Cinefilwowow, a special channel for movies and TV series owned by WOWOW TV, launched a file called “Worldがふりtoくアニメ术” The program of the world’s animated animation is broadcasted at 9:00 pm on the first Sunday of each month. The program will be broadcasted first by an animation supervisor, the representative of the performer’s theater, and the animation research will be added after this article. The detailed explanation of the one-person Glacier Long Jie, interviewed the participating producers, and deeply understand the charm of the work itself. In the column blog, it will also be organized and summarized in the form of text. The first guest to be invited was a senior animator, Yonghe Xiu
Friends Yonghe Show. Born in 1952. In 1971, he entered the Tiger Pro and took on the original painting of the TV anime “Devil Z” and “Devil Man”. In 1975, he moved to Oh-Production and participated in the original animations such as UFO Robot Gulian Taisha, Magnetic Robot Plus Chien, and Future Boy Conan. In 1979, he was sent to Telecom Animation to take on the car chase scene in the famous “Luobang III Cariostro City”. In 1981, he served as the supervisor of the paintings of “Zi San Silang”. After that, he has taken on the original paintings, painting supervision, and mirroring of many works. In recent years, he has served as the general supervisor of “Lubang III PART IV” and the special article “Lubang III Italy Game”. The original OP painting that took on this season’s “Dororo” also set off a topic
Yoon Yong read the comic book with his friends while reading the “Introduction to the Cartoonist” by Shiro Mori, who was in junior high school. However, when painting and painting, Youyong finds that he is not suitable for writing stories, but he likes painting very much. When he is troubled, he knows that there is such a form of animation, and he only needs to paint. At that time, I went to see several comics of Dongying (animated film, the animated film in the same year), and I slowly felt the joy of the work of animation. After breaking the iron shoes, he finally found the communication education of animation production, and introduced the company to him, thus entering the industry
Originally entered the Tiger Pro, which was the studio of Dongying Animation Outsourcing. After actually entering the industry, Youyong finally felt the urgency of the production schedule. At that time, Tiger Pro said that it was a studio, but it was also a small flat with two rooms. Once you are busy, you go to bed at the company. This is the tragic world of animators
When watching the “Panda Family”, Yu Yong was impressed by it, thinking that he could make such a work. Youyong asked the company that made this film. I heard that when I went to Oh-Production, I had a great chance to join the company with Gao Yixun, Hayao Miyazaki, Otsuka Kangsheng, Odabe, and others to participate in the long film production of Toei. The chances of animation will be more than now, so I moved into the position and entered Oh-Production. At that time, Oh-Production was just taking the robot animation of Toei Animation. Youong also went to draw the original painting there. At that time, the surrounding people were picking up the “Three Thousand Miles of Mothers”, so that they could only be on the side. He looked at him so enviously, “I will do the animation over there in the future!” After that, the work of “Future Boy Conan” came, and Friends always asked, I hope to pick up the work there, and finally, I have seen admiration. For a long time, Gao Yixun and Da Yu Kang Sheng. But at first, how did you never paint, “I used to look at it when I was watching it. I thought it was ‘good,’ and I couldn’t paint that feeling when I painted it.”
In the past, because robot animation was drawn, the character must be painted in the robot animation. Of course, this also has its difficulties. But this difficulty is not the same as the difficulty in “Juvenile Conan”. Toei Animation also has limited restrictions on the number of paintings on TV productions. At first glance, the pictures that look handsome are continuously switched. Of course, this is also a labor-saving and time-saving approach. Daxun Kangsheng is different. His role in the picture of “Future Boy Conan” It is required to move freely and freely, not on a horizontal line. Daxie Kangsheng and Hayao Miyazaki have very high requirements for “movement”, so the role design they play is simple in terms of shape, but the content to be conveyed by the picture is very real. Must be drawn daily acting and natural phenomena, but also can draw like that is like playing in the huge battle machine Gigant play, can draw various types of actions required. From them has been a considerable impact
In fact, Hayao Miyazaki has integrated the main points of the picture and movement in the stage of splitting. For the friend Yong and Xiu, who was new to the time, how to reproduce his mirror in the actual picture is very distressing. In order to draw what I have not painted in the past, I have racked my brains. But it is really interesting. However, the problem is that such a difficult painting must be completed within a week as in the past, and there is no time for you to be confused. Since I decided to take this road, I could only paint it. Under this enthusiasm, I gradually learned the skills of “fast painting”, and I know the various special effects painting methods, and what kind of scenes should be treated. Benefited a lot. Because when the construction period is insufficient, even if there is no original painting that has been invalidated, Miyazaki will personally correct the paintings of You Yonghe.After the end of
