This article mainly explains how the animation of “Planet and the Common” implements the overall situation of the script by simply sampling and analyzing the scripts of some episodes. (This article contains serious spoilers. If you don’t watch the whole film, please quit immediately).
First of all, you need to be clear. The whole process of animation is a change from revenge to forgiveness. It is the theme of telling love. Here, the lyrics change from OP to ED can be seen, from no forgiveness to mutual understanding. .
. The lyrics in
OP are [Xu Xin’s heart is closed, secret の justice, prisoner sees you].
. The lyrics in
ED are [Xuしあえるから Love しのRa Rainbow Planet].
Throughout the whole animation, there is no episode of special hardship and hatred. Each episode has a smile of each episode, and there are also some touching places. As an animation of narrative love, the script itself is full of love. On top of such a theme, the following is a narrative of narrative, narrative, and narrative, and three parts explain the overall composition of the script. .
1. Anti-heavy atmosphere shaping.
The reason why it is anti-heavy is not easy, because from the beginning, the situation of Zongya itself is very bad. As a descendant of the destruction of the planet, even if the performance is used to weaken its horror, this is still a factor that makes the atmosphere heavy. In order to cope with this, the first thing is that in the early stage, the viewers will be concealed, which largely eliminates the heavy feeling. Throughout the film, in order to weaken this heavy feeling, you can see that there are many very stupid ○ performances in the animation, such as Zongya can not eat meat, and often fight with his own spit. However, these silly ○ performances are just adjustments. What really weakens the sense of weight lies in the design of the script. .
At the end of the first episode, when Zongya threatened [I want to kill all of you], the tone of revenge has been set. And here is the first and last place to emphasize the concept of [suspension], let everyone wonder what Zongya understood. After that, even if there is a pit, it will not deliberately emphasize the feeling of this unsolved mystery from the position of the script. Here, the suspense is pulled out to explain, because many times, [suspension] is abused as something that increases irritability and desire to watch. The result of misuse of suspense is the heavy atmosphere. .
On this point, “Planet and the Communist Party” is doing very fresh and refined. Even in the first episode of suspense, Zongya has already thought of the cause of the incident; in episode 2, the nebula’s faction problem was explained on the way to the play; the third episode shows that the dragon’s power was destroyed. Sirius. Just like this, every thing that focuses on this explanation is quickly explained, and the concept of boring suspense is not set at all, that is, there is no tangled feeling brought by suspense, which is a big advantage of this script setting. .
The main line’s suspense is a bit, and the remedies are another. .
If revenge is the main line, then school life is the branch line. The main purpose of the branch line is to treat Zongya. As a story about love, it is not enough to stop revenge alone. The end of revenge is nothing but emptiness. Every day is the basic of shaking revenge. At this point, the third episode has a full half of the time to tell the process of Zongya’s treatment in the Department of Supernatural Research, and at the end of the same episode, the swaying of the roots of the roots of the roots of the school. In just three episodes, the male master has begun to change, and the beauty of the daily atmosphere has already been conveyed. Of course, the role of the squad leader is more important in daily life. Zongya’s shame in the face of the squad leader and the continual active attack of the squad leader, these anti-heavy effects in the fifth episode of the whole plot are very in place. .
Since this is an animation based on narrative rather than narrative, the atmosphere will not be repeated. .
2. Short and fast character shaping.
“Planet and the Communist Party” as many animations, in order to play the role of group image, we must establish the image of everyone. As we all know, in most cases, the Syrian people need to rely on conflicts of events. However, the setting of strong conflict is an anti-heavy policy that violates Article 1. The design here is smart enough to create a conflict that does not exist through the illusion scene in the enemy seal weapon. This is similar to the Flashback Narrative Method of The Genius Mahjong Girl.
In order to meet the needs of high-speed narrative, many characters in this work are not complicated in design, and the reason for action and behavior habits are very obvious. The only non-protagonist group’s role in the narrative is more interesting to the father. .
The first appearance of the old man is a very funny image. It is different from the other, and is different from the age of the house. (In addition, the number of teasings in this work is very large, and everyone has a commensurate place, which is in line with the atmosphere of the first point). .
Since the part of [Unusual Age] has been molded, then [the age-appropriate part]. .
The fifth episode, I saw the photo of the deceased wife before the battle, and there is only one object in the big space, and the sense of ritual is very strong. This is the ultimate way of narrator, a very simple way to understand. (There is also the role of a narrative, which will be mentioned at point 3).
After talking about the design of the protagonist group, Zongya’s image is also very childlike. The design advantage of a child is that he can legalize his waywardness and express his emotions very straightforwardly. .
Look at the lines in the following set of pictures, which are very clumsy and direct emotional catharsis. But it is this emotional catharsis that can meet the needs of high-speed narrative. This also requires the cooperation of the image of this child. .
However, there is a drawback in the image of a child, which is disgusting. In this aspect, the squad leader and the intimate big sister silver in the script have made Zongya very cute; cute is the biggest recognition of the role. Moreover, since Zongya’s revenge behavior has [current legitimacy], the emotional catharsis is more rationalized. .
