Love letters are often sweet memories, but there will be bitter parts; love is not just sweet, but also a bleak side. Today, Minami uses the title of “millennium” to describe his love story. Can the story match the thick feeling brought by the word “millennium”?
“Millennium Girl” is a legendary animated film produced by the famous Japanese animation supervisor Jin Min in 2002. I have won the honor of the Best Animation Award at the Canadian Fantasy Film Festival. So what is its charm and can be a representative work of Konami? Take a look at the author’s line of sight
The drama in the drama, the intertwining of reality and illusion.
The film describes an actress Fujiwara Chiyoko who suddenly disappeared in front of people at the peak of his career, and after she disappeared for 30 years, her fans found her in a deep mountain and interviewed. The process, and this is not a simple interview, but a nine-fold, thrilling adventure
The story uses the technique of intertwining reality and illusion, and tells the past that I don’t know from the mouth of Fujiwara’s Chiyoko. Moreover, the reporters interviewed are also deeply involved in her memoirs, forming a drama that is full of enthusiasm, and incorporates various factors, sometimes like costume dramas, sometimes like war films, and even future sci-fi scenes. The integration of these factors in a story that is intertwined with reality and illusion is the first impression of the Millennium Girl. The rhythm of the story actually has a feeling of “always speeding up”. This is also the embodiment of Jin Min’s overall grasp of the plot. The story of a 70-year-old man is so passionate and caters to the drama. The words of the uncle Li Huayuan are as well. “She is a person who will not be old!”.
Superb performance techniques, complicated but not confused.
The interpretation of the time and space of this work is intricate. It may be just the modern Japan. The next second is to return to the shogunate dynasty. When the feelings of the audience are just about to fall into the sadness of the princess who lost the lover, the next scene will go again. In the era of revolution, there will even be scenes of the future. Just listen to the author’s statement, you must feel, “Is this a messy piece?” At first glance, there may be such an experience, but if you continue to read it, you will find that when Min is weaving these scenes, he does When it comes to the role and lines, the uncle’s appearance is so good every time, which plays a buffering role for the turning point of the plot, so even if the time and space are complicated, it will not let the audience have no room for buffering; The wonderful part is also the late, constant time and space fast switching, that kind. Will be the story. Pushing to the climax, the hero’s emotional performance is also pushed to the climax of tension. I use the word “tension” here, but it may not be appropriate, but. That kind. The dazzling editing technique is really eye-catching, bringing together the emotional focus of the audience. The author dares to say that this is the real use of animation. If you make this work into a real movie, there is no animation. That kind. Unreal and realistic interweaving does not affect the wonderful perception of logical understanding, and it will be very chaotic when it is arranged into a real movie. And it is difficult to rely on actors to express the feelings of the heroine
Unique values, “Love is a process.”
Through the unfolding and ending of this work, we can feel that Jin Min’s unique interpretation of love, “love is a process”, Fujiwara’s life has been a man who has never met, for him, It’s also a shame in the fire of the Shangdao Mountain, and it has indeed been dedicated to life. For him not to marry, for him not to fall in love, for him to leave the most important acting for the actor, she is a star, her heart is not acting, but as one director said, once they are in a line On the line, the lines will naturally blurt out and do not need to be remembered. This is why she played well and was welcomed by everyone
However, fate is always teasing the former girl. Chiyoko finds that no matter how hard he tries, he always misses his beloved man. When he finally has to catch a clue, he is already old. It is no longer a beautiful gesture that I want to let my favorite person want to see, so she gave up her pursuit and chose to live in seclusion
Chiyoko once cried, “I don’t even remember what my favorite man looks like.” This sentence was very painful to the audience at first, but when Chiyoko gradually moved to the end of life, he felt that there was nothing to regret. Because love itself is a process of pursuit, and you enjoy this process, this is love
In the eyes of Jin Min, even the things that I have been pursuing for the rest of my life can’t be obtained for a lifetime, but in the process of chasing dreams and chasing goals, I am doing that. 事所. The slaves made, the sacrifices made, and the rebellion made will be the treasures of this person’s life. This is also the phrase “I like to chase the person’s own self” when Chiyoko is moving into space. It is also the best to impress the audience
Life is like a play, carrying out the greatness of faith.
The actor’s actor did not even show his face, but let our heroine chase him for such a lifetime, and finally rushed to an empty space. This is why many people hate another work of Jin Min. The reason for love. Today, Min uses her own animation to show us that life is full of flavors, and there are no things to follow people’s hearts. But there are always thousands of folds, looking for the ups and downs of the ups and downs, I think today Min’s works are too sensible, but they don’t lack the meaning of reality. Sometimes life is like a play, even more exciting than a play. Aside from the shots and techniques of today’s Min, only the story itself, the meaning of what you want to convey. Also in the very thick ink attire in the audience
If we take a closer look, the action of the heroine is not a crying, but it is not a forced laugh, but a desperate run, using my own running, telling my fate to the fate, using myself Running, telling that he never bowed, and under the running of different scenes, weaving out is a symbol, a spirit that is not afraid of challenges, because whatever is chased, carrying out his belief in life is An ordinary great