The “Dragon Ball” series of the 20th “Dragon Ball Super Broly” will be released in Japan on December 14th. The producer of this film is Lin Tian Shibo, the TV version of “Dragon Ball Reform”, “The Devil’s Buu”, and the theatrical version of “Dragon Ball Z Resurrection “F”. After the publication of “Dragon Ball Super Bolly” was published, the “Dragon Ball” official website also published an interview with Lin Tian filmmakers in time, from Lin Tian and “Dragon Ball” to the secret of the new production system of the theater version. .
When Lin Tian was in junior high school, “Dragon Ball” was just serialized. It can be said that people who grew up watching “Dragon Ball” all the way. At that time, people around Lin Tian bought Weekly Juvenile JUMP every week, and once they turned up “JUMP”, they plunged into the book and looked at it. At that time, each serial work in “JUMP” was an all-star lineup for them, and “Dragon Ball” was no exception. Lin Tian has always loved the works of Toriyama Akira. When I started watching Ala Lei, I was shocked. The world view is also good, and it is very fresh now. Even children who don’t understand anything will feel incredible. . After the end of the
“Ala Lei” series, everyone is looking forward to what kind of works will be brought by the next bird teacher, and no one can expect to be a fighting cartoon full of jokes. The Jackie Chan movie of Jackie Chan is very popular in Japan, and Lin Tian is also a fan of Jackie Chan. When watching “Dragon Ball”, Lin Tian felt that there seemed to be a composition of Jackie Chan’s film, which is fascinating. .
Lin Tian first received the “Dragon Ball” related work in 2012, when his department was an overseas copyright management team, and he was responsible for the overseas “Dragon Ball Reform” “Magic Buu”. The broadcast in Japan has also decided to formally participate in the work of Dragon Ball. There are hardly any people like Lin Tian who have gone through overseas copyright management to participate in the animation of the main article, and follow this road, taking the position of the producer in the theatrical version of “Dragon Ball Z Resurrection “F””. .
From the “Dragon Ball Z God and God”, Mr. Toriyama is very active in the production of the film. Lin Tian said that the first thing the producer wants to do is because of the “Dragon Ball” that can be made in this era. “Do you still accept the Dragon Ball today?” There are many opinions like this. However, after reading the original case written by Mr. Toriyama, everyone found it very interesting. Based on the original case of Toriyama’s teacher, it was changed from a script for animation to Watanabe Yusuke, and the film that was produced later also achieved surprising results. So long after, I began to ask the teacher of Toriyama to personally write the next work. I have repeatedly asked for the responsibility of Shueisha. Please be sure to let the teacher write the script for the theatrical version. This is the first time that Mr. Toriyama has acted as a script to write the “F” of Dragon Ball Z’s resurrection. .
The introduction of Toriyama’s teacher and friends went to listen to the song “F” of Maximum the Hormone. The content of the song was written by Fliesa, so he was inspired by the “Resurrection of Fliesa”. Lin Tian read the script of the teacher of Toriyama and was impressed by the expression of the lines. “It is written by the teacher of Toriyama, which is completely different from other people.” The story is not always at a climax, and it is well added to the easing. In part, it is extremely appropriate to grasp the tempo of the rhythm. .
In addition, the wonderful foreshadowing is also a place that Lin Tian thinks is quite good. Just like watching the original manga at the time, I didn’t know why it was like this when I was watching it. Each chapter of the original is very coherent and constitutes near perfection. It is natural to say that the best paintings of the teacher of Toriyama are in the eyes of Lin Tian. The most wonderful place of “Dragon Ball” is definitely story. In the future, I hope that the teacher of Toyama will write more stories. .
“The “F” of the resurrection” is also a study for Lin Tian, which gives him a deep understanding of the drama technique of Toriyama, which is obviously different from the practice of the previous “Dragon Ball” animation. From the beginning of this “Dragon Ball Super Bolly”, Jiying Society also set up a “Dragon Ball Room” to confirm all the itineraries. The animation team will also be more loyal to this script written by the teacher of Toriyama, and absorb the opinions of Shueisha and reproduce it in the form of animation.
In the past, there was not enough time for the teacher of Toriyama to check the uniform settings. This time, from June last year, the teacher first wrote the script, and began to check the settings one by one in October. If everyone in the Dragon Ball Room could not decide, they will be confirmed by the teacher of Toriyama. The head of the Dragon Ballroom of Shueisha is Ignami Akira. He can be said to be the agent of Mr. Toriyama Akira. He is also responsible for matters related to Dragon Quest. Lin Tian said that because of the communication between the head of Yi Neng and the teacher of Toriyama, the relevant inspections can progress so smoothly. The “Dragon Ball Room” system is also the place that has changed the most compared with the past production. In addition, this time, the teacher of Toriyama also personally drew a lot of set-up paintings. The teacher himself can pay attention to the degree of this theatrical version. .