The 8th episode, after the end of revenge, the earth is facing a crisis, and Zongya does not come out to fight as the protagonist. This behavior itself is a kind of anti-protagonist behavior. However, there are many anti-routing methods in the creation of the protagonist. As the avenger, the other planets who are the opposite protagonists, and the personality of the children, it is more reasonable to make the anti-protagonist behavior. In addition to the illegality of [forced children fighting], this behavior will not be repulsive at all. .
The state of the sage after the end of revenge is also very direct in the theme of revenge. The long-term emotional monologue here is the best portrayal of the inner emptiness of the lonely child. The character is distressing. Feeling, waiting for revenge is nothing more than emptiness. .
3. The interlocking narrative.
3.1 The internal digestion of narrative.
To make the high-speed narrative look like it doesn’t jump, the most important thing is to interpret the doubts and explanations into multiple links, and simplify the complicated characters. Specifically, let’s look at the performance of an animation. .
The episode of the camp of the third episode illustrates the scene, and the serious scene adds the funny part of the sacred chicken to the chicken. At the same time, the seiyuu shows that Shiraishi is the seal of the seal. .
The fifth episode of Zongya and the squad leader, the horrible shaping of the squad leader, the cute shaping of Zongya, the heartbeat of Zongya, the funny scene, and the relationship. Five roles. .
A lot of explanations like this add a lot of funny elements or a lot of other functional things. The amount of compression is very large, and the atmosphere is adjusted at the same time as the narrative. .
For the purpose of high-speed narrative, many narrative plots have also been digested internally. The most obvious is the shaping of Ye Jie. It was not until the ninth episode was reversed that the modeling was completed, and the previous period only gave the tentative image like the red thread. The shape of Huju was also completed in the eighth episode. That is to say, through the tentative image, the narrative purpose is achieved, and the narrative is completed at the same time as the integrated narrative and internal digestion. .
3.2 Rapid reentry.
In order to achieve the anti-heavy atmosphere of the first point and the high speed of the narrative, the method of increasing the narrative interest in the suspense narrative method does not work. And the funny plot itself is just adding fun, not narrative. So what method is used in this work? .
On this point, you first need to explain what is the narrative interest. Here is an example of the action of Huju in the eighth episode.
First of all, the tone of Hu’s coming out of the car is very urgent, and the whole line is out of a state similar to questioning, that is, the inducing nature of the action has forced the battle of the Zongya, which will mislead the audience to believe that the Huju is also fighting. However, after Zongya refused, Huju recognized, this is the first accident; Huju further said that he went to fight, this is the second accident. Unexpected bursts are where the narrative is. The reason why Huju said that his fighting is an accident is that there is no obvious hint that Huju can re-call the mech combat, including the characters in the animation, which is also unexpected. It can be said that there is a consensus outside the play. .
However, this unexpected point was rationalized in the battle between Huju and Hongxu. .
The vial here is just an opportunity to talk. It was said that it was a direct line when Huju and Hongxu first met. However, the red thread himself was also surprised, and it appeared as the second accident, that is, the previous explicit was hidden. This is another manifestation of the fun of narrative. The hidden express as a clue is in line with the principle of Article 8 of Knox Ten Commandments. .
Similar usage methods are very obvious in the 5th episode. .
First of all, as mentioned in 3.1, the funny and explanatory process of the father’s action here is carried out simultaneously, which is the use of internal digestion. Then, because there was a separate shot of the photo of the deceased wife before, according to this explicit, the father will not shake the illusion. But here the father did not hesitate to rush up, and then explained the line to illustrate that this is the process of [taking away the flames in the heart], began the first induction of the audience: doubt whether there will be an accident. After the father finished eating, he turned out to be the first to break the induction, but also the chain of the former narrative. However, after breaking the induction, the surprised behavior of seeing the soul of the deceased wife is the second induction. After the second induction was broken again, the emergence of double individuals was the third time to create an accident. That is to say, through the unexpected rapid emergence and disintegration, the whole narrative taste is greatly improved. .
After the scene where the father suddenly attacked Zongya, the scene of the battle between the dog and the human leader, the scene of the former squad leader threw the sacred vector, the entire fifth episode, the accidental partial density is higher than the other episodes, this It also makes the entire narrative of Episode 5 more full and interesting. .
3.3 Friend-friendly.
The narratives mentioned in the previous two points are more biased towards the details, and the overall situation, like [hidden explicit], is also a lot of attention. .
The whole animation has a very obvious feature, that is, filling the pit is faster than digging the pit. The information that the current audience wants to know will be released in a short time. In some places, the pits to be dug will be filled in advance. For example, the last squad leader found Zongya’s place. Very early, the two people’s feelings were particularly powerful, and when the cats and dogs fought, [the place has been sent to the father. ] This kind of expressiveness to the back of the old man. Like the resurrection of the Dragon Club five years later, this information is directly on the table. Animations that serve the audience on a global level like this are very rare. .
The above shows some interesting places in the design aspect of the animated script through a few simple examples in the animation. Because of the limited level of the author, I definitely explain the power of the incomplete animation. I would like to express the author’s appreciation of the animation. Situation.