Yesterday,onJune2, the Kyoto International Manga Museum received a call. The male voice on the phone claimed to have placed a bomb in the museum and it would blow up the museum in an hour and a half. The museum alerted and urgently evacuated about 500 visitors to the museum and announced the temporary suspension. The police searched the inside of the museum but found no bombs. The next day, the museum has returned to normal opening. The police are investigating the caller

(https://www.asahi.co.jp/webnews/pages/abc_2028.html).

The light novelist Fei Qianwen shared the writer’s views on routines and templates at different stages

Newcomers: Routines and templates are too cliché. I want to pursue my own practice!

Intermediate: Is there a good way to set up a cow? Super reasonable

Advanced: I thought the routine was the same, but the pattern was too much. There must be a unique routine that suits you

God: My work is a new template

(https://twitter.com/HizenHumitoshi/status/1134316824768765952).

The beautiful girl comics researcher Rarely meets the well-known Lori cartoonist Neiyama Aki, and learns the many glorious deeds of the inner mountain

Neishan has received a call from “Weekly Junior Champion” and asked him to draw serials. After he refused, Champion’s editor-in-chief, Akutsu Kunihiko, personally ran to the pork chops opened by his father

Neishan promised a serial, but did not know what to paint, asked “Drawing pornographic comics?”, even got permission, so he drew a famous metamorphosis comic “あんどろトリオ》

In serialization “あんどろトリオ》, the editor of the wall village Nike three pairs of Neiyama said: “Remove other work! The corresponding draft fees are all We are responsible!” However, Neishan refused him

At the party, Tezuka Osamu asked Nakayama: “What are you painting?” Nakayama A. “Drawing pornographic cartoons!” “What? Erotic comics?!” Mr. Handcuffs can hear it, “That I went back and asked the staff to buy one for me.”

(Mr. Shou’s “Prime Rose” is said to be “あんどろトリオ》, imitating the Loli sci-fi comics drawn by the latter.).

The name of Neiyama Aki is the chief editor of the adult comic magazine “Lemon People”, Kubo, who gave him his own. Neiyama said that the pronunciation of “Aki” was good, so his name became “Inner Yaji” when the manuscript was published. I don’t know what the original source is

Neiyama Yaji’s work (“あんどろトリオ”Reprinted atスコラ) should be the first one to be added Juvenile manga with the “Adult Manga” logo

(https://twitter.com/kimirito/status/1134625121837039616).

The light novel writer Chuan Shangyu saw that there were peers who didn’t know how to write the outline, and shared his own way of sorting out ideas

1, First, outline the outline of the overall mainline storyline:

• Mainline: Start.
• Mainline: Development.
• Mainline: Turning.
• Mainline: Ending.

This can be an independent event, or it can be a protagonist or a contralateral story, or the “result” of these stories. Or even a very vague overall story

2, the story of the protagonist, and how the story of the protagonist is related to the main line:

• Protagonist: Start.
• Protagonist: Development.
• Protagonist: Turning.
• Protagonist: The ending.
• The relationship between the main character and the main line: start.
• The relationship between the main character and the main line: development.
• The relationship between the main character and the main line: turning.
• The main character’s association with the main line: the ending

As mentioned earlier, it is also possible that the protagonist’s story is the main line

3, the story of the opposite corner, and how the story of the opposite corner is related to the main line, listed as above

There may also be no contralateral angle. In addition, since it is a contralateral angle, it may be that his story and the connection with the main line are also related to the protagonist

4, the story of the supporting role, and how the story of the supporting role is related to the main line, as listed above

List the number of people in the supporting role. Because it is a supporting role, then his story, the connection with the main line is also associated with the protagonist or the opposite angle

At the same time, since it is a supporting role, it may not have its own starting point, or it has nothing to do with the main line

The supporting role is not necessarily human, it may be an item or the like

5, list 1~4 according to different stages:

• Mainline: Start.
• Protagonist: Start.
• The relationship between the main character and the main line: start.
• 反角: Start.
• The relationship between the reverse angle and the main line: the beginning.
• 配 配 1: Start.
• Supporting angle 1 Association with the main line: Start.
• Mainline: Development.
• Protagonist: Development.
• The relationship between the main character and the main line: development.
• 反角: Development.
• The relationship between the anti-corner and the main line: development.
• Supporting role 1: Development.
• Supporting angle 1 Association with the main line: Development.
• Mainline: Turning.
• Protagonist: Turning.
• The relationship between the main character and the main line: turning.
• 反角: Turning.
• The relationship between the contralateral angle and the main line: the transition.
• Supporting angle 1: Turning.
• Supporting angle 1 Association with the main line: turning.
• • Mainline: Ending.
• Protagonist: The ending.
• The relationship between the main character and the main line: the ending.
• 反角: The ending.
• The relationship between the contralateral angle and the main line: the ending.
• Supporting role 1: Ending.
• Supporting role 1 Association with the main line: ending.

6. Adjust the balance according to the needs of the work.

• The protagonist has too few plays.
  • Add drama, split, let the protagonist and other characters and the main line contact.
  • or reduce the story of other characters.
• The main line is too weak.
  • Add, split, let the main line and the protagonist have other roles to contact.
  • or reduce the story of other characters.
  • Assign the respective “starting and turning” to the appropriate position for each stage of the transfer.
• Each story is missing contact.
  • Think of the stages of the transition and the transition to the story of the transition.
  • Thinking about which character is “the hottest thing” for the story, and pushing this role as the center.
  • Increase the main line and attach importance to the theme.
  • Increase the relationship between the protagonist and other characters, centered on the protagonist.
  • Design a supporting role to connect to each story.
    • The supporting angle added by this method is easy to become a daily throw type, so be careful.
• There are other questions.
  • Come on.
• Don’t know why it’s not going well.
  • Think repeatedly. If it is a genius, there will be a flash of light. If not, think about how to take it to the next level after feeling “thinking out.”
  • “I want to come out” is “thinking out”, “upgraded” can be “exciting”.
• Still not, no way to go.
  • Let’s take a nap.

7. Adjust the balance after the example:

Of course, this is just an example. It is meaningless to copy this process. It is important to think for yourself

Chuan Shang concluded that it is basically decomposition, writing, sorting, mastering, and adjusting

(https://twitter.com/kawakamiminoru/status/1135339239971774464)