a style that can feel the sense of speed

The original animation “Hisone and Masotan”, which was organized by Sakaguchi Sakamoto as the general supervisor and in charge of the series, was completed at the end of June, and the animation BD-BOX will be released in November and December respectively. After the completion of the automatic painting, many friends still have a lot of interest in this work. During this period, many magazines also published relevant interviews and retrospective topics. The official also released the set of data sets in the first ten days of August, and witnessed this work. The prototype and behind-the-scenes design before completion. This time, we use this official setting data to focus on the role of the original case of Aoki Jun to understand how the various characters in the work were born. .

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The role of the original case: Aoki Jun straight.


Aoki entered the “Hisone and Masotan” crew. As stated at the production conference held at the end of 2017, Sakaguchi said that he saw the paintings of his NHK morning drama “Sea Girl” and then gave it through Facebook. He sent him a private letter. At the time, Aoki’s understanding of Sakaguchi only stayed on the “special surveillance”. I thought that he wanted to put him into the animation part of the real shot. After seeing it, he realized that he was going to paint the character for TV animation. Original bill. Instead of painting the character’s original case, it is even more surprising that Aoki feels that the mouthpiece is actually taking TV animation. .

Aoki participated in the stage of the crew and already had the prototype of “Dragon”, “Beautiful Girl” and “Self-Defense Force”. Intuition tells him that this will be a very interesting work, not to mention the reason for the rejection of the famous scriptwriters such as Makiguchi Shinji and Okada Hiroshi who have been involved in animation for many years. I took the job very happily. .

Aoki first painted five major D drivers. However, the only ones that were drawn at that time were simple settings and impressions. For example, the name is the opponent of Zeng Gengen, the petite body, and the painted face looks like a heroic but flawed side. Lilyzi is always a negative girl, and the real bow is It’s a very powerful girl like this, starting with just these keywords. .

There is no concept in the overall design, because it is the first time to cooperate with Sakaguchi and Okada, and Aoki always feels that he should paint better. However, the mouth of the mouth said to him, just paint it, and draw some more. “I can feel the style of speed.” Aoki thinks that Sakaguchi probably wants to see how much his sketch can be used in animation. .

Finally, Aoki’s original case can be used well in animation, and Aoki says it is entirely based on Ito Kazuyuki’s credit. In the animation, in order to make the character move, the control of the line needs to be strictly controlled, but at the same time, it is necessary to maintain the feeling of scribbling in the original case. Aoki admires the animation design of Ito. Take Zeng Gen, the design of the bangs by Ito is more effective than the original case of Aoki, and it is more able to express expressions and movements. .

桧 Zenggen’s original design and the original draft were basically unchanged, but the other four people have undergone many changes. Especially the early design of the painting, in a little regretful feeling, but when the story progressed to the fifth unmanned island training, Aoki felt the unsuitable place, so it was greatly changed. The role of D driver is the most troublesome for Aoki. The rice meal is most closely related to the final ritual, so it is necessary to leave a sinister and sinister atmosphere. In fact, he has a side that likes brand-name snacks. The bottom is a funny uncle, especially in the animation. Laugh. .

Aoki believes that every character, whether it is an expression or an action, has an impression that is completely different from the original. The closest thing to the impression is probably the painting, but only the expression is similar to his painting, and the others are much richer than the impression. In particular, Zeng Gengen, basically every episode can see new expressions, and Aoki is looking forward to seeing new expressions every week while watching the live broadcast.

Aoki, who is the original role of the character, will also participate in the scripting meeting every week. At the script meeting, Aoki will also draw a funny painting while discussing. Xiaolin Kuan’s supervision sometimes sees his painting directly and decides to use this scheme in animation. In. However, Aoki said that although he painted a lot, the performance in the animation is much more interesting than the one he painted. For example, in the seventh sentence, Zeng Gengen imitated the expression of the zombie pendant. Although it was the original case of his own painting, the animation had more vivid images. In the second sentence, several islands directly measured the scene of the 桧根根臀, although the original case directly wrote “hip circumference 86”, the animation directly used this number, but Aoki laughed that 桧 曾根’s hip circumference seems to Not as big as 86. .

After all, each character is like a child of Aoki. It is difficult to choose the most favorite character. If you want to say it, you are the root of the woman. Especially after joining the excellent acting skills of Hisa, the Aoki was very touched. On the male side, Aoki likes the characters like the front and the tail. These are the types that he didn’t paint in the past, especially the front of the plane’s head and the feeling of holding the arms with both hands. Love. Aoki also revealed that there is another role in the control officer based on the president of BONES’s Nan Yayan, because the image of the president of South is very suitable for appearing in the animation, and he is drawn inadvertently. .

To say the favorite chapter, Aoki said that it is still the seventh, whether it is the date of Zenggen and Xiaomu, the Lilyzi, the painting and the financial investment, the true bow and the tail length that are hooked by “The King of the World”. The dialogue is all in the heart of Aoki. Zeng Gengen said that “the little hibiscus was born here!” At this moment, Aoki said that he was as small as this wood, and he had a heartfelt heart. The subtitle “Love Kingdom” of this episode is also his favorite title. .

Finally, Aoki sighs, because “Hisone and Masotan” is the first TV animation he participated in, so he looks forward to the live broadcast in front of the TV every week like the audience. This is his experience that he has not experienced in the past. As an audience, he also realized the feeling that he hoped that the animation he liked would never end. He enjoyed this kind of fun and hoped to share this kind of fun with more people. .


[References].
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  • 一迅社 “Hisone and Masotan Official Settings Collection”