[This week’s Otto series of general notes, the first generation of Altman articles].
The first time Altman, the month before the birth, that night.
The “Ultman’s Day”, which has not yet been completed for 10 years, has now been fixed and became a veritable anniversary on July 10 each year. The source is the first time in the history of Altman’s history on television. July 10th. “Otto Q” debuted in Tokyo in January 1966 on the TV station (TBS), and released the special program “Ottoman’s Eveman’s Eveman” on July 10th at 7:00 pm on July 10th. Appeared on TV, and the next week, July 17th is the official first words of Altman. .
About one month before the “Altman’s Eve of the Altman”, TBS also released another special program on Thursday, June 2, with the documentary “The Modern Leading Otto Q” The old man. “The Protagonist of Modernity” is a documentary program that TBS began in February 1966. It is broadcast every Thursday at 10:30 pm, and the length of each TV session is the same as that of TV animation. By the end of 1967, there were exactly 100 programs, and this is the first issue of “The Old Daddy of Otto Q”. . The
Documentary provides an extremely valuable historical material, especially since the production was more valuable in the era. There was the appearance of the Round Valley Stunt Studio at that time, as well as the Dongbao Anvil Photography Institute, which was forbidden to enter by ordinary people, and the private place of Yuan Guying’s own home. From the disciples of the British two in the industry, to the scenery of the photography scene, and even the wife and children at home, they are included. Later, he inherited the second generation of the second generation and the third generation of the family’s special skills’ supervision. The images of Chuan Yuchang and Nakano Zhaoqing were of course, and they died one after another three and a half months. The name is like a slap ear. 3 people. Yoshitani Yoshiyuki, who died in late January 1970, was killed in the first half of February 1973, and he died in the late February 1976. In this documentary, he left behind the images of extinction. .
This program is produced by TBS, and the performance is also the reality of the TBS Temple, Zhao Xiong, who is known by the later generations of Altman. The works of the Round Valley Studios participated in the Showa era include “Ottoman”, “Otto”, “Odd Wonders”, “Returning Altman”, and “Diga Altman” and “Danao” in the Heisei era. Terman, Max Maxman, Second Archives of Strange Battle. There is also the first and second phase of the Heisei Otto series, which is the performer of the drama group of the real phase temple. In recent years, it has been the chief producer of the third generation of the Otto series. This documentary is the first work in the history of the relationship between the real temple and the “Otto”. The first time after the “Ottoman Night Festival, the birth of Altman”, there is also a real temple. .
The documentary began with the door of the then Round Valley Stunt Studio, where the children came to play someday. .
A group of children are playing, and two of them are simple and half-wearing monsters. It is the “Otto Q” screening of the 8th appearance of Mogula and the screening of the 15th words of the Kanagong. An adult next to him took the microphone and interviewed one of the children. This interviewer is… Jincheng Tetsuo, who is still moving and will speak Jincheng Tetsuo. .
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Xiaojin: Is the name of the monster of Otto Q come out? .
Kids: 嘎 蛋 啊 莫 莫.
Xiaojin: Which is better for horrible and cute? .
This dialogue, the name of the even cannon can make the side of the sea without the introduction of “Otto Q” that year, can also see that this scene occurred at the end of May 1966. Among the names the child said, the latest appearance was shown in the 21st, and on May 22nd, the documentary was broadcast on June 2nd. Actually, from the literature left behind, the production period of the film is indeed from May 23 to 29. .
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Kids: Gojila or something, a little boring, I have seen it in zoos. .
Xiaojin: The huge one I have seen? .
Kids: Um. .
Xiaojin: How can Gogira be in the zoo? .
Kids: I have seen it. .
Xiaojin: Have you seen Gogilla? .
Kids (scheduled): Well, a small version of Gogira. .
Xiaojin: Hey? ?
Child (scratching head): Ah, it is a gorilla (Golly). .
Xiaojin: Gorilla hahaha! How can the gorilla and Gogilla get confused? .
…… In this way, at the beginning of the documentary, in a serious atmosphere, I couldn’t help but tell a cold joke. At the time, Xiao Jin’s black question mark scared the whole body and leaned back. .
