“The squadron Lubang Lian VS police patrol” theatrical version of “The squadron Lubang Lian VS police patrol en film” has been released in Japan today (August 4). This work, which was launched in February of this year, has now reached the halfway. The special interview of mynavi special interviewed the supervising Sugihara Hiroyuki. In the past “Kamen Rider” and “Super Team”, Sugihara also participated in the “Assistance Supervision”, this time is his “supervision”. What kind of challenges will Sugihara’s supervision face in the first theater work? .

First of all, ask about the difference between the “Knight” and “Team” series. Sugihara said that the biggest difference between the two works is the age of the object. The age of the “Kamen Rider” is relatively high. For example, after the Kamen Rider has changed, there are still a lot of parts to be played. This is the biggest difference between what he feels and the “team.” .

The climax of the “Super Team” battle is that after the hugeization, driving a huge robot and a huge geek fighting, compared to “acting”, it emphasizes more of the battle. Because of the difference in style, it is more able to highlight the personality between the works. Sugihara has always had a question at the shooting scene of the “combat team”, that is, the ratio between the huge robot and the surrounding buildings. Huge robots are a lot bigger than these buildings. After all, the times are changing, and the nearest metropolises and high-rise buildings are row upon row. However, the building for shooting is only at the waist of the robot. If you follow the impression of the modern city, then the robot is really high enough. In turn, according to the standard of the robot, these buildings are too short, of course, Sugihara Understand that you must consider the fight. Therefore, even a seemingly large robot, when shooting in a high-rise building group, pays more attention to speed than a slow and heavy feeling. For this reason, let a huge robot shuttle between the buildings that are stacked and high-speed moving robots. It’s more handsome, this is also the shooting method of the robot in the more modern “super team”. In this regard, Sugihara also talked with Special Supervisor Foshan Foreign Merchants, and finally decided that in the battle scene of the robot, CG is used more than the miniature model. The photography of the miniature model is important, but even in the past, as a general decoration of the building, it is always necessary to consider whether these arrangements will hinder the fight. .

This year’s “Super Team” theme “VS” was decided when Sugihara was appointed as the supervisor. In addition to the theme of “VS”, this is a “super team” that is built with the enthusiasm of “renovation”. The hero’s image is also broken. This is mainly concentrated on the Lubang Lianfang side. The fighting in the Lubang Lian camp is also ingenious, and the acting and other aspects have also added new elements. The Patrol Lian camp retains the advantages of the past “super team” history and inherits the traditional part. Thus forming a contrast between the two teams. .

The current lineup is Lubang Lianren 3 people × patrol company 3 people, plus “two-faced” Noel, for the audience to push which team or which warrior, whether it is adults or children, as long as they have The favorite character, Sugihara said that this is very gratifying, no need to worry. .

As for this shooting technique, this time I showed a little “long shot”. In the first words, when Lubang Lian and Zhagra fought, the camera clung to the characters, and joined the acrobatic photography technique that was skipped from the top of the head. This is also the first attempt in this work. The image captured by the camera suspended in the air is combined with the image material captured by the other fixed cameras to create the illusion of “one mirror in the end” through digital editing. The impression of this shooting technique comes from “VR”, but because it is a program broadcast on TV, it is necessary to show the pictures suitable for watching on the TV and the pictures that the viewer wants to see. I hope the audience can Get immersive feelings in these pictures. In terms of action performances, Action Supervisor Fukuzawa has a lot of power. The above part of the camera, how to operate the mirror, you need to listen to Fukuzawa’s command. Even in a certain time, Fuze also personally glared at the camera. On the other hand, the holster actors fought fiercely while the cameraman was skilled. Photographed, although it is an attempt, it is still the old-fashioned shooting technique. Even with the old methods, the pictures are refreshing. .

“The sneak squad Lubang Lian VS police team patrol contender” 1st words fight segment:

Sugihara always puts the effect of watching in the first place. As a theater work, “The squadron Lubang Lian VS police patrol en film” is more like a consolidation for Sugihara. Refining will give the audience the best and full of surprises. Especially in the fight between Lubanghong and Patrol No. 1, Sugihara has his own ideas. It is not because the movie can make the thief and the police “jointly join hands”. In the script stage, Sugihara is also responsible for the script. Xiangcun Junzi conveyed his opinion. Instead of letting them join forces because of something, it is better to let them have a process of mutual recognition, thus achieving a common fight. Let the audience who support the fast thief and support the police be able to enjoy it. .

Although it is a theater work, but the length is very short, so if you want Sugihara to tell the movie, it is basically the film. If you want to say it, it is the performance of the two people who have always been the center of the work, especially the two people on the river bank to talk about the true scene, which needs special attention here! In this article, Querley rarely uttered his own voice. The game of Ito and the guitar star who played Keiichiro also used a lot of acting in this scene, which further increased the density of the picture. Please be sure to look forward to it! .

After the debut of the new soldier Lubang X/ Patrol and X, the story accelerated. What will happen to the future Lubang Lian and patrols? This is the first time that Sugihara’s supervision is selling, not only the development of the two sides, but even the identity of Xiao Yan is still a mystery. In short, these characters will grow up with the work in the future. Sugihara said that the original producers Utsunomiya Hyogo and Kazumura Junko had various unrealistic ideas. This is not a loss, but a praise. Because the producers will grow up as well, they will break the original idea, and the outcome that deviates from the original idea is the overwhelming majority. So, in the end, whether or not it will go according to what was thought at the time is an unknown number. Therefore, I hope that everyone can lock the weekly live broadcast in front of the TV every week, and witness the growth of the characters together with them. That is the greatest comfort for the original team of Sugi! .

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• Mynavi:. 『ルパンレンジャーVSパトレンジャー』はロボ戦にも革命があった! 杉原輝昭監督が語る新しい戦隊への挑戦