Although it is very popular, many of the animations on Twitter and the industry practitioners read the reports, but they all have a confused look. .

The performer Kimura Ryuichi bluntly said: The industry criticism in Mr. Taniguchi’s interview is in all respects, is it somewhat rough? .

(.https://twitter.com/Ryuichi_Kimura/status/1004712555778936832).

So, what are the “roughness” criticisms that Taniguchi has done in the interview? .

First of all, Taniguchi said that when “Unlimited Unknown” was aired, he did not show up at all. The representative of the work was the scriptwriter Kuroda Yosuke. Almost no one knew who Taniguchi was. This is because the animation magazine at the time liked to interview the scriptwriter better than the interview supervisor. Even if the scripter wants to correct the interview content, it will keep the number of words unchanged and the editorial department will save trouble. .

Moreover, the ground floor of Kuroda Yosuke and Dae Hanoi are editors or writers of animation magazines, knowing what the magazine wants, so the interviewers are also relatively relaxed. This led to the fall of animation magazines. Since then, animation magazines have not taken seriously the interviews of producers. .

Takuguchi’s remarks seem to be totally untrue. .

Twitter User @ohmomo has compiled the “Unlimited Unknown” broadcast of the interview catalogue of the “NewType” magazine at that time. It can be seen that each interview with the supervisor is far more than the interview with the scripter. . .

(.https://togetter.com/li/1235146).

Another netizen @ryon_8390UN has turned over the interview with Taniguchi on the 20th anniversary of the launch of NewType. In this interview, Taniguchi said that he made a distance from the animated magazine when he made “Unlimited Unknown” because he was still a newcomer. He still didn’t know if he could continue to receive work, and he was afraid that he would be proud of himself when he was in the magazine. So it is his own intention to self-discipline. .

(.https://twitter.com/ryon_8390UN/status/1005487163784351744).

Animated copywriter Hiroshi said that the scriptwriter’s revised interview by Taniguchi Supervisor would also match the number of words, and he had never experienced it himself. .

(.https://twitter.com/bigburn/status/1004687856651005952).

Back to the interview text, Taniguchi’s supervision then bombarded the seiyuu. He said that he used to ask young actors and idols in the real world film and television industry. “What do you think you need to do to survive in the future?” It is a matter of course. But when asked about the newcomer’s seiyuu, the person in the firm will have to face up and stop. .

Taniguchi also said that in the past, the new seiyuu encountered difficulties at the recording site, and senior seiyuu would give advice. But in recent years, some of the firm’s agents will jump out and say, “Don’t say this, we’re an idol office.” They worry that the new seiyuu will be instructed by their predecessors and will be depressed, followed by a broadcast. It’s fun to be active. .

These seiyuu, do not study acting at all, will not be used after 30 years old, will be abandoned, so that Taniguchi feels pitiful. Of course, not all firms are like this, but some of them don’t plan to cultivate seiyuu at all, just want to throw them away when they are young. .

For this statement, many practitioners have expressed negation.

Painting and performance work, Fujiwara said that he had already dealt with the seiyuu who had dealt with himself. Instead, he came to the scene with the mentality of “cannot stop at the ‘idol seiyuu’”, and sincerely accepted the advice of the sound supervisor and the predecessors; the brokers are also serious. The land is performing business management. In case, just in case, it is necessary to point out that the kind of scene mentioned in the interview is not a complete picture. .

However, out of respect for Taniguchi’s supervision, Kudo believes that Taniguchi’s supervision should actually feel the sense of crisis in the interview, and will say so. Perhaps there have been various internal conditions. .

(.https://twitter.com/Kudo_M_/status/1004693293370753024).

Acoustic Supervisor Yanbo Meihe also hopes that everyone will understand the phenomenon mentioned by Taniguchi Supervisor as a rare situation. .

Yan Lang said that this industry is very small. If anyone or company does not have the awareness of making a film together, it will leave a bad name and will not last long. So you don’t have to worry. .

Yan Lang also did not intend to criticize Taniguchi. He said that no matter what the field is, as long as the denominator is large, there will always be people who have no common sense, causing rare accidents. He believes that being able to know that this is happening is a very valuable opinion that can help prevent such phenomena from happening again in the future and let the industry play a self-cleaning role. .

(.https://twitter.com/namisuke1073).

Seiyuu D-COLOR President Hiraoka has not had such a good temper. He read the interview and got angry. He commented under Yanbo’s tweet, saying that Taniguchi interviewed “put out some special cases and said that the current situation in the industry is like that of the world. This kind of speech makes me speechless.” . After

, Pinggang forced the anger and pushed it separately, saying: He didn’t know what the Taniguchi supervision was saying, but at least it didn’t apply to their company. Because the competition in the seiyuu community is very intense, the result may be that young seiyuu will be lost in the eyes of outsiders. But for this reason, seiyuu and the firm will work hard not to become like this. .

(.https://twitter.com/teruki_hiraoka).

However, after all, it is Taniguchi. More people did not directly criticize the interviewee itself, but instead pointed the spoke to the interviewer, Oda Yuki. .

Animated music producer and music critic Tomita Hiroshi accused Yamada of not having enough material and knowledge in the animation industry, but in his interviews, he published his own opinions and reached a point of self-awareness, letting him read his mind. Straight question mark. .

As for the content of the interview, Tomita can only give the impression that “you feel so much, that is really regrettable.” .

(.https://twitter.com/tomitaakihiro/status/1004902039061594113).

Written by Maeda on Twitter and on the hillfield and several other netizens for personal attack level communication. Because it is more humiliating, it is skipped here. .

In the interview, Taniguchi, who is also an animated copywriter and critic of the “comrades” who felt the same crisis, came to recruit “borrowing a knife” – there are anonymous netizens who are in the “question box” service. Raised such a question:

“Weekly Play NEWS” in the interview of Taniguchi Goro, there is a place to speak based on the misunderstanding of the facts, I saw someone on Twitter discussing this matter. When you are interviewing, Mr. Fujisawa, if the interviewee is talking about the wrong perception of the facts, what would you do? .

In addition, if you can’t find the facts and mistakenly, the articles you interviewed will come out in this form. After being pointed out, what will you do with Mr. Fujitsu?

Fujitsu replied that if he had the knowledge to be able to judge the facts, or if he could find the facts after the investigation, he would find out what he wanted to say based on the things that the person who said the words wanted to say. . If you can’t find it yourself, then you can’t do anything about it. You can only treat it with the attitude of “the interviewee himself thinks so.” .

Fujisawa said that sometimes, even if you don’t have the relevant knowledge, you can intuitively feel “Is this really true?” The more negative the opinion, the more the truth is needed, otherwise the criticism is not productive. If there is no factual evidence, he will adopt a conservative strategy, delete it here, or simply extract the things that the other party wants to say and write it into the interview. .

(.https://twitter.com/fujitsuryota/status/1005356131118530562)