The next stop is the Dongbao Anvil Photography Studio in the Setagaya area of Tokyo, and the No. 11 studio, which was included in the photography scene where anyone, including the photographers, was forbidden to enter. Studios No. 10 and No. 11 are special-purpose studios, which are only used by the Round Valley Group led by Ying Er Lao Ting = Dongbao Special Technical Course. .
The general photography scene of the Holy Land, the photography class and the lighting class of the photography department. The camera with two iconic huge film reels on the tripod is a high-speed camera for the Mitchell 35mm film used by the old lady. The technical aspects are not mentioned now. Of course, the photography class and the lighting class are not limited to the screen. In the actual scene, there are at least 3 cameras in different directions in different directions, and the number of lighting devices is double-digit. .
The smoker wearing the hat at the back is the old man. The old man wearing sunglasses on the right is the foreman to help supervise Nakano Zhaoqing, and later became the third generation of special technical supervision of Dongbao’s family. The peak period was from the 1970s to the early 1980s. . The masterpiece has the disaster film of the top two in the Japanese film market in the same year, “Sinking in Japan” and “The Great Prophecy of Nostradamus”. The war film has the refurbished “Joint Fleet” of the “Hawaii Midway Island Sea Battle, the Pacific Ocean Storm”, and the old man’s “The Sea of Japan Sea War” refurbished “The Sea of Japan Sea Battle”. The science fiction film has the refurbished “Planet Wars” of the old “Ship of the Sea”, and the “Bamboo Story” that is willing to be imaged. The Monster Movies of course also have the 20th anniversary of Godzilla’s 20th Anniversary, “Gorgila vs. Mechanical Gyula”, the 30th anniversary of “Gorgila”. .
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老爹: Prepare. .
Nakano (loud retelling): Ok, official, ready! .
老爹: Camera. .
Nakano (loud retelling): Ok, camera! .
老爹: Playing board. .
中野: (Sound on the board).
爹: Good CUT. .
中野: Is it ok? .
老爹 (corresponding to the bottom right of the above figure): After talking about CUT, how did he turn 3 times (rubber reel), all said that it would be a waste (film). .
This is actually a special film of the new film “The Frankenstein’s Monster Shanda to Hella”, which was co-produced by Japan and the United States. Later, on July 31, 1966, the Dongbao Summer Season’s main movie, and the whole movie. 50 years later, “New Gigira” is also in the same schedule. I couldn’t let in the place where I couldn’t make it. I was able to capture the stunt supervision in real time. I was very expensive in the field. The lens could only be directed at the staff on the spot. I didn’t give the audience a picture of what they were doing. . .
Click to play the name clip in this movie: .
The film clips on the operation of Hella above are now a hundred times simpler to implement CG technology, so the perception of the position of the contemporary ordinary audience is not so volatile. However, if you watch it on the big screen in the cinema in real time, there is no doubt that it is a series of stunned images of Philippine, the famous scene in the history of the world. The operation of the helicopter, according to the action of the giant’s action laser hit and the moment of the deviation, the time when the tree is hit by the laser in the mountain miniature model, the control time difference of the gunpowder and the smoke, and the light trajectory frame by frame manual optical The kinematics of the synthesis, the high-speed photography of the water ripples, the scene image of the characters of this class and the indoor scene image of the special technical class monsters are completely blended with the tonal atmosphere, which has been hit by Hella after several hits, of course There are stuntman’s acting skills, and the timing of the sound effects, plus the finishing touch of the background music.
If you follow the Japanese idioms, it is dumb and quatrain. This background music march was repeatedly refurbished in the following 40 years, and the first appearance was created for this film. It is said that the derailment of Yuan Guying’s life means to become a rational worker in the literary and art piles, and a researcher in the art field of film and television. Therefore, unlike normal supervision, his performances are not in the form of word-of-mouth transmission through the artistic appreciation of the audience, but inscribed in the industry. At that time, the closer the technician was, the more he realized that the name of “God” was the title of “God” in the second place, the realm above the cloud. .
