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• Book name. : “Creating God and the God of God” (Creating God and Desperate God).

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• Author . :Sanada Cheng.

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• Illustrator. :曽我诚.

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• Japan Publishing. :KADOKAWA Fujitsu ファンタジア Library, has published 2 volumes.

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• Continental translation. :From the network.

At first glance, it is because of the cover of the TYPE-MOON style, the red-haired girl is flashing around her fingers, and the humanoid weapon behind her armor is reminiscent of magic and summoning. Taking a closer look, it turned out that the Chinese painter Zeng Icheng, this time with the Japanese game designer, light novelist San Tiancheng, together to create the “Creation of God and the God of God” series. .

Reading the text, I found that the illustration of this work is not only an icing on the cake, but also very necessary. Because the core setting of “Creating God” is somewhat abstract, “the new magic of the god-shaped, the image is fixed in the name of God”, tests the reader’s reading comprehension ability. Turning over the illustrations will make it clear that God is a summoning magic that calls out the mythical gods to control the battle and immunizes all physical attacks. The modern magician who uses the power of creation is the “creation of God.” .

Creation God is not only the magic of the new generation, but also the magic of the new era. It can easily rewrite the physical phenomenon. The only limitation is the age of the creation of God. The limit of the activity of the user of the power of God is 17 years old. No one has arrived. At the age of 18, he can also summon a god. The actor of this work, the broken city of Cang Shi Lang, is just the 18-year-old former creation of the gods to make “black and absolutely public.” .

The novel started with the campus scene, and Cang Shilang, who was a high school student, became a new teacher by surprise. One of the heroines, Zhu Tong’s color, was not pleasing to the eye, and the empty gloves came to the 13-year-old creation. Seven Stars Yuxiang makes dinner for himself every day. I thought that this was because of the story of the war and the return of the young soldiers of the student era to the society. Teacher San Tian turned around and began to talk about the black curtain of war. .

The power of the gods is strong enough, and the creation of God has become a “war resource” for the forces of the various factions, although they are only children under the age of 17. A war two years ago strongly influenced the current social order, and advocated the thorough management of the “management army” of the creation of God and the “liberator” organization pursuing liberalism, which drove many gods to the battlefield, and the management army laughed to the end. . .

The key battle to determine the direction of war occurred between the “Sword Emperor” who managed the military and the “Black” of the Liberation. The masked teenage girls are killing each other, like the gladiators of the Roman era, thinking that the extraordinary power can awaken the fate, but in the end it is manipulated by the power of the god. .

The end of the war, the black is now only a newcomer teacher Cang Shilang, the sword emperor is the junior high school student of the second year of the same school. I have joined the enemy camps for different ideals and killed each other’s comrades. They are forced to be enemies with different positions, or the ideas are innately hostile. I don’t know if the relationship between Professor X and Wan Wang in X X-Men can give us some reference. .

The protagonists deal with the legacy of the war era under campus life. The “Creation of God” was originally about how to inherit the past and face the future. The variable is just awakening to create a god to make the seven stars awesome. Although it is a peaceful era, the management army’s struggle for the creation of the gods has not stopped. The liberation of the underground activities and the intervention of the neutral guild have made the situation change. It is more complicated and sensitive. .

This has led to a multi-party conflict. According to the difference between the prototype gods and the imagination of the creation of God, each creation god has its own characteristics of “creative shape”, which makes it possible for the lower god to defeat the upper god, increasing the uncertainty of the battle results. Cang Shilang, who has been unable to summon the gods, has participated in the battle without setting his face. Especially in the one-on-one confrontation, experience, willpower, and the power of creation are indispensable. .

In character shaping, the male lord Cang Shilang believes in the liberalism of the liberators, and believes that giving freedom to the creation of God can achieve peace between the capable and the incompetent. The teacher’s new identity gave him a larger space for action. The power of the gods was no longer in the past, and it was also distinguished from the practice of using force to solve everything in the war years.

In contrast to the female characters, Zhu Tong’s enamel and seven-star scent are distinctive. Yan Cai is very strict with people and matters to the matter. As the chairman of the discipline, even the teacher Cang Shilang often teaches. Yuxiang showed the innocence of a 13-year-old girl, her expression changed rapidly, her character was ashamed and cute, and her cooking was very delicious. However, the balance of the two female characters in the early stage of the novel is not very well grasped. The appearance of Yu Xiang is somewhat awkward, and the enamel is often “invisible” in the plot. .

Fortunately, the final battle structure is wonderful, which can reflect the writing skills of Mita. In addition to the superficial identities of students and teachers, the protagonists have hidden identities associated with past wars. The daily sense of disharmony on the campus is actually the foreshadowing of the dark curtain of the new post-war era. Exposing is the battlefield that triggers the reversal of positions and creates a desperate struggle for the gods. It is the position of the emotional outburst of the characters. .

Young girls are awakened enough to change the power of the world, but the power of the 17-year-old god will disappear, and the four kings who call for the rain will one day become mediocre adults. Such a setting is related to the age positioning of the light novel audience. If it is for an adult reader, it may be set to be 20 years old or older. On the other hand, the power that will eventually be lost, the strength of the period is limited, and the creation of God on the shoulders of God is considered “correct”. .

The impulse of youth will be reminiscent of being too mature and lacking consideration. From the war two years ago, many creations have only been put into use as high-performance weapons, and the bloody real battlefield far exceeds the youth. Our minds bear the limits. After being incited, the slaughter of life is a fault, a crime, or a situation, and no one is judged after the war. .

The theme of “Creating God” has its profoundness. The time node that started the story two years after the war brings hope to the characters and readers to a new life. The smoke has been exhausted, but the conflict of ideas between the management and the liberators has not disappeared. The city that is full of squalls needs to be rebuilt, and the psychology of young girls needs to be reshaped. .

Power is not necessarily happy, losing is not necessarily bitter. In a world full of contradictions, the summoning magic action drama bred by the power of God is worth turning.