“Future Boy Conan”, Youyong went to the scene of the first theatrical version of “Lubang VS Replica” of “Lubang III” to help. Then, in the TV series “Anne of Red Hair”, I contacted Gao Xiaoxun’s performance, and described the original story of the green hills and the growth story of the girl so interesting. The performance of the picture is very simple, that is, walking in the house. Going, not standing or sitting, packing up the dishes, getting dressed and undressing. However, these simple daily actions are actually harder to draw. Because everyday acting is not fooling people. For example, when Anne enters the room, the action of opening the door is also good. These actions do not need to be deliberately taken care of in real life for us. However, once we have to draw on paper, we must carry out precision. Calculation, if you make a mistake, you may hit the door. You never know how many times you changed it at the time
The same is true for the undressed lens. In general, it should be staged to show off, so that you can fool the audience skillfully. However, the performance of Gao Song is a complete set of full movements. When undressing, the body has to follow the movement. How to move this movement is the most difficult part… However, for this difficult description, Gao Song has nothing to do with the TV animation with limited production schedule and painting number. After doing it, You Yong admits to the five bodies. However, this is also the accumulation of experience
There is also a terrible detail that is the lens of folding clothes on the bed. When the sleeve on the right and the sleeve on the left are folded in half, Gao said, “This is a bit of bullying. The painting is not unnatural with the original painting.” Gao Hao himself He can’t paint, but he is very sharp, and the original painting is more accurate than anyone else
“Annie” At the beginning, because it was the layout that Miyazaki was responsible for, and the difficult action of the above situation, Miyazaki would add a sketch to explain when laying out, avoiding mistakes, so who would draw the basics? No problem. However, because there was almost no change in the world of Anne, Hayao Miyazaki left the production site midway, and then the scene was a bit messy
Miyazaki’s layout.
After that, Gao Yixun’s theatrical version of “Little Trouble and Thousands” is another piece of work. It can be seen that Gao Song himself is very interested in the original work and fully shows the essence of the original work. The painting supervision of this work is the Oda section of Oda, and the description of Qianhui by Oda is even more nuanced. The lines of Qianhui’s cheeks have been redrawn a lot. You Yong said that from his point of view, he could not see the difference between these redraws. This makes people feel that Oda is a very “slim” person. Not only that, Oda’s daily acting is also very powerful
You Yong said that when he painted Zhubenzhe, he was just like Captain Dyce in “Future Boy Conan”. Although it is very happy to draw, it is not easy. There is also a place where stilts are particularly entangled in this area. For example, the positional relationship between the chair and the bar of the grilled visceral shop, for example, as the location of Qianhui changes, how should the height of her head behave in this place, for example, the picture from It takes a lot of steps to move in the depths and how far to go in each step. It is very strict. However, it is precisely because Gao Song is the most demanding of the real performance, can the original part of the original comic style and the real part, both sides are very interesting. For example, the part that becomes bigger when you inadvertently. You Yong painted the scene of the vertical drop in the play, and Gao Hao also liked this part. There is also a huge raft in the title, which is also a favorite place for sorghum. The flying way is like the classic subtitles of “Star Wars”
Theatrical version of “Little Trouble”
It was because of the fact that “Star Wars” was on fire at that time, so Gao was planning to add it. You Yong said that Gao Song is a person who likes to reason, but this kind of unpredictable performance is an incredible place. Sometimes he said “Oh, this is very interesting!”, and I didn’t expect to add this idea. However, he is a picture that can make this kind of fun through real pictures
Gao Wei also said to You Yong when he directed the “Pingcheng raccoon battle”. “You have some TV animations like this, and you are a bit sloppy.” That is the shot of the civet cat. In general, it takes a few steps to reach the end. Usually, I used the original painting that was shaken back and stopped to stand, but Gao said, “You can’t stop so simply. When you stop, the speed will slow down to stop.” Then he followed the instructions and repainted this. Section. Convincing the original painting by reasoning is precisely because Gao’s pursuit of realism is high, so his daily performance will never be deceiving. Miyazaki is unexpectedly, sometimes seeing a good action will give praise, but the high-pitched eyes will never let go. These are all things more than 30 years ago. When such an old stubborn sorghum reached the “Hui Ye Ji Story”, he began to feel the original painting
[References].
- シネフィルwowow: [Worldがふりtoくアニメ术] インタビュー友永和秀1