Then there was a brief interview with the old man who was waiting for the crew to prepare for work, so there was a monologue of the old man sitting in the chair. Here, as shown in the above figure, there is a lens that is pushed inward from the outside of the field instrument to the close-up scene. The reality temple especially likes this method of photographing the subject through an obstacle through a certain object. It is a feature of his performance. He has just used the exterior scenery of the photography studio and the studio, as shown on the right. If you put it in the character dialogue lens, it is a common over-the-shoulder lens. But it is true that the reality temple not only uses the shoulder lens, but also likes to use the “object lens.” It was quite wonderful to put it in the Japanese film and television industry at that time. Don’t say that it was such a “transfer lens”. Even if the dialogue of the characters is not the common orthodox. .
Laojiao’s monologue sighs that there are too many time spent on the photography scene of the special technical class. It takes about one and a half hours for each shot. Patting stops like an inefficient printer, and you can only shoot 6 shots in one day. The content of the split-segment stage was originally scheduled to be taken with 1000 shots. It may be actually done by the end of the time due to time constraints, so that it can barely fool the past. But the feeling of such a fool was very difficult. After he finished, he got up and went up to guide the operation of the camera. .
The third stop is the ancestral valley of the Setagaya Ward. It is a residence of the Valley House, and even the gates and famous brands are photographed. At that time, it was also the first time that the family composition of Yoshitani was clearly disclosed, and even the names of the preschool grandchildren were made public. The name on the map is now a familiar name for people familiar with the Valley Studios. .
Lao’s wife is Yuangu Zhensha, and the couple have three sons. When I was 35 years old, I was born in TBS TV’s film and television department. My wife was Yukiko Izumi. A brother and a couple have three more sons. The eldest son, Yokoya, is 8 years old. The second son, Yoshiyuki Yoshiaki, was 7 years old. The third son, Yoshihiro, was the actor of the late stage, and he was only 2 years old. The picture was still far from being born, and later there was a daughter who died when she was 1 year old. .
Turned back to the second son of Yoshitani Yoshiyuki, who was 31 years old at the Fuji Television Department. His wife, Yukoko, was born, and he had a son, Nagaya, who was 5 years old. Finally, the three sons of the Valley of the Valley, the second son of the valley, as shown at the time 22 was unmarried. Later, I got married and had a daughter. At the time of birth, Ying Er Lao has been dead for half a year. At that time, he was directly employed at the Round Valley Stunts Studio. He worked as a supervisory assistant at the site of Altman. He went to the “Otsaiwen” to become a special technical class supervisor, and he was always very involved in the production. The younger brother who loves the staff. .
The picture on the map is not clear, and it can only be determined that the old couple is the center. The left side of the picture is a family of three. Here is a clear picture of the point:
The picture is also centered on the old couple, to the right is the couple, then the rightmost man is the beggar, and then the left is a brother. The last person left between Laojiao and a brother is the only person who does not belong to the Valley of the Law but is still in the photo, Jincheng Tetsuo. .
The documentary continues, and then the private dialogue scene of the 3 sections of the Valley family is taken, killing the audience. The first paragraph is the dialogue between the old man, the real wife, the three sons, and the three people at the dinner table. The reality temple crosses the window or leaves or bird cage to shoot:
In this conversation, the old man is thinking about his childhood, saying that he first wanted to be a driver and a train when he was a child. Later, I wanted to be a pilot. In the third grade of elementary school, the Japanese who started the first flight, Tokugawa Tomoyuki (1910), thought that the plane was really a good thing. I want to fly by plane, and I make my own model of the airplane every day. At that time, I didn’t sell it like toys. I have to make it from the beginning of the material. For example, to buy a lantern, and then pull out the bamboo inside as a material.
It was the climax of the sixth grade of elementary school and I wanted to go to Tokyo to work on the plane. As a result, the family objected, and relatives even held a meeting for this, saying that the family had a rebellious baby. In the end, he was forced to go to middle school, but he didn’t want to go to middle school. He thought that it would be better to use the aircraft for money. There was no concept of wearing it at that time. I didn’t know anything from the hat to the tie and I didn’t know anything about it. .