Lin Tian itself is an overseas copyright management company. Naturally, the overseas market has been taken into account when planning. In March of this year (2018), the special report was also published on the official website facing overseas, which caused a warm response. On the first day of release, it reached a reading of about 250 to 3 million. The original “Dragon Ball” line has received great attention in overseas markets. In recent years, games such as “Dragon Ball Warrior Z” have also achieved amazing sales overseas, not only the past loyal audience, but also attracted many new pits. Audience. .
The “Dragon Ball Super Broly” was also completely renewed in the production lineup. For the first time, the painting supervised Xingu Zhida as an animated character design. Although the design of Xingu was evaluated by two parties, Lin Tian said that I can’t draw conclusions when I see the animation. There will be such an evaluation, completely within his expectation, which is “change” for him. However, the script of the Bird Mountain teacher is still super interesting. Even if the design changes, as long as the quality can be guaranteed, it will be able to win. Lin Tian believes that those who feel that something is wrong when they read the special report will definitely change after reading the article. .
The supervision of this time is Chang Fengda, a performer who has made great contributions to the TV series of Dragon Ball Super. This time, Lin Tian, as a producer, chose to build a lineup, especially supervision and painting supervision, and paid special attention to the selection of employees in Toei Animation. On the one hand, it is also to cultivate talents in Toei Animation Society. On the other hand, it is hoped that people can stand tall and stand up in front of people. “It is made by Toei Animation.”
In the background art, Lin Tian decisively made a big change. Although this move has also received a lot of external opinions, Lin Tian said that since it is a movie, it must be handed over to an art background that can show the scale of the film and delivered to an external studio for production. I believe that every viewer can understand his intentions when he sees the background of the animation. Lin Tian said that the art background is very important for a movie. The characters in a composition actually only account for about 3 to 40% of the picture. The audience sees the characters, all of them are backgrounds. Lin Tian himself expressed his great expectation as to what effect the background art after the big change of blood would achieve. .
In order to faithfully reproduce the “Dragon Ball” of Toriyama Akira, standing on the perspective of the producer, Lin Tian’s first concern is the restoration of the style of painting. In recent years, the style of the bird’s teacher has been more biased towards the male than the muscular man. The animation was also very muscular and sturdy, and it was designed in accordance with the paintings of the teacher of Toriyama. In the selection of the lineup, Lin Tian selected 20 or so paintings in his original collection of Dragon Ball, and handed it to the original artist who participated in the application. Therefore, this painting can be said to be the closest to the bird mountain. The original style of the teacher. .
This movie, as mentioned above, attaches great importance to the overseas market. Therefore, in order to complete the dubbing work of the overseas version early, the progress of production is also very tight. Movies generally have a 0th preview and a first preview, and 0 is the final check. The initial number is the finished product. However, most works actually equate the 0 and the initial number, which means that the intermediate correction phase is omitted. This time, there are also people who have proposed “I hope to ensure sufficient correction time.” Lin Tian also hopes that this time, the No. 0 screening will be held earlier, on the one hand to match the overseas version of the dubbing work, and on the other hand, to strengthen it even more. Corrected work to improve the quality of the work.
In response to piracy, Lin Tian also hopes that the film will be released overseas as soon as possible, and is currently negotiating with overseas issuers to adjust the time of the release. The production schedule and actual work of this work were almost started when the project was first established, and the progress was very smooth. Lin Tian once again lamented that, when it comes to making big projects, you must first confirm the schedule and then proceed. In particular, works like “Dragon Ball” that represent Japanese animation are more cautious. .
Finally, regarding the highlight of this “Dragon Ball Super Broly”, Lin Tian first mentioned that this theme, as Yi Neng said, is “a grand universe opera.” At that time, Lin Tian could not understand that “Dragon Ball” and “Cosmic Opera” did not seem to catch up. After studying the script of the teacher of Toriyama, he made him suddenly open. It is still waiting to be seen how the “Cosmic Opera” and “Dragon Ball” are combined. The new lineup of production has a variety of challenges for everyone. Lin Tian also hopes that everyone can come to the cinema to experience the “big cosmic opera” and believe that the production team will bring you a satisfaction. Answer sheet. .
[References].
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- Dragon Ball official website: . DBMFL第21回は、映画『ドラゴンボール超 ブロリー』のプロデューサー林田師博さんに直撃インタビュー！