“Girls ☆ Opera Revue Starlight” has caused a lot of topics in the July animation with the theme of the stage play and the gorgeous stage performance. “Newtype” has been carried out by Gu Chuan Zhihong, who is the supervisor of this series, and the hill EMI, who plays the role of the protagonist Aicheng Hualian. In a brief interview, I talked about some of the behind-the-scenes anecdotes. .

At the beginning, Furukawa mentioned that he had been appreciating on the spot during the stage rehearsal. At that time, the impact of the Jiujiu group was even stronger than expected. It is also the relationship between the stage drama and the full charm. Furukawa feels that as the supervision of this work, he has the obligation to provoke the burden and convey the charm of this group of girls to the audience through this work. At the same time, I hope that the audience will be interested in the stage after watching the animation and go to watch. Hill also said that this “Girls’ Opera” is a stage play or an animation, and the starring role is the relationship of the same group of people, making the connection between the character and himself more intense. But for this reason, there is a lot of anecdotes. Hill said that sometimes when members call each other, there will be “Hey? I just called (Heaven) Zhenya, or is it called (Futian) Ma Fan?” The role name is confusing with my name, so I hope that the audience who sees the stage drama before the animation opportunity will feel that the person on the stage is the character himself. .

Animation is about the theme of “stage”, so how to restore the charm of the stage play in the animation becomes a problem. Furukawa said that the large-scale props used in the stage play, such as various baffles, curtains, and sets, also use spotlights to reflect who is the protagonist of this moment. These things with stage features must also be shown in the animation. Only then. Because the actors performing on the stage are also actors, but also with these props and lighting performances, so that the actors can fully interpret their roles. Hill said that the performance and performance between the animation and the stage play are slightly different. The animation can only rely on the sound to deal with various situations. The reason why I have been in the stage play before becoming a seiyuu, so whether it is singing Still dancing, I can naturally infuse my feelings to perform. However, in the dubbing, he was completely new. He found that he could not be eager as he wished to perform, but he also realized how profound it is to convey the mood by sound alone. At the same time, the animation can also show a lot of things that the stage play can’t do, especially the battle scene. Some movements can’t be realized with their own flesh. If you can animate, you can use the painting power to express it well, and in everyone’s eyes. On the stage, they performed very brilliantly. Hill said that in the process of inclusion, everyone was often amazed. In contrast, Furukawa said that the acting skills that members who are not used to dubbing in the animation will be used in the stage play, and that the performance of the animation will be presented in the form of a stage play. It is also the Nelke Plannin responsible for the stage play. The masterpiece of the show, the new work of the stage drama will usher in a change, Furukawa is looking forward to. .

When talking about the relationship between Hualian and Guang, Hill believes that Hualian and Guangxu are indispensable, and it is because of the light that Hualian can work so hard. And she herself is also the same, just because Sansen accompanied, I can work hard. Therefore, whether it is a stage play or an animation, she wants to convey this feeling. “Who didn’t want to have a partner who was intertwined in fate?” Fuchuan said that this was what he thought after he learned that the work was a double protagonist, so he used this relationship to conceive, and the two people of Hualian and Guangzheng Symbolizes this relationship.

After the opening of the animation, I can see from time to time that “Girls’ Opera” is a bit like “Lily Panda”. This Fucheon explained that if you watch this film, you should have added this material to the drama. This practice is similar to the practice of his master (supervised by several former Bang Yan). Furukawa said that because there is such a master, it will lead to similar expressions in his works, but in fact he used a lot of expression techniques that the original teacher would not use, so I hope everyone can pay more attention. As an opera, another important element is “singing”. It is very difficult to perform in the animation of Furukawa’s singer scene, but because of the stage play, the animation has to be done. So if you want to do it, you have to let the audience see something new. Furukawa said that he has been subconsciously using the setting of the stage device and the song, and uses the song to directly convey the feelings of the characters, and let the viewers who have seen the animation have the idea of wanting to listen to the song again. Opera can be a work that can listen to songs from multiple angles. Regarding this aspect of the song, Hill revealed that although the theme song of the film can only hear the TV version of 90 seconds, I still hope that everyone can hear the full version, because this is a song that has added many elements, and the members will At present, their respective experiences and everything they feel on the stage have been condensed into this song. It can be said that this is a song that was composed in a group of ninety-nine groups and only ninety-nine groups. When I heard the hill say so, Furukawa also smiled and said that although I want everyone to listen to the second half of the full version in the animation, but because there are quite a lot of places in the whole song, it is quite difficult to make an animation to match it. .

At the end of the interview, the two mentioned that in order to allow the audience to enjoy the film, both the seiyuu and the production team worked very hard. The whole work is like the fast pace of each episode. It is easy. The illusion that people end up with a set of episodes, and in the advancement of the story will let everyone gradually have a new understanding of the true meaning of the “stage”, so that everyone has the idea of reviewing it from the beginning. I hope that everyone can feel the charm of the stage play through animation. If you can have a new understanding of the stage play and you are interested in the stage play, then it would be better. .

References .

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• 18th August issue “NewType”