From the literature left behind, the production notes of this book, the second paragraph is scheduled to be the scene where the second son and the third son are also in the same room. However, in the actual film, this is only the father and son of the old man and a brother. The brother is also the predecessor of the real temple, but this time he still shoots through the cup:
The father and son negotiated the situation and relationship between the film industry and the television industry at that time. TV is still in an upswing period, and the old king of the film industry has been greatly impacted. The two were very antagonistic at the time, and practitioners often hostile or despise each other. The old monks are different, they are the technicians who like novelty, and the acceptance is very strong. From the time of entering the 1960s, and even the two sons Amway went to the TV station in 1955, they immediately asserted that it was the era of television. The establishment of the Round Valley Stunt Studio and the production of TV dramas since the 1960s has also evolved from this initial program, and has become a model for the film industry’s giants to enter the TV industry. .
A brother was working at TBS as an old man at the age of 24, and he also held the same point of view, but also mentioned two-sidedness in the conversation. Because of the characteristics of close life, TV can watch and laugh together in the tea room, and the power of popular programs will be strong. Although the special photo of Dongbao is the home, the employees are gradually independent and dispersed, and each company has gradually produced their own. In the end, it will form a messy day, and the formation of a saturated day will be boring for the audience. To some extent, this is a successful prediction of the near future within 10 years. .
The third paragraph will be played, and the name “Monster Representation” will be sent to talk to the old man. It is the M1 of the Laguna and the 10th appearance of the “Otto Q”. .
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Q: Can we act to make the audience afraid? .
A: You are afraid that it is impossible to drop, the monster does not have a sense of humor is not to drop. .
Q: Can our monsters still live in the future? .
A: You don’t have to worry about monsters, but the wisdom of human beings against monsters. If you don’t have creativity with the times, you can’t do it. .
The place has gone, the conversation has been talked, and the next day is to show the old man’s daily routine. For example, performances and editing assignments, but of course it is impossible to get the dry goods from the video. It can only be shot against the person and still have some obstacles in front of the camera:
In daily life, eating is indispensable. I came to the staff canteen of Dongbao Anvil Photography Institute, and the lens continued to pass over. However, the dialogue with the largest amount of information on the whole piece of the film appeared in this section. The photographic technician who used to be the member of the Round Valley group was Chuan Yuchang:
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Laos: You have Chuan Jun, come over. There is Chuanjun, something to tell you. Well, the next thing. The new work is to shoot King Kong and Mosla, but this is heavy. .
有川: It is. .
老爹: So this time I want to have Sichuan independence for the first time. .
有川:哈? .
Laos: In this class, Ben Duojun said that Futian or who. .
有川: Oh, oh. .
老爹: So all in all. .
In the perspective of the audience who now knows the history of the past, the documentary is in the first episode of the seemingly inconspicuous canteen dialogue, and the historical information provided is too critical. Interpretation and translation, he said that after the summer peak season of “Shanda to Hella”, then it is time to busy the film at the end of the year, Dongbao’s initial policy for the new film is to sell King Kong and Mosla.
At that time, the background was the release of “King Kong vs. Gogilla” in summer of 1962. At this time, Dongbao’s right to use the role of King Kong had not expired, so he wanted to make another movie within the time limit. With Dongbao’s own name monster Mosla, the script was completed at the time, and the new monster Abila appeared on the scene to form King Kong vs. Abila. But those who are familiar with the existing works will know that there was no movie that King Kong appeared in the 1966 year-end schedule. Because this project was not adopted at the end, it became the “big duel of Gogira Abila Mosla in the South China Sea” that can be seen today. The plan of King Kong’s debut was moved to the summer of 1967. .
There is one thing to say, the concept of “Gorgila series” does not exist before the old life. There is only “Dongbao special film”, and then the monster movie is one of the areas, so the debut of Gojila will not be as a prerequisite for future generations. Even if the old man died for a long time, at most, there is a popular name for the “Gorgila movie”, but the formal concept of the “Gorgila series” is not established. .
The film that was taken for granted by Dongbao Special Film was the supervision of this article and the supervision of Yuan Guying. The old man is a new and old-fashioned person. What he has photographed in the past does not want to always shoot, and he has to carry out new challenges. Therefore, even if the Dongbao always asks for a new movie, the actual story is still playing new tricks every time, but the monster character who is destined to die is really no way to go. The old man feels that lack of enthusiasm is not one time. Two times. So this time the decision was not to take over the supervision of the stunts, but to promote the special skills’ supervision of Chuan Yuchang. .
