragraph has indeed made a very good sense of presence. .
There is also a to say that Tian Zhonghong Ji, when it comes to eye catching, the consistent Tian Zhongyan certainly does not fall, but also can highlight the characteristics of the film. There are too many stories about Tanaka. As a model worker with outstanding style, no painter knows his name. The millennial stepping point and the unqualified shape will make the daily performances of his hands run away, etc., which will be very ugly, but often the non-daily lens can be drawn by him. .
Such a mad original painting can be said to be very suitable for painting the orgasm that requires imposing manners, especially the four-pointed star effect when Tauburn throws a sword into the samekh body, inexplicably handsome. For more on Tanaka Hiroshi, check out Anitama. 田中宏纪作画mad. .
The radiance of Shining Takot is not only in the final words, but the whole animation and theatrical version are the carnival of the original artists. Nakamura, who did not elaborate on the final words, gave an unparalleled painting in the first episode. Deer Yuki’s performance in Episode 2 and Episode 12 was also impressive, so it is still recommended to read the entire series. .