Aikawa has been a dedicated photography technician since the birth of “Gorgila”. At this time, he has been in the production of “Aote Q” for more than 13 years, so he is a master. Very assured. However, TV is considered to be unofficial, so at this time the world’s stunt supervision is still only one of the two people, so the film was unprecedented in the history of the film, the birth of the second generation of special skills’ supervision. This moment is so recorded in the documentary as if it were understated. Later, in the historical facts, there was a serious quality supervision of Sichuan, and this supervision was Futianchun, which was sponsored by many groups. .
Finally, there was an interview with the old benefactor of the old man, who was then to the vice president of Dongbao. Q: Where does the Warrior Supervision resonate? A: Realism, depicting a fictional world, but using a variety of techniques to produce special effects, has opened up the enthusiasm and technology of this world. In the promotion of Japanese film and television technology, I am most consistent with Yuan Gusang, and even the way of thinking is the same. .
Nearing the end, the documentary listed all the resumes of the old works that could be collected at that time, all listed to scroll on the screen:
Then there are two children reading the background voice of the letter, saying that they are looking forward to watching “Otto Q” every week, and they are very happy to have the signature of Mr. Yoshitani. Obviously, it is a child who is still struggling to read. The pronunciation of the name “Yuangu” has been lingering for a long time, and finally he still misses it. .
The program is over here, and finally it is not a list of scrolling up like the usual ED subtitles, but a statement written by the real temple:
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“Fang Gu Sang is still 65 years old in about a month. But Yuan Gusang is not able to come back, the official shooting can only be one time, full of dangerous special scenes, gambling on his youth, It’s just that you can’t come back to a dangerous road. Yuan Gusang is also alive today, as the oldest of Otto Q.”
Later, Sen Yanxiong saw the documentary finished product, and felt a great cultural impact on this wonderful lens angle. The old man saw that you really took pictures from a very strange place. Then he said that I also want to find a chance to try this, because Mitchell’s camera can reproduce the parallax of the left and right eyes, and if Mitchell is used, it can focus on the object. .
This sentence is not fully understood at the time, because he is a TV-born person, the type of camera and film used are not in a grade. The film and film film for TV programs is usually 16 mm, and the film for local movies is 35 mm. The detailed definition of the concept is technical.
Three years later, Shishen Temple first tried to be the supervisor of the film, and also touched the Mitchell large-scale camera for 35mm film for the first time. Then he recalled the behavior of using a radio wave lens in such a big way, saying that it was the first time I understood what the words of the grain supervisor said. In front of the experts of high-end cameras, I was so stupid in this door. .
From the meaning of “film and television works”, that is to say, the oldest surviving temple supervision works made with film is the documentary. By the way, the music of this film is Dong Muduo, and it is also the first time that the relationship with “Otto” is related. Once the future generations have produced similar pieces of information or even TV series, the audience is nothing more than “the adults who have seen those works as a child are now interested in these behind the scenes”, but such a group did not exist at the time of this documentary production. Therefore, from the time of production and the content of the display, the value of this documentary is undoubtedly precious, especially for fans of the Valley Studio, Dongbao Special, and the Auto series. This article. .
The article mentions the relationship between the realism temple Zhaoxiong and Yuanguyi, the things of Beipu, the large works of Dongbao special film, and the “Ot Q” monsters in the documentary, etc. The basic system concept of class and special technical class, Dongbao’s things with Chuan Yuchang and Nakano Zhaoqing, the camera that Mr. Yoshitani Yoshiyuki loves, his situation and character, and his style of acting, and his wife, Zhensha, is old. The various things that have been experienced in childhood, the macro background of the era of the film industry and the television industry, the relationship between Sen Yanxiong and the relationship with the old man, have actually been mentioned in the past serials. .
If you have an impression of the above, you will feel the intimacy of this article and the content of the documentary. Of course, I have not seen it, nor does it affect the reading of this and the subsequent serials. Today is the opening stage of the new stage of the “Aote Series”, the beginning of the “Altman’s History”, which will officially begin to enter the part of “Ottoman”.